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OM-D E-M1 Mark II

4.9 Stars

Starting At $1,399.99

Regular Price: $1,699.99

($300.00 Savings!)

Starting At $1,399.99

Regular Price: $1,699.99

($300.00 Savings!)
buy now


Introducing the OM-D E-M1 Mark II, an advanced system of innovative technology and features designed to forever change your photography. Up to 18 frames per second sequential shooting with precision C-AF Tracking. 121 Cross-Type On-Chip Phase Detection AF points. Up to 5.5 shutter speed steps of compensation with powerful in-body image stabilization. Plus a 50MP High-Res Shot Mode. It’s all enclosed in a magnesium alloy weatherproof body that weighs a mere 600 grams. Paired with the superior resolution of M.Zuiko PRO lenses, the E-M1 Mark II will deliver brilliant imagery that’s coveted by professionals everywhere.

  • Frames Per Second
  • Continuous Shooting
  • EV Stops of
  • Stabilization Performance
  • High Res Shot Mode
  1. 20 Megapixel Live MOS Sensor
  2. Advanced 5-Axis Image Stabilization
  3. Lightweight, Weatherproof Body
  4. 15fps Seq. Shooting (Mechanical)
  5. 60fps Seq. Shooting (Electronic)
  6. 1/8000s High-Speed Mechanical Shutter
  7. Cinema 4K Video
  8. 121-Point Dual FAST AF
  9. Fully-Articulating 3.0” Touch Monitor
  10. 50 Megapixel High-Res Shot Mode
  11. Focus Bracketing and Stacking
  12. Built-In Wi-Fi
  • Design
  • Image Quality
  • Autofocus
  • Speed
  • Pro Features


      The E-M1 Mark II is part of an amazingly compact, lightweight system with unrivaled reliability no matter the weather.


        The E-M1 Mark II has all the advanced shooting features pros demand and beginners love to use in an astoundingly light, compact, durable design.


        Whether you’re taking to the streets, traveling the world, or working in the studio, the E-M1 Mark II is built to keep you capturing great shots without worrying about your gear.


        With its high-capacity Li-Ion battery, dual card slots, and a durable shutter mechanism, the E-M1 Mark II offers power and portability for all types of photography endeavors.


      When combined with M.Zuiko PRO lenses, the mirrorless E-M1 Mark II is more compact and lightweight than DSLRs, providing comfortable shooting with more freedom - even allowing for handheld super-telephoto photography.


      With a shape that provides outstanding grip and hermetically-sealed magnesium alloy construction that's splashproof, dustproof, and freezeproof (down to 14°F / -10°C), the E-M1 Mark II allows you to enjoy worryproof shooting even in the most challenging conditions.


      The E-M1 Mark II's high-capacity Li-Ion battery enables more images on a single charge (up to 440 shots) plus requires less charging time. The camera’s percentage battery display lets you check the remaining battery charge at a glance. Dual card slots feature a staggered layout for easy access and boast four recording settings, ideal for the backup and management of your image and video files. And the E-M1 Mark II’s shutter surpasses durability tests of 200,000 actuations.


      The E-M1 Mark II's smart design features textured metal dials and easy-to-reach ergonomic controls. Dials and buttons can be customized with functions that match your shooting style.


      Frame your shots from any angle, then touch to focus and shoot. The E-M1 Mark II's vari-angle LCD screen with touch control allows for easy adjustments to AF points and settings.


      Easily see camera settings and accurately compose your shot using the interactive 2.36 million-dot LCD electronic viewfinder. It features a smooth 120 fps refresh rate with a 5 millisecond response time that's imperceptible to the human eye.



      Technology works together seamlessly to provide breathtakingly clear, sharp, professional photos in every situation.


        Olympus mirrorless camera technologies and innovations like the dual quad core TruePic™ VIII Processor come together to ensure your next moves in photography lead to pro-quality results.


        The E-M1 Mark II’s High Res Shot Mode creates incredibly sharp images with resolution that exceeds that of many full-frame DSLRs.


        The E-M1 Mark II's in-body 5-Axis Image Stabilization compensates for all types of camera motion for sharp blur-free results, all handheld, even when shooting telephoto or in low light.


      The E-M1 Mark II's 20.4 MP Live MOS Sensor features an Anti-Reflective Coating on both sides of the sealed cover glass to reduce flare, and its high-speed design captures distortion-free images of moving subjects that are rich in color and detail. It works simultaneously with the dual quad-core TruePic™ VIII Image Processor that boasts four CPU cores, four image processing cores, and a dedicated AF calculation circuit to easily power the E-M1 Mark II’s blazing sequential shooting and autofocus speeds.

      Photo by Olympus Visionary Scott Bourne


      The E-M1 Mark II's High Res Shot Mode automatically captures 8 consecutive shots in under a second, then composites the images into one ultra-high resolution shot. The powerful TruePic™ VIII Image Processor prevents image blur caused by subject movement for greater shooting flexibility. To customize your final file size, both a 50 MP Mode and a 25 MP Mode are available.

