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OM-D E-M1 Mark III

4.9 Stars
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Starting At CA$2,399.99

OM-D E-M1 Mark III

4.9 Stars

Availability: In stock

OM-D E-M1 Mark III

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OM-D E-M1 Mark III

Starting At CA$2,399.99

buy now
Overview

OM-D E-M1 Mark III at a Glance

Take your work to new heights without the weight. Our OM-D E-M1 Mark III is part of the world’s most portable camera system. Ergonomic and lightweight, the E-M1 Mark III works seamlessly with our compact M.Zuiko PRO lenses, so you move easier, react faster, and enjoy your photography more. Use the World’s Most Effective Image Stabilization to take spectacularly sharp handheld stills and video, no tripod needed. And our most advanced OM-D features help you conquer the most challenging shooting situations. The E-M1 Mark III. Expertly crafted to capture the world’s greatest images. Like yours.

60
  • Frames Per Second
  • Continuous Shooting
7.0
  • Shutter Speed Steps of
  • Stabilization Performance
80MP
  • High Res Shot Mode
  1. IPX1 Weathersealed Construction
  2. 15fps Seq. Shooting (Mechanical)
  3. 60fps Seq. Shooting (Electronic)
  4. Advanced In-body 5-Axis Image Stabilization
  5. 121Point Phase + Contrast Detection AF
  6. 400K Shutter Actuation Life
  7. Dual TruePic™ IX Processors
  8. 20 Megapixel Live MOS Sensor
  9. 50 Megapixel Hand-Held High-Res Shot
  10. Cinema 4K Video
  11. Focus Bracketing and Stacking
  12. Built-In Wi-Fi + Bluetooth
  • Compact & Lightweight
  • Reliability
  • Speed
  • Accurate AF
  • Technology
  • Video
  • Compact & Lightweight
  • Reliability
  • Speed
  • Accurate AF
  • Technology
  • Video
  • COMPACT DELIVERS
    BIG BENEFITS.

    COMPACT DELIVERS
    BIG BENEFITS.

    Why work with a portable camera system? You move easier. React quicker. Work longer. Go further. And be your most creative.

    Why work with a portable camera system? You move easier. React quicker. Work longer. Go further. And be your most creative.

    • UNRIVALED PORTABILITY

      Combined with our M.Zuiko lenses, you’ll carry the world’s most portable camera system to take your work to exciting new places.

    • WORLD’S MOST EFFECTIVE IMAGE STABILIZATION

      With our world-leading 5-Axis Sync IS, capture tack-sharp stills and smooth 4K video while enjoying the freedom of handheld shooting.

    • TruePic™ IX PROCESSOR

      This fast powerful processor drives the compact E-M1 Mark III’s superior image quality, producing sharpness and vibrant color.

    • UNRIVALED PORTABILITY

      Combined with our M.Zuiko lenses, you’ll carry the world’s most portable camera system to take your work to exciting new places.

    • WORLD’S MOST EFFECTIVE IMAGE STABILIZATION

      With our world-leading 5-Axis Sync IS, capture tack-sharp stills and smooth 4K video while enjoying the freedom of handheld shooting.

    • TruePic™ IX PROCESSOR

      This fast powerful processor drives the compact E-M1 Mark III’s superior image quality, producing sharpness and vibrant color.

    UNRIVALED PORTABILITY

    Combine the E-M1 Mark III with our compact M.Zuiko lenses and you have the world’s most portable camera system. Compared to DSLR bodies and lenses, the E-M1 Mark III is half the size, half the weight and considerably less bulky. Enjoy more mobility to take more unique shots. Enjoy the freedom to shoot all handheld. Work longer without tiring. Stow more gear in the same size bag. Our extensive line of M.Zuiko PRO weathersealed lenses deliver incredible high resolution imaging power. We’re proving that smaller and lighter delivers huge benefits to professionals.

    WORLD’S MOST EFFECTIVE IMAGE STABILIZATION

    The E-M1 Mark III’s in-body 5-Axis Image Stabilization delivers up to 7.0 shutter speed steps of compensation to capture crisp clear telephoto shots, all handheld, even in low light. Pair the camera body with a stabilized M.Zuiko PRO lens and the combined 5-Axis Sync IS produces up to 7.5 shutter speed steps of compensation, the World’s Most Effective stabilization performance. Capture blur-free handheld shots as long as 4 seconds, and enjoy greater freedom, more creativity, and better images and video.

    TRUEPIC™ IX

    The core of the E-M1 Mark III is an advanced new image processing engine. Our TruePic™ IX delivers blazing fast processing while ensuring world-class image quality. Your stills and video will have astoundingly rich, accurate color, low noise and vibrant gradations. Our processor uses a new AF algorithm to power features including Handheld High Res Shot Mode, in-camera Live ND, Starry Sky AF Mode and Advanced Face / Eye Priority Autofocus.

    20MP LIVE MOS SENSOR

    The E-M1 Mark III’s high-speed 20MP Live MOS Image Sensor pairs with the TruePic™ IX processor and the superior optics of M.Zuiko lenses to produce world-class image quality in all types of shooting situations.

    HANDHELD HIGH RES SHOT / TRIPOD HIGH RES SHOT

    Easily capture super high-resolution images using the E-M1 Mark III’s High Res Shot Modes. With Handheld High Res Shot Mode, the camera automatically captures 16 shots in under a second, then merges them into a single 50MP image - no tripod needed. Or, use Tripod High Res Shot Mode to instantly capture 8 shots and create an incredible 80MP image.

    LIVE ND

    Leave your ND filters at home. Use the in-camera Live ND Mode to preview slow shutter effects in the electronic viewfinder or LCD monitor. Choose your level of ND from 1 step to 5 steps before capturing your perfect image. Live ND Mode virtually extends the exposure time, allowing image capture with the effect of slow shutter speed by automatically merging multiple exposures.


    Photo by Olympus Visionary Tom Ormerod

    BUILD YOUR SYSTEM

    We created the E-M1 Mark III, now make it yours. It belongs to a large, expanding system of lenses and accessories to let you be your best at any type of photography. You’ll find everything from a battery grip to flashes and teleconverters to accessories that capture high quality video. Whatever you need for a project or trip, the Olympus OM-D system has what you’re looking for.

    EXPLORE ACCESSORIES
  • BAD WEATHER HAPPENS.
    YOUR CAMERA’S READY.

    BAD WEATHER HAPPENS.
    YOUR CAMERA’S READY.

    Built-in weathersealing and other features let you concentrate on getting your best shot instead of worrying about your camera gear.