      Photo by Olympus Visionary Frank Smith


      Advanced in-camera 5-Axis Image Stabilization compensates for all types of camera motion to provide up to 5.5 shutter speed stops of compensation for crisp images. When paired with a M.Zuiko PRO lens that features in-lens stabilization, 5-Axis Sync IS provides up to 6.5 shutter speed stops. Capture blur-free shots at longer shutter speeds of up to 2 seconds, no tripod needed.



      Exceptionally fast & accurate. The E-M1 Mark II's revolutionary autofocus system is ideal for capturing fast-moving subjects.


        Get autofocus speed and accuracy to easily capture split-second moments. The E-M1 Mark II's Dual AF system boasts 121 points of on-chip Phase Detection AF plus Contrast Detection AF.


        With the E-M1 Mark II, easily customize your AF target mode and focusing operation to match your shooting situation for optimum performance.


        The E-M1 Mark II's articulating touch screen is designed for ease of operation, even allowing you to select autofocus points with a simple touch of your thumb.


      Capture split-second moments with precision and ease. The Frequency Acceleration Sensor Technology (F.A.S.T.) AF system boasts 121 points of On-Chip Phase Detection plus Contrast Detection AF. Every point of On-Chip Phase Detection is cross-type, facilitating detection of vertical and horizontal lines for superior accuracy. Plus. an innovative subject-tracking focusing algorithm effectively captures and follows sudden movements, stopping, and acceleration.

      Photo by Olympus Visionary Larry C. Price


      The E-M1 Mark II boasts five AF target modes: All Point, Single Point, 5-Point Cross, and 9-Point Group, and Small Targets. In addition, precision C-AF Tracking and the subject-tracking Cluster Display simplify focusing on moving subjects. For even faster focusing, the in-body AF Limiter function works with any lens and shortens AF drive time with three customizable focus distance ranges.


      The E-M1 Mark II's AF Targeting Pad function lets you easily move the focus point by touching the LCD screen with your thumb while looking through the viewfinder. Dialing in your focus point has never been easier.



      Fast continuous shooting speed and smooth 4K video takes your work to the next level.


        Always catch the exact moment you want! Pro Capture buffers a running series of full resolution images when you press the shutter release to capture that moment's image plus up to 35 previous frames at all once.


        Experience sequential shooting speeds that far surpass those of DSLR cameras. With the E-M1 Mark II, photographers have the ultimate in rapid response in the palm of their hand.


        Using a combination of 5-Axis Image Stabilization and electronic stabilization that's optimized for video, the E-M1 Mark II captures ultra-smooth handheld 4K and C4K video without tripods or other bulky stabilizing equipment.


      Capturing the best moments can be difficult, especially when your subject is in motion. Pro Capture Mode ensures you’ll catch the exact moment you want without any lag. Pro Capture uses the silent electronic shutter to start buffering a running series of full resolution JPEG / RAW images when you press the shutter release button halfway. Then, fully press the shutter release to capture an image plus the 35 previous frames all at once. You can keep the shutter release fully depressed to continue sequential shooting. With its time machine-like capability, Pro Capture always has the perfect shot stored and ready to save.


      Experience sequential shooting speeds that far surpass those of DSLR cameras. Using its advanced silent electronic shutter, the E-M1 Mark II captures 20 MP RAW image files at up to an astonishing 60 fps in S-AF Mode and 18 fps in C-AF Tracking Mode. Or, use the E-M1 Mark II’s high-speed mechanical shutter to shoot full resolution photos at a blazing 15 fps in S-AF Mode, far surpassing other cameras in its class. Thanks to cutting-edge processing speeds, even fast-moving subjects are captured in stunning detail.


      Capture C4K (4096 x 2160) video up to max bit rate of 237 Mbps at a 24P frame rate for true cinema quality. For even greater flexibility, shoot 4K (3840 x 2160) video with a 30P, 25P, or 24P frame rate. With the E-M1 Mark II’s 5-Axis Image Stabilization and electronic stabilization that’s optimized for video, you’ll shoot ultra-smooth handheld UHD video without tripods, jibs, or other bulky stabilizing equipment. Plus, there are two HDMI output modes: Monitor Mode supports an external monitor display, while Recording Mode records to an external monitor recorder. For those who professionally color grade their footage, a free LUT compatible with DaVinci Resolve is available for download.

      Wi-Fi SYNC

      Remotely control your camera and wirelessly transfer your pictures to your Android or iOS smart device with the Olympus Image Share app.


      The E-M1 Mark II's dual card slots feature a staggered layout for easy access and boast four recording settings, ideal for the backup and management of your image and video files.



      We've packed in innovative technologies and system accessories for the ultimate shooting powerhouse.


        Create the ultimate kit that's specialized for you and your photography of choice. We've designed an entire professional system to complement your E-M1 Mark II.


        The E-M1 Mark II's Live Composite and Live Bulb Modes create incredible nighttime compositions as you watch the images build up on the monitor.


        The E-M1 Mark II comes complete with specialized modes like Silent Mode and in-camera Focus Stacking.