    Built-in weathersealing and other features let you concentrate on getting your best shot instead of worrying about your camera gear.

    • WEATHERSEALED & DUST REDUCTION

      Never worry about shooting in bad weather or changing lenses in sub-par conditions.

    • PROFESSIONAL QUALITY SHUTTER

      Sure, you’re tough on your camera. That’s why we designed a shutter unit that could stand years of use (and abuse).

    • DUAL CARD SLOTS

      Manage your images easier. Dual card slots give you four recording settings to help you organize your photos and video.

    • WEATHERSEALED & DUST REDUCTION

      Never worry about shooting in bad weather or changing lenses in sub-par conditions.

    • PROFESSIONAL QUALITY SHUTTER

      Sure, you’re tough on your camera. That’s why we designed a shutter unit that could stand years of use (and abuse).

    • DUAL CARD SLOTS

      Manage your images easier. Dual card slots give you four recording settings to help you organize your photos and video.

    WEATHERSEALED & DUST REDUCTION

    Skip the protective gear. The E-M1 Mark III features best-in-class IPX1 weather protection thanks to durable magnesium alloy construction and an advanced system of hermetic seals. Work in the rain and don’t worry about the water drops. Keep shooting if temperatures plummet — the E-M1 Mark III is freezeproof down to 14°F/-10°C. A dustproof design means worry-free shooting on windy beaches and deserts. Even changing lenses in dusty conditions is a cinch. Our Supersonic Wave Filter oscillates 30,000 times per second to shake dust and dirt away from the image sensor to effectively eliminate dark spots.

    PROFESSIONAL QUALITY SHUTTER

    Heavy duty is putting it lightly. Our rigorous internal testing proves that the E-M1 Mark III’s shutter unit has a reliable lifespan of more than 400,000 actuations. For many professionals, this equates to years of reliable shooting.

    DUAL CARD SLOTS

    The more you shoot, the more to manage. The E-M1 Mark III has the answer for that — dual card slots. You’ll have the flexibility to record JPEG and RAW separately, automatically switch to second card when first is full, record to different cards based on image quality mode or record to both cards simultaneously. Slot 1 is UHS-II / UHS-I compatible, while Slot 2 is UHS-I compatible.

    FIRMWARE UPDATES WITH AN APP

    The latest firmware helps ensure your E-M1 Mark III is operating at its peak performance. Use the free OI.Share app to easily keep your camera up-to-date with firmware upgrades using a smart device. Plus, use OI.Share to quickly backup and restore camera settings.

    LEARN MORE

  • DON’T JUST KEEP UP WITH ANY SUBJECT.
    CAPTURE IT.

    DON’T JUST KEEP UP WITH ANY SUBJECT.
    CAPTURE IT.

    Your work depends on a camera with scorching speed. Count on the E-M1 Mark III to reliably track and capture moving subjects for brilliant shots every time.

    Your work depends on a camera with scorching speed. Count on the E-M1 Mark III to reliably track and capture moving subjects for brilliant shots every time.

    • ON-CHIP PHASE DETECTION + CONTRAST DETECTION AF

      Wildlife. Automobiles. Sports. The E-M1 Mark III accurately follows any moving subject and always nails the shot.

    • 60 FPS

      Shoot at the speed of life. Take an astounding 60 high-resolution frames per second and capture split second action with ease.

    • PRO CAPTURE

      Capturing split second action used to be more luck than skill. Not anymore. Our Pro Capture feature makes nailing impossible shots easy.

    • ON-CHIP PHASE DETECTION + CONTRAST DETECTION AF

      Wildlife. Automobiles. Sports. The E-M1 Mark III accurately follows any moving subject and always nails the shot.

    • 60 FPS

      Shoot at the speed of life. Take an astounding 60 high-resolution frames per second and capture split second action with ease.

    • PRO CAPTURE

      Capturing split second action used to be more luck than skill. Not anymore. Our Pro Capture feature makes nailing impossible shots easy.

    ON-CHIP PHASE DETECTION + CONTRAST DETECTION AF

    The E-M1 Mark III features 121-point all-cross-type on-chip Phase Detection plus Contrast Detection AF across the sensor plane. The cross-type Phase Detection points detect vertical and horizontal lines with industry-leading accuracy, driving fast and accurate AF performance at any aperture.

    60 FPS

    The E-M1 Mark III boasts some of the fastest shooting speeds of any DSLR or mirrorless camera. Capture up to 60 fps with AF/AE Lock, or up to 18 fps with AF/AE Continuous Tracking. While in Continuous Tracking Mode, use the Live View display to follow your subject in live time through the electronic viewfinder for easy composing.

    PRO CAPTURE

    Pro Capture Mode makes shooting split second action incredibly easy. It starts buffering a running series of up to 35 full resolution images the moment you press the shutter button halfway. When you see the moment you want to capture, fully press the shutter button to instantly save that moment plus the buffered shots. Because you can go back 35 frames, you’ll always get the split-second image you want. Shoot in either RAW or JPEG and never miss an exciting moment.

    JOYSTICK MULTI SELECTOR

    A conveniently placed joystick lets you shift AF areas so you can quickly react to any moving subject while shooting sequentially or capturing video. You don’t even need to take your eye off the viewfinder.

    MAX 100W OF USB POWER DELIVERY

    Keep the power flowing to your camera. The E-M1 Mark III enables high speed battery charging with a USB cable. If you forgot your charger, don’t worry. Power up in your car or hotel room. Go from zero percent to fully charged in about 2 hours. You can also connect a power bank to the camera for super long duration shooting — a helpful feature when working outdoors or in extreme cold.

    LV BOOST

    Shooting dark scenes such as a starry sky with Live View is a little brighter and easier. Live View Boost lets you see clearly see subjects in the dark for more effective framing.


    Photo by Olympus Visionary Denis Smith

    HIGH-SPEED ELECTRONIC VIEWFINDER

    What you see is what you capture with the E-M1 Mark III’s EVF. Get distortion-free display and all the speed you need to follow any type of subject. The EVF works with Live View so you preview camera setting changes in real time. Our viewfinder boasts a max frame rate of 120 fps with an imperceptible 0.005 sec response time - all so you can compose fast moving subjects with ease.

  • AUTOFOCUSING THAT HELPS YOU
    NAIL YOUR FOCUS, EVERY TIME.

    AUTOFOCUSING THAT HELPS YOU
    NAIL YOUR FOCUS, EVERY TIME.

    Pinpoint accuracy. Effortless autofocusing. Greater functionality. Our innovative autofocus system will help you produce work that gets you more work.

    Pinpoint accuracy. Effortless autofocusing. Greater functionality. Our innovative autofocus system will help you produce work that gets you more work.

    • STARRY SKY AF

      Astrophotography using manual focus can be time consuming and inaccurate. Our new Starry Sky AF Mode makes it easier to capture breathtaking astro shots.

    • FACE PRIORITY AND EYE PRIORITY AF

      If you shoot portraits, switch on our most accurate Face and Eye Priority AF and take your work to new levels of sharpness and definition.

    • AF TARGET MODES

      Easily customize your AF target to match your subject and its movement for accurate autofocusing performance.

    • STARRY SKY AF

      Astrophotography using manual focus can be time consuming and inaccurate. Our new Starry Sky AF Mode makes it easier to capture breathtaking astro shots.

    • FACE PRIORITY AND EYE PRIORITY AF

      If you shoot portraits, switch on our most accurate Face and Eye Priority AF and take your work to new levels of sharpness and definition.

    • AF TARGET MODES

      Easily customize your AF target to match your subject and its movement for accurate autofocusing performance.

    Photo by Olympus Visionary Michael Chan

    STARRY SKY AF

    Capturing the galaxy has never been easier. Our new Starry Sky AF Mode features two settings to take brilliant astro images. Our Speed Priority setting works in tandem with the E-M1 Mark III’s powerful built-in image stabilization system so you can shoot night skies handheld using wide lenses or a standard zoom. Our Accuracy Priority setting lets you use a tripod and a telephoto lens to pinpoint specific stars with incredible precision. One mode. Two settings. And endless starry photos.

    FACE PRIORITY AND EYE PRIORITY AF

    Shooting split second action is effortless with Pro Capture Mode. It starts buffering a running series of up to 35 high resolution images the moment you press the shutter button halfway. When you see the moment you want to capture, fully press the shutter button to instantly save that moment plus the buffered shots. Because you can go back 35 frames, you get the split second image you want without any lag. Never miss an exciting moment again.

    AF TARGET MODES

    Choose from six AF Target Modes. Single Point captures still or small subjects. Group 9-Point is for moving subjects like aircraft and sports. Use Group 5-Point for bunched together subjects. All-Point helps capture subjects moving across the frame and use Group 25-Point for moving subjects like birds or small animals. Small Single Point gives you pinpoint accuracy for small objects like a flower. Plus, you can customize the shape and movement of your AF target. Choose from any odd number of points from 11 vertical and 11 horizontal and from three levels of horizontal and vertical area movement steps.

    ORIENTATION LINKED AF TARGETS

    Customize the AF target and AF area position depending on whether you’re shooting in a horizontal or vertical position.

    C-AF SENSITIVITY SETTINGS

    Choose from five C-AF tracking sensitivity settings depending on your subject and scene.

    C-AF + MF

    Scenes or subjects can change quickly. You can instantly switch from C-AF to MF by turning the focusing ring on your M.Zuiko lenses.

    AF LIMITER

    This feature lets you establish three in-camera AF operating distances that can be used with all autofocus lenses. Program a custom button to instantly turn the limiters on or off.

    AF LOW INTENSITY LIMIT -6EV

    Helps you use the autofocus system to take clear, sharp images when your shooting in the dark or photographing low-contrast subjects.

  • YOU HAVE A VISION.
    WE’LL BRING IT TO LIFE.

    YOU HAVE A VISION.
    WE’LL BRING IT TO LIFE.

    Photography is endlessly creative. The E-M1 Mark III is equipped with features to help you bring your ideas to fruition.

    Photography is endlessly creative. The E-M1 Mark III is equipped with features to help you bring your ideas to fruition.

    • LIVE MODES (B MODES)

      Turn the mode dial to “B” and instantly access Live Composite, Live Bulb, and Live Time Modes to take stunningly beautiful long exposure shots.

    • FOCUS STACKING / FOCUS BRACKETING

      Shoot more creative macro shots with amazingly deep depth of field with Focus Stacking and Focus Bracketing.

    • SILENT MODES

      There are times when you want to be unseen and unheard. Silent Mode quiets all camera noise so you can shoot unnoticed.

    • LIVE MODES (B MODES)

      Turn the mode dial to “B” and instantly access Live Composite, Live Bulb, and Live Time Modes to take stunningly beautiful long exposure shots.

    • FOCUS STACKING / FOCUS BRACKETING

      Shoot more creative macro shots with amazingly deep depth of field with Focus Stacking and Focus Bracketing.

    • SILENT MODES

      There are times when you want to be unseen and unheard. Silent Mode quiets all camera noise so you can shoot unnoticed.

    Photo by Olympus Visionary John Brawley

    LIVE MODES

    Take the guesswork out of long exposure photography. Live Composite Mode stitches together multiple images shot at the same shutter speed and keeps the images from getting too bright. Shoot in Live Composite Mode for up to 6 hours to easily capture dramatic photos of star trails, evocative nighttime cityscapes and moody landscapes without worrying about over or underexposure. Live Bulb Mode and Live Time Mode let you view your image’s exposure level in real time so you’ll know when it’s perfect.


    Photo by Olympus Visionary Denis Smith

    FOCUS STACKING / FOCUS BRACKETING

    Capture sharp macro photos in focus from foreground to the background with deep depth of field. The E-M1 Mark III’s in-camera Focus Stacking lets you choose from 3 to 15 shots with varying focal points, then merges them to form one image with edge-to-edge clarity. Focus Bracketing lets you capture up to 999 shots at varying focus points. Use Olympus Workspace photo editing software to create dramatic macro shots that have even greater depth of field.

    SILENT MODES

    Silent Mode turns off the mechanical shutter and shuts off all electronic sounds. Perfect for when you need to keep a low profile in settings like an outdoor wedding or photographing wildlife.

    IN-BODY FISHEYE COMPENSATION

    Use the M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO to capture wide-angle shots. This in-body feature removes the curving distortion and opens up creative new shooting options.

    KEYSTONE COMPENSATION

    Take stronger architecture photos. Keystone Compensation Mode corrects for converging lines in-camera by applying trapezoidal compensation that improves perspective.

    ANTI-FLICKER SHOOTING
    (MECHANICAL SHUTTER ONLY)

    Capture consistent indoor shots. Anti-Flicker Mode compensates for artificial light by automatically activating the shutter at peak brightness to help smooth exposure and color differences between frames.

    FLICKER SCAN
    (ELECTRONIC SHUTTER ONLY)

    For brighter, more evenly lit indoor shots use Flicker Scan Mode with the electronic shutter to minimize the fluttering effect of LED lighting.