      We’ve created an entire system to complement your new E-M1 Mark II. Both the FL-900R High-Intensity Flash and the STF-8 Twin Macro Flash feature weatherproof construction and are perfectly matched to the E-M1 Mark II’s compact dimensions. The HLD-9 Powered Grip offers a second arrow pad for convenient control when holding the camera vertically, and the RM-CB2 Remote Cable Release easily connects to the camera with an L-shaped pin jack. Add the PT-EP14 Underwater Housing that's waterproof to depths of 60 meters and you'll be prepared to capture amazing shots in every environment.


      With Olympus' exclusive Live Composite Mode, easily create breautiful nighttime images of star trails and cityscapes as you watch the images build up on the monitor, allowing you freedom of exposure adjustment.


      Silent Mode completely eliminates all shutter and electronic sounds, perfect for capturing photos in quiet environments. Focus Bracketing automatically shifts the focal point for a preset number of consecutive images, while Focus Stacking automatically takes several shots with varying focal points and composites them into a single image, no post work needed. It's ideal for shooting plants, insects or small objects.

    OM-D E-M1 Mark II Awards


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    Tech specs

    Because the details matter

    Key Specs

    1. Sensor Effective Resolution / Type
      20.4 Megapixel Live MOS
    2. Processor
      TruePic™ VIII Dual Quad Core Processor
    3. Focusing System
      Dual F.A.S.T. AF (Contrast & Phase Detection AF) 121 Point (All Cross Type) On-Chip Phase Detection
    4. Image Stabilization System
      5-Axis In Body Image Stabilization
    5. Viewfinder
      2.36M dot LCD Electronic Viewfinder
    6. Rear Monitor
      3.0" Vari-Angle Touch LCD
    7. Weatherproof
      Dust, Splash and Freezeproof
    8. Sequential Shooting Speed
      15fps [H] mode 10fps [L] mode mechanical shutter
      60fps [H] mode 18fps [L] mode silent electronic shutter
    9. Flash
      Bundled FL-LM3 (dust & splash-proof)
    10. Special Features
      4k Video Capture (30/25/24 fps)
      PRO Capture Lag-Free Electronic Shutter Mode
      In-camera Focus Stacking
      Dual SD Card Slots

    Sensor / Dust Reduction

    1. Sensor Type
      4/3" Live MOS Sensor
    2. Effective Pixels
      20.4 million
    3. Total Pixels
      21.8 million
    4. Aspect Ratio & Area
      4:3 / 17.4 x 13.0mm
    5. Dust Reduction
      Super Sonic Wave Filter


    1. Processor Type
      TruePic™ VIII

    Focusing System

    1. AF System Type
      High-speed imager AF: Imager phase detection AF and imager contrast AF (active AF automatically selected by camera; when a Micro Four Thirds lens is attached, imager phase detection AF is always selected)
    2. Focus Modes
      Single AF (S-AF) / Continuous AF (C-AF) / Manual Focus (MF) / S-AF + MF / AF tracking (C-AF + TR) / Preset MF*1
      *1 Distance setting values are rough estimates and not compatible lens except the AF lens.
    3. Full Time AF
      Not Available
    4. AF Limiter
      Available (Fn button can be assigned to On/Off; can save 3 settings) *Distance setting values are rough estimates.
    5. AF Performance
      C-AF lock (5 steps) , AF scanner (3 types)
    6. Magnified Frame
      3x , 5x , 7x , 10x , 14x
      *Autofocusing is possible in the magnified frame; can be assigned to button to turn magnify frame AF on and to activate magnification; touch icon on monitor to turn off; enables selection of AF point from over 800.
    7. Face Detection AF / Eye Detection
      Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority
    8. Focusing Points / Focusing Points Selection Mode
      121-point cross-type phase detection AF and 121-point contrast AF / All target, group target (9-area or 5-area), single target
    9. AF Illuminator
    10. AF Targeting Pad
      Available (activate / deactivate with double tap on rear monitor)
    11. Manual Focus Assist* Customize Function
      Focus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode
    12. Peaking Function
      Activate with Fn button or focus ring
      Change peaking settings using the Info button
      Color selection: white, black, red, yellow
      Intensity selection: high, normal, low
      Back light effect: on, off

    Image Stabilization

    1. System Type
      Built-in 5-axis* sensor-shift image stabilization for movie and still photos
      *yaw/pitch/roll/vertical shift/horizontal shift
    2. Modes
      4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF
    3. 5-Axis Sync IS
      *When using M.Zuiko Digital lenses equipped with image stabilization
    4. Live View Image Stabilization
      Activation by half-pressing shutter button or enlarging view
    5. Focal Length Setting
      11 settings: 10 programmable settings (10 lenses), 1 open setting
    6. IS For Live View Image
      Activation by half-pressing shutter button or enlarging view
    7. Stabilization Performance
      5.5 EV*
      *Based on CIPA measurement conditions.
       When using M.Zuiko Digital ED 12-40mm f/2.8 PRO (focal length = 40mm (35mm equivalent: 80mm))
    8. Lens IS Priority

    Shutter / Sequential Shooting

    1. Shutter Type
      Computerized focal-plane, high-speed mechanical shutter Silent electronic shutter
    2. Shutter Speed
      Mechanical Shutter: 1/8000 - 60 sec. (1/3, 1/2, 1 EV steps selectable)
      Electronic Shutter (Silent Mode): 1/32000 - 60 sec
      Bulb / Time: default setting 8 min. (1/2/4/8/15/20/25/30 min. selectable)
    3. Sequential Shooting Maximum Speed
      [Sequential shooting H] approx. 15 fps with selectable 10-15 fps
      [Sequential shooting L] approx. 10 fps with selectable 1-10 fps
      [Anti-shock sequential shooting L] approx. 8.5 fps with selectable 1-8 fps
      [Silent sequential shooting H] approx. 60 fps with selectable 15, 20, 30, 60 fps
      [Silent sequential shooting L] approx. 18 fps with selectable 1-10, 15, 18 fps
      [Pro Capture H] approx. 60 fps with selectable 15, 20, 30, 60 fps*
      [Pro Capture L] approx. 18 fps with selectable 1-10, 15, 18 fps*
      *When using the M.ZUIKO DIGITAL ED 12-40mm f/2.8 PRO
      *Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting.
      *When in Pro Capture mode, slower shutter speeds and flash can not be used。
      *When ISO is 8000 or above, 30 fps becomes the maximum sequential shooting speed, and the actual shooting speed may become slower than the set shooting speed by a few frames per second. When using ISO Bracketing, performance will be affected at ISO 2000 or above.
      *Focus and exposure are fixed at the values of the first shot when using sequential shooting H.
      *Maximum sequential shooting speed is 8.5 fps for anti-shock sequential shooting L, even when set to 9 or 10 fps.
      *Zuiko Four Thirds and Panasonic Micro Four Thirds lenses are only compatible with Pro Capture H mode.
    4. Max Recordable Pictures in Sequential Shooting
      [Sequential shooting H 15fps] RAW: Max. 84 frames, JPEG (LN): Max. 117 frames
      [Sequential shooting L 10fps] RAW: Max. 148 frames, JPEG (LN): Until card is full
      [Silent sequential shooting H 60fps] RAW: Max. 48 frames, JPEG (LN): Max. 48 frames
      [Silent sequential shooting L 18fps] RAW: Max. 77 frames, JPEG (LN): Max. 105 frames
      *When using the M.Zuiko Digital ED 12-40mm F2.8 PRO and the Toshiba SDXU-B032G memory card with standard card setting in slot 1.
    5. Self Timer
      Operation time: 12 sec., 2 sec.,custom (Waiting time 1-30sec.,Shooting interval 0.5/1/2/3sec.,Number of shots 1-10


    1. Finder Type
      Eye-level electronic viewfinder, approx. 2.36M dots
    2. Field of View / Viewfinder Magnification
      Approx. 100% / Approx. 1.30x*1 - 1.48x*2 (-1m-1, 50mm lens, Infinity)
      *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3)
    3. Eye Point / Diopter Adjustment Range
      Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1
    4. Preview
      Live View preview with depth of field preview lock
    5. Display Grid
      Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid
      *grid color is selectable
    6. Level Gauge
      2-axis (horizontal / vertical) level gauge
    7. One Touch Tele-Converter
      Available (2x)
    8. Finder Style
      3 styles
    9. Brightness / Color Temp Control
      Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control
    10. S-OVF (Simulated OVF)
      Expands the Live View dynamic range. *Available in the EVF when in P, A, S and M modes. Art filter, WB and exposure are not reflected in EVF.
    11. Eyecup
      Optional eyecup EP-13 available
    12. Rear Monitor Size
      3.0-inch vari-angle monitor* *Approx.1037k dots (3:2), electrostatic capacitance touch panel
    13. Touch Control
      Shutter release, magnification, AF area selection, AF area size adjustment, AF touch pad, frame forward/backward, magnified playback, Live Guide, Super Control Panel, Wi-Fi connection, movie controls, movie effects, movie teleconverter , selfie controls (shutter release, e-Portrait, custom self timer)
    14. Tilting Capability
      With (mirror display when monitor is in self portrait position)
    15. Brightness / Color Temp Control (Rear Monitor)
      ±7 levels / ±7 levels
    16. Color Tone Select
      Vivid / Natural
    17. Live View
      Approx. 100% field of view, exposure compensation preview, WB adjustment preview, gradation preview, face detection preview (up to 8 faces), grid line, magnification display (x3/x5/x7/x10/x14),
      Display modes: Standard, Histogram, Highlight & Shadow, Level Gauge, Off (Image Only)
    18. Field of View
    19. Display Mode
      Standard, Histogram, Highlight & Shadow, Level Gauge, Off (Image Only)
    20. Magnification Display
    21. Monitor Information
      Aperture value, Shutter speed, Auto Bracket, AE Lock, AF mode, IS, Shooting Mode, Battery %, Custom Set, Internal Temperature Warning, Face / Eye Detection, Histogram, Number of storable still pictures, Record mode, ISO, Sequential shooting, Self-timer, White Balance, Metering Mode, AF confirmation, Exposure Compensation Value, Spot metering Area Flash Mode, Flash Status, Flash intensity Control, Super FP, Focal length, Tone control, Eye-Fi condition, Digital teleconverter
    22. Display of Face Detection
      Max 8 frames of face detection can be displayed.