    CUSTOM MODES

    Quickly get to your favorite settings. The E-M1 Mark III features 4 individual modes that can be customized based on subject and scene.

    CONTROL PANEL MODE

    Finding and checking critical shooting information is easier than ever. We added a new control panel mode that instantly displays all essential settings on the back monitor.

    MY MENU

    Designed with input from top pros, My Menu lets you instantly access up to 35 commands using 5 tabs with 7 items in each. Just press a button to add, remove or move a command in your menu.

    BUILT-IN WI-FI + BLUETOOTH

    Built-in Wi-Fi and Bluetooth makes sharing simple. Our free OI.Share app syncs the E-M1 Mark III to your smart device. Compose images, adjust settings, shoot remotely and download your photos and videos directly from your smart device.

    OLYMPUS CAPTURE FOR WIRELESS STUDIO SHOOTING

    Managing the workflow of studio shooting is effortless with Olympus Capture. The camera can transfer images to your PC using high-speed 5GHz wireless, or a wired USB connection.

    EDIT IN OLYMPUS WORKSPACE

    Edit your way. Olympus Workspace is our advanced photo editing software that lets you customize the layout based on the way you work. Use it to manage your files, make color, contrast, noise adjustments to your RAW images and use our Clarity and Dehaze Filters. Apply settings to batches of images prior to processing for efficient workflow. Connect your E-M1 Mark III to your computer via a USB cable and harness the camera’s lightning fast TruePic™ IX processor for fast batch processing of RAW images.

  • SHOOT SMOOTH 4K VIDEO
    WITH ONLY YOUR HANDS.

    YOU HAVE A VISION.
    WE’LL BRING IT TO LIFE.

    Leave the bulky stabilizing gear at home. Our powerful in-camera image stabilization system makes capturing smooth C4K/4K video effortlessly.

    Leave the bulky stabilizing gear at home. Our powerful in-camera image stabilization system makes capturing smooth C4K/4K video effortlessly.

    • HANDHELD 4K / CINEMA4K SHOOTING

      Shoot crisp video with the E-M1 Mark III. Equipped with the world’s most effective image stabilization system for capturing smooth handheld 4K/C4K video.

    • OM-LOG

      Shooting video in Log Mode gives you more freedom to make color corrections while editing in post-production.

    • HIGH SPEED 120FPS MOVIE

      The E-M1 Mark III opens new avenues of creative expression with High Speed Movie Mode that captures 120 fps.

    • HANDHELD 4K / CINEMA4K SHOOTING

      Shoot crisp video with the E-M1 Mark III. Equipped with the world’s most effective image stabilization system for capturing smooth handheld 4K/C4K video.

    • OM-LOG

      Shooting video in Log Mode gives you more freedom to make color corrections while editing in post-production.

    • HIGH SPEED 120FPS MOVIE

      The E-M1 Mark III opens new avenues of creative expression with High Speed Movie Mode that captures 120 fps.

    HANDHELD 4K / CINEMA4K SHOOTING

    Shoot spectacularly smooth video without being tied to a tripod, jib or other unwieldy stabilizing gear. The E-M1 Mark III is equipped with powerful in-body 5-Axis Image Stabilization to compensate for all types of camera movement while capturing video. As an extra measure, we added electronic stabilization to help you capture super smooth C4K or 4K video with nothing but your hands and talent.

    OM-LOG

    Lighting can change quickly, especially when you’re working on the fly. Shooting with OM-Log Mode compared to Flat maximizes dynamic range to keep your video clean and crisp without losing details in shadow or highlights. A Look Up Table lets you easily grade your color using DaVinci Resolve post-production software. A View Assist feature converts the video to a BT.709 equivalent so you can watch it in Live View.

    HIGH SPEED FULL HD 120FPS MOVIE

    Capture Full 1080p HD video at 120fps, but playback at 24fps for expressive slow motion. Or playback at 120fps for stunningly vivid and detailed video.


    Photo by Olympus Visionary John Sterling Ruth

    AF FOR VIDEO SHOOTING

    The E-M1 Mark III has on-chip Phase Detection AF for video that use improved algorithms to ensure fast and accurate focusing. Choose from four AF target modes — Single, All-points, Group 9-point or Group 25-point — plus three AF tracking sensitivity/speed settings.

    CLEAN HDMI MONITOR CONNECTION

    An HDMI monitor connection supports clean 4:2:2, 10-bit output giving you an expanded range for color correction.

    HIGH RESOLUTION SOUND RECORDING WITH THE LS-P4

    Give your movie high resolution, true-to-life sound by going all Olympus. Seamlessly attach an Olympus LS-P4 PCM Recorder to the Olympus E-M1 Mark III’s hot shoe and connect the audio cable. Or place the recorder near your subject. The LS-P4 opens up many possibilities like directional sound, zoomed audio recording, level adjustment, and other functionality introduced with LS-P4 Firmware 1.10. With the the LS-P4 and the E-M1 Mark III, you’ll capture high quality, high definition sound, and have plenty of editing flexibility. Get your audio and video from one system.

    LEARN MORE

    DEDICATED SETTINGS FOR VIDEO RECORDING

    Exert better control over your moving images. You can individually set the aperture, shutter speed, ISO and white balance so you can get just the right look for your video.

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Tech specs

Tech specs

Because the details matter

Key Specs

  1. Sensor Effective Resolution / Type
    20.4 Megapixel Live MOS
  2. Processor
    TruePic IX Quad Core Processor
  3. Focusing System
    Dual F.A.S.T. AF (Contrast & Phase Detection AF) 121 Point (All Cross Type) On-Chip Phase Detection
  4. Image Stabilization System
    5-Axis Image Stabilization with up to 7.5 Shutter Speed Steps Compensation with Sync-IS
  5. Viewfinder
    2.36M dot LCD Electronic Viewfinder
  6. Rear Monitor
    3.0" Vari-Angle Touch LCD
  7. Weathersealed
    Dust, Splash and Freezeproof(IPX1 Rated)
  8. Sequential Shooting Speed
    15fps [H] mode 10fps [L] mode mechanical shutter
    60fps [H] mode 18fps [L] mode silent electronic shutter
  9. Special Features
    Handheld High Res Shot Mode
    Multiselector (Joystick) Focus Point Control
    Live ND (Neutral Density Filter)
    4k Video Capture (30/25/24 fps) with OM-Log Mode
    PRO Capture Lag-Free Electronic Shutter Mode
    USB Type C In-camera Charging
    400k Shot Shutter Life