    Exposure Control / Flash

    1. Metering System
      Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control *Also available AF target spot metering
    2. Metering Range
      EV -2 - 20 (using 17mm f2.8, ISO 100)
    3. Exposure Mode / Shooting Mode
      i Auto (Live Guide can be used) , P: program AE (program shift can be performed),
      A: aperture priority AE
      S: Shutter priority AE
      M: Manual (Live Bulb, Live Time and Live Composite are available)
      Custom 1,2,3
      Art Filter
      Underwater wide/Underwater macro (to be assigned to the Fn1 button)
    4. Scene Select AE
    5. ISO Sensitivity
      AUTO ISO (default) : LOW (approx.64) ‐ 6400 with customizable upper limit (200 - 6400)
      Manual ISO : LOW (approx.64), 200 - 25600 (adjustable in 1/3 or 1 EV steps)
    6. Exposure Compensation
      ±5 EV, adjustable by 1/3, 1/2 or 1 EV steps When shooting in HDR or in video, only adjustable up to ±3 EV steps Live View only reflects up to ±3 EV steps
    7. AE Lock
      Locks with a half-press of the shutter button , AEL/AFL button(can be set to Fn button as well)
    8. Noise Filter at High ISO Setting
      Off, Low, Standard, High
    9. Noise Reduction at Slow Shutter Speed
      Off, On, Auto On : effective when shutter speed is slower than 1 sec.
      Auto : effective when shutter speed is slower than 4 sec. (at ISO 200 or higher) or 8 sec. (at lower than ISO200)
    10. Flash Intensity Control Mode
      TTL Auto, Auto*, Manual, Super FP*(FP-TTL AUTO, FP-MANUAL)
      * Available on the external flash
    11. Bundled Flash
      FL-LM3(dustproof and splashproof flash)
       GN=9.1(ISO100・m)/ GN=12.9(ISO200・m)
       Bounce Capability (up and down:45, 60, 75, 90 degree / left and right 30, 60, 90, 120, 150, 180 degree)
      *Powered by the camera
    12. Flash Mode
      Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual(1/1(FULL)~1/64)
    13. Synchronization Speed
      1/250 sec.
      *When using Super FP: 1/125-1/8000 sec.
      *When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing
    14. Flash Intensity Control
      Up to ±3 EV in 1/3, 1/2, 1 EV steps selectable
    15. Compatible External Flash
      FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8
    16. Wireless Flash Control
      Wireless flash transmission channel settings enable selection of the flash/no flash for groups of multiple flash units. In addition, it allows TTL auto, auto and manual models to be set; offers a bounce and swivel head; and flash coverage is automatically adjusted in several steps to correspond to the image area when zooming.
    17. Wireless Flash Control Method
      Triggered and controlled by Olympus Wireless RC Flash system compatible flashes: included FL-LM3 or separately available FL-600R and FL-900R , STF-8
    18. Wireless Flash Intensity Control Mode
      TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL
    19. Channel No.
      4 channels
    20. Group No.
      4 groups (External flash 3 groups + commander flash)

    Memory / Image Recording (File Format)

    1. Compatible Memory
      SD, SDHC*1, SDXC*1, Eye-Fi Card compatible*2
      *1 Slot1:UHS-I,II compatible , Slot2:UHS-I compatible.
      *2 Not compatible with Endless Memory.
    2. Recording Format
      DCF2.0, Exif2.3
    3. File Format
      RAW (12-bit lossless compression), JPEG, RAW+JPEG
    4. Recording Image Size
      [RAW] 5184 x 3888 pixels [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels
    5. File Size
      [RAW] 5184 x 3888 pixels
      [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels
    6. Dual Card Slot Settings
      Standard, Auto Switch, Dual Independent, Dual Same *When two cards are inserted, card to be saved on to or to be viewed can be designated.
    7. Folder Creation and Selection
    8. Copy
      Copy single file, copy multiple files, copy all *When copied, the new file will be given a different name from that of the original file.

    White Balance / Color Mode

    1. White Balance Mode
      Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting)
    2. White Balance Compensation*
      ±7 steps along A-B / G-M axis * Except for Custom WB
    3. Preset White Balance
      7 preset WBs (3000K - 7500K) - Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K)
    4. CWB (Kelvin Setting)
      2000 - 14000K
    5. Capture White Balance
      4 custom settings can be registered
    6. Color Mode
      sRGB, Adobe RGB

    Bracketing / HDR

    1. Exposure Bracketing
      2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable
    2. ISO Bracketing
      3 frames in 0.3/0.7/1.0EV steps selectable
    3. White Balance Bracketing
      3 frames in 2, 4, 6 selectable steps for A-B/G-M axis.
    4. Flash Bracketing
      3 frames in 0.3/0.7/1.0EV step selectable
    5. Art Filter Bracketing
      i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator selectable
    6. Focus Bracketing
      3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses)
    7. Focus Stacking Mode
      8 shots are taken at different focus points and automatically composited together into a single image
      * Angle of view becomes slightly smaller
      * Compatible with :
      M.Zuiko Digital ED 60mm f/2.8 Macro
      M.Zuiko Digital ED 12-40mm f/2.8 PRO
      M.Zuiko Digital ED 40-150mm f/2.8 PRO
      M.Zuiko Digital ED 30mm f/3.5 Macro
      M.Zuiko Digital ED 7-14mm f/2.8 PRO
      M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO
      M.Zuiko Digital ED 300mm f/4.0 IS PRO
      M.Zuiko Digital ED 12-100mm f/4.0 IS PRO
    8. HDR (Auto Composite)
      HDR1, HDR2 (painting-like)
      ※ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec.
      ※Exposure compensation can be performed.
    9. Bracketing for HDR post-process
      3 or 5 frames in 2.0 or 3.0 EV steps, or 7 frames in 2.0 EV steps.
      *This sequential shooting H AE bracketing is specifically for shooting images that will be HDR-processed on a PC.

    Creative Features

    1. Picture Mode
      i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Underwater, Color Creator, Art Filters
    2. Gradation
      Auto, Normal, High Key, Low Key [except when using i-Enhance, Underwater, Art Filters, Color Creator]
    3. Filter Effect (B&W Filter)
      Neutral, Yellow, Orange, Red, Green for Monotone
    4. Picture Tone
      Neutral, Sepia, Blue, Purple, Green for Monotone
    5. Art Filter
      (Variation / Art Effect)
      Pop Art (I, II / a.b.c.d.e)
      Soft Focus ( - / c.e)
      Pale & Light Color (I, II / a.b.c.d)
      Light Tone ( - / d)
      Grainy Film (I, II / b.c.d.f.g)
      Pin Hole (I, II, III / d.)
      Diorama ( - / d.)
      Cross Process (I, II / b.c.d.)
      Gentle Sepia ( - / a.b.c.d.f.)
      Dramatic Tone (I / b.c.d.e.f.) (II / b.c.d.e.f.g.h)
      Key Line (I, II / a.b.c.d.e.)
      Watercolor (I, II / a.b.c.d.)
      Vintage (I, II, III / a.b.c.d.e.f.i)
      Partial Color (I, II, III / a.b.c.d.e.f)
      Bleach Bypass (I, II / a.b.c.d.e.f.g.h.i)
    6. Art Effect
      a. Soft Focus Effect
      b. Pin-Hole Effect
      c. White Edge Effect
      d. Frame Effect
      e. Star Light Effect
      f. Blur Effect (Top & bottom, Left & Right)
      g. B&W Effect (None, Yellow, Orange, Red, Green)
      h. Picture Tone (None, Sepia, Blue, Purple, Green)
      i. Shade Effect (Top & bottom, Left & Right)
    7. Color Ring (for partial color)
      18 color selectable
    8. Live Bulb / Live Time
      Update Interval Time - 0.5 sec – 60 sec
    9. Live Composite
      Update Interval Time / composite method – 0.5 sec – 60 sec / Lighten Mode (Bright area prioritization)
    10. Interval Shooting
      "Interval Time 1sec. - 24 Hours, Max 999 frames. Available on making Time-lapse movie automatically"
    11. Multiple Exposure (number of pictures / function)
      2 frames / Auto gain, Exposing on Recorded picture(RAW)
    12. Keystone Compensation
      Available (can be confirmed in Live View) *Horizontal and vertical compensation can be performed simultaneously.

    Video / Audio Recording

    1. Video Recording Format
      MOV(MPEG-4AVC/H.264) , AVI(Motion JPEG)
    2. Movie Mode / Frame Rate / Compression Method
      4096 × 2160 (C4K) / 24p / IPB (approx. 237 Mbps)
      3840 × 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 Mbps)
      1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
      1920 x 1080 (FHD) / 60p, 50p / IPB (SF, F, N)
      1280 x 720 (HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
      60p: 59.94 fps, 50p: 50.00 fps, 30p: 29.97 fps, 25p: 25.00 fps,
      24p: 23.98 fps, C4K 24.00 fps
      FHD ALL-I (A-I: ALL-Intra / approx. 202 Mbps),
      FHD IPB (SF: SuperFine / approx. 52 Mbps, F: Fine / approx.. 30 Mbps,
      N: Normal / approx. 18 Mbps)
      HD ALL-I (A-I:ALL-Intra / approx. 102 Mbps),
      HD IPB(SF:SuperFine / approx.26Mbps, F:Fine / approx.14Mbps、N:Normal / approx.10Mbps)
      HD (1280 x 720) / 30p
      *Frame rates may drop when particular Art Filters and Movie Effects are used.
      *Class 10 or higher SD card is recommended for shooting movies.
      *UHS-II or UHS-I U3 card is recommended for 4K,C4K,ALL-I shooting.
    3. Maximum Video Recording Time
      [MOV] Approx.. 29min [AVI] Approx. 7min*
      *Excluding when particular Art Filters are used
    4. Movie Tele-converter
      Approx. 3x (enlarges view of selected area)
    5. Art Filter Movie
      Available (Frame rates may drop when certain Art Filters are used)
    6. Movie Effect
      One-shot Echo / Multi-echo / Art Fade / Old Film
    7. Timelapse Movie
      [AVI ]
      3840×2160(4K)/ 5fps
      1920×1080(FHD)/ 5fps,10fps,15fps
      1280×720(HD)/ 5fps、10fps、15fps、30fps
    8. IS for Movie
      M-IS1*(Image sensor shift and electronic image stabilizer with multi motion IS),
      M-IS2(Image sensor shift with multi motion IS), Off
      *While using M-IS1, field of view may be affected.
    9. AE Lock
    10. Video Exposure Control
      Program AE, aperture priority AE, shutter priority AE, manual
    11. Grid Lines / Focus Peaking
      4 types of grid lines / 4 colors for focus peaking
    12. Time Code
      Rec run/free run, drop frame/non-drop frame
    13. Clips
      1, 2, 4, 8 sec.
      (Further continued shooting possible up to 16 seconds by pressing movie record button again)
    14. Quick Movie / Slow Movie
      With (this function is not available for videos with certain frame rates)
    15. Audio Recording Format
      Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)
    16. Microphone / Speaker
      Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached
    17. Microphone Function
      Wind noise reduction, recording volume, microphone volume limiter
      Audio dubbing possible for still pictures (up to 30 sec.)
      *May affect audio quality.
    18. IC Recorder Linkage
      Slate Tone / Synchronized Audio Rec-Movie Rec *LS-100 compatible