Sensor / Dust Reduction

  1. Sensor Type
    4/3" Live MOS Sensor
  2. Effective Pixels
    20.4 million
  3. Total Pixels
    21.8 million
  4. Aspect Ratio & Area
    4:3 / 17.4 x 13.0mm
  5. Dust Reduction
    Super Sonic Wave Filter

Processor

  1. Processor Type
    TruePic™ IX

Focusing System

  1. AF System Type
    High-speed imager AF: Imager phase detection AF and imager contrast AF used in combination
  2. AF Working Range
    EV -3.5~20 (ISO approx.100, with a f/2.8 lens)
  3. Focusing Points / Focusing Points Selection Mode
    121-point cross-type phase detection AF and 121-point contrast AF / All target, single target (normal / small), group target (5-area / 9-area / 25-area), custom target 1-4 (AF area and its increment steps selectable)
  4. Focus Modes
    Single AF (S-AF)
    Single AF (S-AF+MF)
    Continuous AF (C-AF)
    Continuous AF (C-AF+MF)
    Manual Focus (MF)
    AF tracking (C-AF + TR)
    AF tracking (C-AF + TR+MF)
    Preset MF
    Starry sky AF (S-AF)
    Starry sky AF (S-AF+MF)
  5. C-AF Tracking Sensitivity Settings
    5 steps
  6. C-AF Center Priority
    Available
  7. C-AF Center Start
    Available
  8. AF Limiter
    Available
    *Up to 3 distance settings can be saved
  9. Magnified Frame
    3x , 5x , 7x , 10x , 14x
    *Autofocusing is possible in the magnified frame; can be assigned to button to turn magnify frame AF on/off and to activate magnification; touch icon on monitor to turn off; enables selection of focusing point from 800 or more.
  10. Super spot AF
    Available*(Contrast AF in center of the monitor when magnified)
    *Available only when a Micro Four Thirds lens is attached.
  11. Face Detection AF / Eye Detection
    Available
    Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority
  12. AF Targeting Pad
    Available (activate / deactivate with double tap on rear monitor)
  13. Manual Focus Assist
    Focus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode
  14. Peaking Function
    Activate with Fn button or focus ring
    Change peaking settings using the Info button
    Color selection: white, black, red, yellow
    Intensity selection: high, normal, low
    Back light effect: on, off
  15. AF Focus Adj.
    Adjust all, adjust by lens
    (for Phase detection AF only)
  16. AF Illuminator
    Available

Image Stabilization

  1. System Type
    Built-in 5-axis sensor-shift image stabilization
  2. Modes
    4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF
  3. Live View Image Stabilization
    Activation by half-pressing shutter button or pressing AEL/AFL button, enlarging view
  4. Focal Length Setting
    11 settings: 10 programmable settings (10 lenses)
    *Lenses without communication function can be registered
  5. IS For Live View Image
    Activation by half-pressing shutter button or enlarging view
  6. 5-Axis Sync IS
    Available*
    *When using M.Zuiko Digital lenses equipped with image stabilization
  7. Stabilization Performance
    Compensation steps (Body only): 7.0
    *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO
    Focal length: 40mm (35mm equivalent: 80mm)

    Compensation steps (Sync IS): 7.5
    *When using the M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO
    Focal length: 100mm (35mm equivalent: 200mm), halfway release image stabilization Off, Frame rate: High
  8. Lens IS Priority
    Available

Shutter / Sequential Shooting

  1. Shutter Type
    Focal-plane shutter (mechanical shutter) 1/8000 - 60 sec, Live Bulb, LiveTime, Live Composite
    Electronic first curtain shutter 1/320 - 60 sec
    *Shutter speed faster than 1/320 sec will be automatically switched to mechanical shutter.
    Electronic shutter (Silent mode) 1/32000 - 60 sec
    *Settings for sound, AF illuminator, and flash can be set to ON/OFF separately, default setting is Off for all three
    Flicker Scan Video recording 1/30 - 1/250.0 Still 1/50.0 - 1/7634
    *Video recording S/M mode, Still S/M silent mode only
  2. Sequential Shooting Maximum Speed
    *When using the M.ZUIKO DIGITAL ED 12-40mm f/2.8 PRO
    [Sequential shooting H] approx 15 fps with selectable 10-15 fps
    [Sequential shooting L] approx 10 fps with selectable 1-10 fps
    [Anti-shock sequential shooting L] approx 8.5 fps
    [Silent sequential shooting H] approx 60 fps with selectable 15, 20, 30, 60 fps
    [Silent sequential shooting L] approx 18 fps with selectable 1-10, 15, 18 fps
    [Pro Capture H] approx 60 fps with selectable 15, 20, 30, 60 fps
    *When in Pro Capture mode, slower shutter speeds and flash can not be used
    [Pro Capture L] approx 18 fps with selectable 1-10, 15, 18 fps
    *When in Pro Capture mode, slower shutter speeds and flash can not be used
    *Pro Capture L mode is available when using an Olympus Micro Four Thirds lens
    *In Pro Capture L mode, the minimum aperture is f/8.
  3. Max. Recordable Pictures in Sequential Shooting
    Sequential shooting H 15 fps [RAW]: Approx. 101
    Sequential shooting H 15 fps [JPEG LF]: Approx. 134
    Sequential shooting L 10 fps [RAW]: Approx. 286
    Sequential shooting L 10 fps [JPEG LF]: Until card is full
    Silent sequential shooting H 60 fps [RAW]: Approx. 50
    Silent sequential shooting H 60 fps [JPEG LF]: Approx. 50
    Silent sequential shooting L 18 fps [RAW]: Approx. 76
    Silent sequential shooting L 18 fps [JPEG LF]: Approx. 90
  4. Pre-shutter Frames
    *For Pro Capture mode only
    Number of frames recorded prior to full-press of the shutter button can be set from 0 to 35 frames.
  5. Self Timer
    Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5/1/2/3sec., Number of shots: 1-10, Every time AF: ON/OFF)

Viewfinder/Monitor

  1. Finder Type
    Eye-level electronic viewfinder, approx. 2.36M dots
  2. Field of View / Viewfinder Magnification
    Approx. 100% / Approx. 1.30x[*1] - 1.48x[*2] (-1m-1, 50mm lens, Infinity)
    *1: Finder Style 1, 2 (aspect ratio 4:3)
    *2: Finder Style 3 (aspect ratio 4:3)
  3. Eye Point / Diopter Adjustment Range
    Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1
  4. Preview
    Live View preview with depth of field preview lock
  5. Display Grid
    Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid
    *grid color is selectable
  6. Level Gauge
    2-axis (horizontal / vertical) level gauge
  7. Finder Style
    3 styles
  8. Brightness / Color Temp Control
    Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control
  9. S-OVF (Simulated OVF)
    Available
  10. Optional Eyecup
    Available (EP-13 Large Eyecup)
  11. Rear Monitor Size
    3.0-inch vari-angle monitor*
    *Approx.1037k dots (3:2), electrostatic capacitance touch panel
  12. Touch Control
    Shutter release
    Touch AF (AF area selection, AF area size adjustment)
    Face selection by touch operation
    AF targeting pad
    Frame forward/backward
    Magnified playback
    Super Control Panel
    Wi-Fi connection
    Movie controls
  13. Tilting Capability
    Available (mirror display when monitor is in self portrait position)
  14. Brightness / Color Temp Control (Rear Monitor)
    ±7 levels / ±7 levels
  15. Color Tone Select
    Vivid / Natural
  16. Live View
    Approx. 100% field of view,
    exposure compensation preview, WB adjustment preview,
    gradation preview, face detection preview (up to 8 faces),
    grid line, magnification display (x3/x5/x7/x10/x14),
  17. Live View Boost
    Live View Boost 1 , Live View Boost 2* (For dark situations)
    *Settings can be specified for each shooting mode
    *Live View Boost 2: Frame Rate Priority or Quality Priority selectable
    *Off: Brightness in Live View shows specified exposure settings.

Exposure Control / Flash

  1. Metering System
    Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control
    *Also available AF target spot metering
  2. Metering Range
    EV -2 - 20 (ISO approx.100, with a f/2.8 lens)
  3. Exposure Mode / Shooting Mode
    P: program AE (program shift can be performed),
    A: aperture priority AE,
    S: Shutter priority AE,
    M: Manual,
    B: Bulb (Live Bulb, Live Time and Live Composite are available),
    Custom 1~4
  4. ISO Sensitivity
    AUTO ISO (default) : LOW (approx.64) ‐ 6400
    Manual ISO : LOW (approx.64, approx.100), 200 - 25600 (adjustable in 1/3 or 1 EV steps)
  5. Exposure Compensation
    ±5 EV, adjustable by 1/3, 1/2 or 1 EV steps
    When shooting in HDR or in video, only adjustable up to ±3 EV steps
    Live View only reflects up to ±3 EV steps
  6. AE Lock
    Locks with a half-press of the shutter button (can be set to AEL/AFL button as well)
  7. Anti-Flicker Shooting
    Available
  8. Flash Intensity Control Mode
    TTL Auto, Auto*, Manual, Super FP*(FP-TTL AUTO, FP-MANUAL)
    * Available on the external flash
  9. Flash Mode
    Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual(1/1(FULL)~1/64)
  10. Synchronization Speed
    1/250 sec.
    *When using Super FP: 1/125-1/8000 sec.
    *When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing
  11. Flash Intensity Control
    Up to ±3 EV in 1/3, 1/2, 1 EV steps selectable
  12. Compatible External Flash
    FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8, FL-700WR
  13. Wireless Flash Control Method
    Triggered and controlled by Olympus Wireless RC Flash system compatible flashes: FL-LM3 or separately available FL-600R and FL-900R , STF-8,FL-700WR
  14. External Flash Intensity Type
    TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL
  15. Channel No.
    4 channels
  16. Group No.
    4 groups (External flash 3 groups + commander flash)
  17. Radio Wireless Control
    Available

Memory / Image Recording (File Format)

  1. Compatible Memory
    SD, SDHC*1, SDXC*1
    *1 UHS-I,II compatible
  2. Recording Format
    DCF2.0, Exif2.31
  3. File Format
    RAW (12-bit lossless compression), JPEG, RAW+JPEG
  4. Recording Image Size
    [RAW] 5184 x 3888 pixels
    [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels
  5. Dual Card Slot Settings
    Standard, Auto Switch, Dual Independent, Dual Same
    *When two cards are inserted, card to be saved on to or to be viewed can be designated.
  6. Folder Creation and Selection
    Available
  7. Copy
    Copy single file, copy multiple files, copy all
    *When copied, the new file will be given a different name from that of the original file.

White Balance / Color Mode

  1. White Balance Mode
    Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting)
  2. White Balance Compensation*
    ±7 steps along A-B / G-M axis * Except for Custom WB
  3. Preset White Balance
    7 preset WBs (3000K - 7500K)
    - Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K)
  4. CWB (Kelvin Setting)
    2000 - 14000K
  5. Capture White Balance
    4 custom settings can be registered
  6. Color Mode
    sRGB, Adobe RGB

Bracketing / HDR

  1. Exposure Bracketing
    2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable
  2. ISO Bracketing
    3 frames in 0.3/0.7/1.0EV steps selectable
  3. White Balance Bracketing
    3 frames in 2, 4, 6 selectable steps for A-B/G-M axis.
  4. Flash Bracketing
    3 frames in 0.3/0.7/1.0EV step selectable
  5. Art Filter Bracketing
    i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator selectable
  6. Focus Bracketing
    3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses)
  7. Focus Stacking Mode
    3 to 15 shots are taken at different focus points and automatically composited together into a single image

    * Angle of view becomes slightly smaller (The cut area guide is displayed)
    * Compatible with :
    M.ZUIKO DIGITAL ED 60mm F2.8 Macro
    M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO
    M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO
    M.ZUIKO ED 30mm F3.5 Macro
    M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO
    M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO
    M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO
    M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO
    M.ZUIKO DIGITAL ED 12-45mm F4 PRO
    M.ZUIKO DIGITAL 1.4x Teleconverter MC-14
    M.ZUIKO DIGITAL 2x Teleconverter MC-20
  8. HDR (Auto Composite)
    HDR1, HDR2 (painting-like)
    ※ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec.
    ※Exposure compensation can be performed.
  9. Bracketing for HDR post-process
    3 or 5 frames in 2.0 or 3.0 EV steps, or 7 frames in 2.0 EV steps.
    *This sequential shooting H AE bracketing is specifically designed for shooting images that will be HDR-processed on a PC.