    1. WiFi
      Easy Connection
      QR code setting
      Wireless Shooting
      Live View
      Power off
      Rec View
      Self timer (w/Countdown guidance, Sequential shooting, movie recording capability)
      Touch AF & Shutter
      P/A/S/M exposure modes (Live Bulb, Live Time, Live Composite)
      Sequential shooting
      Movie Recording
      Aperture, shutter speed, exposure, ISO sensitivity, white balance can be adjusted.*
      *When in private connection
    2. Tethered Shooting
      Via USB cable (camera can be operated by both PC or camera controls)
    3. Playback Mode
      Single-frame, information display, index display (4/9/25/100 frames), Clips, calendar, enlargement (2x - 14x), movie (with sound, FF/REW/Pause), picture rotation (auto), slideshow (with sound including BGM, Slide show effects, replaceable BGM), Light Box display
    4. Information Display
      Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF
    5. Custom Settings / Reset
      Modes C1, C2, and C3 can be accessed by mode dial
      Modes C1, C2, and C3 can be accessed via the menu
      Dial function and dial direction are customizable for both dials
    6. Button Customization
      Buttons can be customized (select from 35 functions)
      *Buttons on lenses and HLD-9 power batter holder can also be customized from the camera
      *Some buttons may have restrictions to what functions can be assigned
    7. Copyright Settings / Lens Info Settings
      Available / With (save up to 10 lenses)
    8. RAW Image Editing Functions
      Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280x960, 640x480, 320x240), Trimming, Aspect, e-Portrait, Image Overlay, Post recording
    9. JPEG Image Editing Functions
    10. Image Overlay
      Up to 3 RAW images
    11. Erasing Function
    12. Protect Function
    13. Menu Languages (34 selectable)
      English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai

    Connectivity / Power Requirements

    1. USB Connector
      USB Type-C
    2. Remote Connector
      φ2.5Pin Jack (when using separately available RM-CB2).
    3. HDMI Connector
      Micro HDMI (type D)
    4. Flash Attachment
      Hot shoe, sync terminal
    5. Wireless LAN
      Built-in(IEEE 802.11b/g/n)
    6. MIC Input Jack
      φ3.5 stereo mini jack (plug-in power on/off)
    7. Headphone Jack
      φ3.5 stereo mini jack
    8. PC Interface
    9. TV Interface
      Not Available
    10. Battery
      BLH-1 Li-ion battery (included)
    11. Battery Status Display
      Remaining power (4 steps, %, or by-minute display), shot count, degradation
    12. Power Battery Holder
      HLD-9 power battery holder is separately available (holds one BLH-1 battery).
    13. AC Adapter
      AC-5 AC adapter is separately available (connects to power battery holder HLD-9 to provide power to camera).
    14. Sleep Mode
      Available (1/3/5 min. off)
    15. Number of Recordable Pictures
      Approx. 440 shots (using BLH-1 and Toshiba SDHC UHS-I Card Exceria with IS ON, with no flashes attached, based on CIPA test standards) *When used with an authentic Olympus BLH-1 battery.
      Approx. 950 shots (using quick sleep mode, under Olympus testing conditions based on CIPA test standards) *When used with an authentic Olympus BLH-1 battery.
    16. Battery Life for Movie Shooting
      Approx. 90 minutes* (under standard JEITA testing) *When used with an authentic Olympus BLH-1 battery.
      Approx. 150 minutes* (when zoom and other operational functions are not used) *When used with an authentic Olympus BLH-1 battery.
      *When repeatedly recording at the maximum time of 29 minutes

    Weights & Dimensions / Operating Environment / Box Contents

    1. Weight
      Approx. 1.27 lbs. / 574g (with BLH-1 battery and Memory card, based on CIPA standards)
      Approx. 1.1 lbs. / 498g (body only)
    2. Dimensions
      W:134.1mm H:90.9mm D:68.9mm
      (based on CIPA standards: excludes protrusions)
    3. Environmentally Sealed
      Dust, Splash, Freezeproof
    4. Operating Temperature Range
      -10℃ ~ +40℃ (when in operation) / -20 ~ +60℃ (when stored)
    5. Operating Humidity Range
      30 - 90% (when in operation) / 10 - 90% (when stored)
    6. Box Contents
      Body, USB cable, cable clip, shoulder strap, instruction manual, warranty card, FL-LM3 flash, BLH-1 Li-ion battery , BCH-1 Li-ion battery charger

    FL-700WR FLASH


    OM-D E-M1 Mark II Travel Kit



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    August 19, 2020 by Jack
    Super camera, with superior features and quality.
    What a camera! Everyone knows about Olympus camera's ability to customize, EM-1 Mark II puts it into another level. It is a dream machine, with 20MP Sensor, 4k Video, customization, quality, weatherproofing. All come together in this camera. It was not easy for me to afford it, I'm glad I did.
    May 4, 2020 by Joe
    Truly Revolutionary
    I bought this camera a couple of months after it released. The biggest reason had to do with IBIS. I was shooting mostly video and needed to use less gear due to a back injury that was really being agitated by larger gimbles and such equipment that was needed to get a professional result. I was worried about switching from full frame to such a smaller sensor and how it would affect my results. I kept hearing how great the features were, but I kept thinking that it must be at the sacrifice of overall image quality. There are a few things that this camera lacks, like a joystick, but I still think it is not only the best camera every made relative to the time it was released, it is possibly the best value on the market today. The only other real complaint I have is the fact that the size of the camera doesn't balance well with many of the pro lenses and you kind of need the battery grip, but with it, it is a very comfortable camera to hold all day. <br /> <br />Next I want to cover some fo the complaints that I have heard from professional reviewers. First, I don't mind the menus. In fact, for me, this is the most intuitive camera I have every picked up. Some people hate it, but I like that the menu system has as many options as it does, but you can still access all your main settings in the quick menu. Having a lever that doubles your button layout is amazing. If I ever have to pick up another body, I quickly miss this camera. The image quality is among the best of any camera system on the market. It does have a unique look and perspective with M43, but it is one that I have come to favor. The Olympus Pro Glass is some of the best I have ever used, even coming from medium format, especially when using pixel shift. <br /> <br />The thing that really sets this camera apart is the use and speed. Sure, you can do HDR photography, or even stacked images and focus bracketing in other cameras, but this camera edits in body and spits out a product. I don't think a more user friendly camera does exist. The Olympus colors have quickly become my favorite. The images really feel textured. While I will readily admit that ISO noise is obviously going to be higher than larger sensors, I should also point out that the look of the noise is actually attractive in that it mimics film grain. The video files are amazing. The autofocus, while not the best on the market, is competent for things like sports and wildlife. But it is the little things like not overheating. I vividly remember taking it as a backup to an outdoor event that was 130 with 100% humidity. It ran all day at 4K and was the only piece of equipment that didn't overheat despite it being the cheapest. <br /> <br />The features on the camera are somewhat being caught up to by other brands since. I have been looking forward to the replacement camera that recently came out, not to mention the E-M1X, but other than a higher frame rate at 1080 and some internal filter, possibly some improved autofocus, and handheld pixelshift, I don't really see the need to upgrade. Maybe I just remember how far ahead this camera was of everyone else when it came out and want that again, so the fact that it is the same price as the E-M5iii right now, I can't recommend getting this camera enough.
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    April 15, 2020 by Donald J.
    A Decade of Catching Up E-5 to E-M1 MK II
    I had an E5 body and still have an E1 4/3 body with 15-54 MK1, 12-60 SWF and 70-300 lenses. My E5 with the 12-60 lens attached was stolen from a locked vehicle on a snowmobile trip. The E5 always worked, well beyond the operating range temps and took great shots while being very rugged. <br /> I was resistant to the OM line because of its newness and the electronic viewfinder and another new lens system. As an amateur photographer I want a reliable, consistent and sturdy camera that functions easily and quickly for people, landscape, action and is easy to handle. As a one armed individual any needless fiddling around is a burden. <br /> The E-M1 MK II with the MMF-3 Four Thirds Adapter solved my dilemma. After a reasonable learning curve my photographs equal or exceed my previous attempts and my 4/3 lenses all function as well or better on this body, it was a great benefit that I was able to use my legacy lenses. The metering and focus are exceptional. The size is much more manageable and the rear monitor with touch settings is quick and intuitive. The EVF is surprisingly excellent. Battery life is very good. It is likely that a Micro 4/3 lens or two will be added in the future. <br /> A summer on the motorcycle and ATV followed by a season of snowmobiling will verify my belief in this camera. Very happy with my decision. <br />
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