Creative Features

  1. Picture Mode
    i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Underwater, Color Creator, Art Filters
  2. Gradation
    Auto, Normal, High Key, Low Key [except when using e-Portrait, Underwater, Art Filters, Color Creator]
  3. Highlight and Shadow Control
    ±7 steps each for highlight, shadow, midtone
  4. Picture Tone
    Neutral, Sepia, Blue, Purple, Green for Monotone
  5. Art Filter
    (Variation / Art Effect)
    Pop Art (I, II / a.b.c.d.e)
    Soft Focus ( - / c.e)
    Pale & Light Color (I, II / a.b.c.d)
    Light Tone ( - / d)
    Grainy Film (I, II / b.c.d.f.g)
    Pin Hole (I, II, III / d.)
    Diorama ( - / d.)
    Cross Process (I, II / b.c.d.)
    Gentle Sepia ( - / a.b.c.d.f.)
    Dramatic Tone (I / b.c.d.e.f.) (II / b.c.d.e.f.g.h)
    Key Line (I, II / a.b.c.d.e.)
    Watercolor (I, II / a.b.c.d.)
    Vintage (I, II, III / a.b.c.d.e.f.i)
    Partial Color (I, II, III / a.b.c.d.e.f)
    Bleach Bypass (I, II / a.b.c.d.e.f.i)
    Instant Film (- / a.b.c.d.e.f.i)
  6. Art Effect
    a. Soft Focus Effect
    b. Pin-Hole Effect
    c. White Edge Effect
    d. Frame Effect
    e. Star Light Effect
    f. Blur Effect (Top & bottom, Left & Right)
    g. B&W Effect (None, Yellow, Orange, Red, Green)
    h. Picture Tone (None, Sepia, Blue, Purple, Green)
    i. Shade Effect (Top & bottom, Left & Right)
  7. Color Ring (for partial color)
    18 color selectable
  8. Live Bulb / Live Time
    Update Interval Time - 0.5 sec – 60 sec
  9. Live Composite
    Update Interval Time / composite method – 0.5 sec – 60 sec / Lighten Mode (Bright area prioritization)
  10. Interval Shooting
    Interval Time 1sec. - 24 Hours. Creating Timelapse movie is possible with interval shooting up to 999 frames. Available on making Timelapse movie automatically.
  11. Multiple Exposure (number of pictures / function)
    2 frames / Auto gain, Exposing on Recorded picture(RAW)
  12. Fisheye Compensation
    3 styles (can be confirmed in Live View)
    *Underwater correction compatible
    * Enabled when M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO is used.
  13. Live ND (Neutral Density)
    Available
    *Shutter Priority and Manual mode only, flash can not be used, ISO up to 800, the maximum shutter speed is 1/30 (when ND2 is set) and the speed drops if the number of ND steps is raised
  14. High Res Shot
    JPEG (80M) 10368×7776
    JPEG(50M) 8160×6120
    JPEG(25M) 5760×4320
    RAW  10368×7776
  15. Handheld High Res Shot
    JPEG(50M) 8160×6120
    JPEG(25M) 5760×4320
    RAW  8160 x 6120
  16. Keystone Compensation
    Available (can be confirmed in Live View)
    *Horizontal and vertical compensation can be performed simultaneously.

Video / Audio Recording

  1. Video Recording Format
    MOV(MPEG-4AVC/H.264)
  2. Movie Mode / Frame Rate / Compression Method
    4096 × 2160 (C4K) / 24p / IPB (approx. 237 Mbps)
    3840 × 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 Mbps)
    1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
    1920 x 1080 (FHD) / 60p, 50p / IPB (SF, F, N)
    1280 x 720 (HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)

    60p: 59.94 fps, 50p: 50.00 fps, 30p: 29.97 fps, 25p: 25.00 fps,
    24p: 23.98 fps, C4K 24.00 fps
    FHD ALL-I (A-I: ALL-Intra / approx. 202 Mbps),
    FHD IPB (SF: SuperFine / approx. 52 Mbps, F: Fine / approx.. 30 Mbps,
    N: Normal / approx. 18 Mbps)
    HD ALL-I (A-I:ALL-Intra / approx. 102 Mbps),
    HD IPB(SF:SuperFine / approx.26Mbps, F:Fine / approx.14Mbps、N:Normal / approx.10Mbps)
    HD (1280 x 720) / 30p

    *Frame rates may drop when particular Art Filters and Movie Effects are used.
    *Class 10 or higher SD card is recommended for shooting movies.
    *UHS-II or UHS-I U3 card is recommended for 4K,C4K,ALL-I shooting.
  3. Maximum Video Recording Time
    Approx. 29min
  4. Movie Tele-converter
    Approx. 3x (enlarges view of selected area)
  5. Art Filter Movie
    Available
    (Frame rates may drop when certain Art Filters are used)
  6. Movie Effect
    One-shot Echo / Multi-echo / Art Fade / Old Film
  7. Timelapse Movie
    [AVI ]
    3840×2160(4K)/ 5fps, 10fps, 15fps, 30fps
    1920×1080(FHD)/ 5fps,10fps,15fps, 30fps
    1280×720(HD)/ 5fps、10fps、15fps、30fps
  8. Quick Movie / Slow Movie
    With (Both or either of the two may not be available depending on the frame rates.
  9. High speed movie
    120fps (1920×1080/MOV)
  10. IS for Movie
    M-IS1*(Image sensor shift and electronic image stabilizer with multi motion IS),
    M-IS2(Image sensor shift with multi motion IS), Off
    *While using M-IS1, field of view may be affected.
  11. AE Lock
    Available
  12. Video Exposure Control
    Program AE, aperture priority AE, shutter priority AE, manual
  13. Grid Lines / Focus Peaking
    4 types of grid lines / 4 colors for focus peaking
  14. Time Code
    Rec run/free run, drop frame/non-drop frame
  15. Live View Output via HDMI
    Monitor Mode (outputs video and info display to a connected monitor) *1
    Record Mode (outputs video only, with no info display) *2
    *1 While recording, footage is simultaneously displayed on the HDMI monitor and on the camera, but the info display is shown only on either one of the two.
    While playing movies, footage is simultaneously displayed on the HDMI monitor (normal size) and on the camera (normal size or enlarged).
       However, the image can not be enlarged on the camera when a movie is being recorded.
    *2 Movie quality is set to YCbCr 4:2:2 (8 bit), frame rate follows movie setting (24p, 30p and 60p settings are not recommended.), and sound will be recorded.
  16. Movie Picture Mode
    Flat,OM-Log400
    *View assist compatible
  17. Audio Recording Format
    Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)
  18. Microphone / Speaker
    Built-in stereo microphone / built-in mono speaker
    *External stereo microphone can be attached
  19. Microphone Function
    Wind noise reduction, recording volume, microphone volume limiter
    Audio dubbing possible for still pictures (up to 30 sec.)
    *May affect audio quality.
  20. IC Recorder Linkage
    Slate Tone / Synchronized Audio Rec-Movie Rec
    *LS-100 compatible

Operability

  1. GPS Info Function
    Available (Via GPS smartphone)
    *Built-in GPS info given priority
  2. Wireless Shooting
    Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off
    *P / A / S / M / B and drive mode can be selected.
    Aperture, shutter speed, exposure, ISO sensitivity, white balance and sequential shooting can be adjusted.
  3. Image Share
    File Type: JPEG*, MOV
    Marking function for image share.
  4. Easy Connection
    Connect using a QR code
    Connect using Bluetooth (View, Transfer only. Enabled from the second time)
  5. Tethered Shooting
    Via USB cable (camera can be operated by both PC or camera controls)
    Via Wi-Fi (Transfer of recorded images to PC via access point, 5GHz and 2.4GHz available)
  6. GPS / Field Sensor System
    GPS (GLONASS,QZSS), compass, manometer, temperature sensor, acceleration sensor
  7. Playback Mode
    Single-frame, information display, index display (4/9/25/100 frames), calendar, enlargement (2x - 14x), movie (with sound, FF/REW/Pause), picture rotation (auto), Light Box display
  8. Information Display
    Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF

Custom

  1. My Menu
    35 items in 5 tabs with 7 items each
  2. Mode dial my set
    4 types of settings can be configured to C1-C4 modes on mode dial.
  3. Menu custom set
    Available (Settings configured to C1-C4 can be called up via the menu even in P,A,S,M and B modes.
    *Some items including shooting mode may not be called up.
  4. Multi Selector customization
    With
  5. Dial customization
    Dial function and dial direction are customizable for both dials
  6. Lever customization
    Select assignment from 3 different modes, power switch, or off (no function assignment)
  7. Button Customization
    Up to 39 functions can be assigned to buttons
    *Up to 24 functions can be assigned for movie recording
    *Buttons on lenses can also be customized from the camera
    *Some buttons may have restrictions to what functions can be assigned
  8. Copyright Settings/Lens info Settings
    With / With (save up to 10 lenses)
  9. Menu Languages (34 selectable)
    English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai

Connectivity / Power Requirements

  1. USB Connector
    USB Type-C
  2. Remote Connector
    φ2.5Pin Jack (when using separately available RM-CB2).
  3. HDMI Connector
    Micro HDMI(type D)
  4. Flash Attachment
    Hot shoe, sync terminal
  5. Wireless LAN
    Built-in (IEEE 802.11b/g/n/ac)
  6. MIC Input Jack
    φ3.5 stereo mini jack (plug-in power on/off)
  7. Headphone Jack
    φ3.5 stereo mini jack
  8. PC Interface
    SuperSpeed(USB3.0)
  9. TV Interface
    Not Available
  10. Battery
    BLH-1 Li-ion battery
  11. Battery Status Display
    Remaining power (10 steps, %, or by-minute display), shot count, degradation
  12. AC Adapter
    Optional AC-5 AC adapter
    *Via power battery holder (HLD-9)
  13. USB Bus Power
    A USB PD bus power can be used
    ※ PD compliant Camera: Rev 3.0 Ver 1.0a
  14. USB Charging
    Replaceable battery is charged with AC-5 / USB in the camera
    * When the camera power is off
    * Performance varies depending on different USB devices
  15. Sleep Mode
    Available (1/3/5 min. off)
  16. Number of Recordable Pictures
    *With Toshiba SDXU-D032G, IS ON, with no flashes attached, based on CIPA test standards
    Standard mode: 420
    Quick sleep mode: 900
  17. Battery Life for Movie Recording
    *When repeatedly recording at the maximum time of 29 minutes
    Under standard JEITA testing: 85
    When zoom and other operational functions are not used: 140

Weights & Dimensions / Operating Environment / Box Contents

  1. Weight
    Approx. 580g (with 1 BLH-1 battery and 1 memory card, based on CIPA standards, without eyecup)
    Approx. 504g (body only)
  2. Dimensions
    W:134.1mm H:90.9mm D:68.9mm
    (based on CIPA standards: excludes protrusions)
  3. Environmentally Sealed
    Dust, Splash (IPX1), Freezeproof
  4. Operating Temperature Range
    -10ºC ~ +40ºC (when in operation) / -20ºC ~ +60ºC (when stored)
  5. Operating Humidity Range
    30 - 90% (when in operation) / 10 - 90% (when stored)
  6. Box Contents
    Body
    USB cable
    Cable clip
    Shoulder strap
    Instruction manual
    Warranty card
    BLH-1 Li-ion battery
    BCH-1 Li-ion battery charger

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April 7, 2020 by ClassicSax
Great compact camera.
I am very happy with this camera. Fully customizable - compact and light and at the same time sturdy and waterproof. Very effective motion stabilization. Ideal for a traveler. Easy to use bracketing for focus stacking, multiple exposures and other options.
March 12, 2020 by Allen Maestas
I'm glad I made the switch to Olympus OM-D
This little camera is outstanding! Small, light, beautiful images, amazing functionality, and great lens selection. What more could you want from a camera? This camera is great for all styles of photography, portrait, landscape, wildlife, you name it, it does it. A joy to use, I'm glad I made the switch to Olympus OM-D.
March 9, 2020 by Paul
Extremely happy with this camera
I am a bona fide purchaser of the new EM-1.3. I received one of the first batch to ship. My decision to purchase it was partially based the advantage trade-in pricing being offered by the retailer. Although I still retain an E-M1.2 I do not regret buying this camera. Today I used it to photograph at my local animal shelter, something I have been doing for nine years, first with Nikon cameras and most recently with the Oly EM-1.2. I also use the 12-100mm F4 Pro lens for this and have been able to skip the use of a flash because of the image stabilization the camera/lens combination provides. Today I found the ease of use of the EM-1.3 and the quality of the end results to be a genuine revelation compared to the EM-1.2, exceeding my expectations by a wide margin. The image stabilization of the 1.3 was indeed better than the 1.2, something that really helps when shooting moving animals indoors in relatively low light. The continuous tracking system is improved, and the joystick control with the ability to program it to return to home position was a great aid, and on one or two dogs I found that the face tracking worked as though they were human. I also found no discernible noise in photos shot at ISO 3200. Nearly all my shots were keepers in this first session with the EM-1.3, matching my recent outing usIng the camera for birding with the 300mm F4 Pro lens. On that occasion I also noticed better stabilization and a higher rate of keepers. <br /> <br />Now if only Olympus would give us a firmware update that expanded face recognition to common animals, as Nikon recently has done, I think this camera will be damn near perfect and very hard to beat in most any category.
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