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OM-D E-M1X

4.9 Stars
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Starting At CA$3,749.99

Regular Price: CA$3,899.99

(CA$150.00 Savings!)

OM-D E-M1X

4.9 Stars

Availability: In stock

OM-D E-M1X

OM-D E-M1X

Starting At CA$3,749.99

Regular Price: CA$3,899.99

(CA$150.00 Savings!)
buy now
Overview

ABSOLUTE CONFIDENCE

When we first introduced our mirrorless OM-D camera family, we opened new possibilities for photographers everywhere. Today, the revolution continues with the OM-D E-M1X. It's a pro level camera with features designed to take your work to exciting new places. The E-M1X is packed with innovative tech, like world-leading image stabilization, AI-based Intelligent Subject Detection AF, and a handheld ultra-high resolution shooting mode. It’s all packaged in a compact, lightweight, weathersealed system that has the speed and accuracy you need to make quick work of challenging assignments. The E-M1X. Count on it to bring your very best vision and creativity to life.

60
  • Frames Per Second
  • Continuous Shooting
7.0
  • EV Stops of
  • Stabilization Performance
50
  • MP Handheld
  • High Res Shot Mode
  1. Weathersealed Construction
  2. 15fps Seq. Shooting (Mechanical)
  3. 60fps Seq. Shooting (Electronic)
  4. In-body 5-Axis Image Stabilization
  5. Phase + Contrast Detection AF
  6. 400K Shutter Actuation Life
  7. Dual TruePic™ VIII Processors
  8. 20 Megapixel Live MOS Sensor
  9. 50 Megapixel High Res Shot
  10. Handheld 4K Video
  11. Focus Bracketing and Stacking
  12. Built-In Wi-Fi + Bluetooth
  • Design
  • Image Quality
  • Autofocus
  • Speed
  • Video
  • Design
  • Image Quality
  • Autofocus
  • Speed
  • Video
  • BUILT TO DO ONE THING PERFECTLY:
    NEVER MISS

    Built to do one thing perfectly:
    never miss

    It’s comfortable. It’s reliable. It’s weathersealed. Most importantly, it’s shooting all day and always getting that critical shot.

    It’s comfortable. It’s reliable. It’s weathersealed. Most importantly, it’s shooting all day and always getting that critical shot.

    • COMPACT & LIGHTWEIGHT

      When your camera system is as compact and lightweight as ours, an incredible thing happens: you can move around a lot easier.

    • WEATHERSEALED PERFORMANCE

      Toss your rain cover out. The E-M1X is splashproof, dustproof and freezeproof so you can shoot without worry in harsh weather.

    • INTEGRATED VERTICAL GRIP

      Feel more secure holding your camera. Shoot comfortably for hours with the help of a deep finger rest that works in both horizontal and vertical positions.

    • COMPACT & LIGHTWEIGHT

      When your camera system is as compact and lightweight as ours, an incredible thing happens: you can move around a lot easier.

    • WEATHERSEALED PERFORMANCE

      Toss your rain cover out. The E-M1X is splashproof, dustproof and freezeproof so you can shoot without worry in harsh weather.

    • INTEGRATED VERTICAL GRIP

      Feel more secure holding your camera. Shoot comfortably for hours with the help of a deep finger rest that works in both horizontal and vertical positions.

    COMPACT & LIGHTWEIGHT

    The E-M1X and our M.Zuiko PRO lenses are designed on a groundbreaking mirrorless platform enabling us to build lighter, smaller cameras that pack powerful performance. Compared to flagship DSLR bodies and lenses, this system is half the size, half the weight, and a lot less bulky. The advantages? More mobility to get better shots. Unparalleled handheld shooting. Working longer without tiring. Stowing more gear in a smaller bag. Our full line of M.Zuiko PRO lenses deliver incredible imaging power in half the size of 35mm glass. It all adds up to a more creative shooting experience that lets you get more from every shoot.

    WEATHERSEALED PERFORMANCE

    Concentrate on taking the perfect shot instead of protecting your camera from the elements. Thanks to sturdy magnesium alloy construction and an advanced system of seals, the E-M1X has best-in-class weather protection (tested to the IPX1 standard) – innovations successfully used in our durable Tough cameras. Each of the camera’s access points, including the SD card slots, are protected by a splashproof cover. A dustproof design means worry-free shooting on windy days at the beach or extreme environments. You can keep working even if temperatures plummet: the E-M1X is freezeproof down to 14°F / -10°C.

    INTEGRATED VERTICAL GRIP

    The E-M1X is built for comfort. It starts with an integrated vertical grip featuring a deep finger rest that feels secure and comfortable in your hand. Buttons and controls are strategically placed for both vertical and horizontal shooting – use the same finger motion to find the controls no matter how you hold the camera. Operate the camera without taking your eye off the viewfinder because buttons and controls are identifiable by touch. All button functions can be customized and the C-LOCK (custom lock) feature locks only the buttons you want and keeps the others active.

    USB TYPE-C PD CHARGING

    The E-M1X has 2 long life, high-capacity batteries that can be charged via USB cable in about 2 hours. The at-a-glance display lets you keep an eye on battery status.

    MY MENUS INTERFACE

    Designed with input from top pros, the My Menu feature lets you instantly access up to 35 commands. Adding, removing or moving a command in your customized menu is as easy as pressing a button.

    HEAT DISSIPATION SYSTEM

    Shooting 4K video and capturing sequential shots at high speeds heat up a camera. An ingenious heat dissipation system keeps the E-M1X cool and fully functional.

    FIELD SENSOR SYSTEM

    The E-M1X is conveniently equipped with GPS, a barometer, a compass, and a temperature sensor. Sensor data is displayed in real time and recorded for easy image management – a helpful feature while shooting nature or wildlife.

  • DO MORE THAN CAPTURE AN IMAGE.
    COMMAND ATTENTION.

    DO MORE THAN CAPTURE AN IMAGE.
    COMMAND ATTENTION.

    Image is everything. That’s why the E-M1X incorporates some of the industry’s most advanced technology to ensure your images achieve the highest standards of excellence: yours.

    Image is everything. That’s why the E-M1X incorporates some of the industry’s most advanced technology to ensure your images achieve the highest standards of excellence: yours.

    • HANDHELD & BLUR-FREE

      Our revolutionary image stabilization system frees you to capture startlingly clear handheld telephoto shots in any lighting.

    • HANDHELD HIGH RES SHOT

      Take a sharp, spectacularly detailed 50MP High Resolution Image without a tripod or other stabilizing equipment.

    • OUR MOST POWERFUL PROCESSING

      Work with mind-blowing speed and pinpoint accuracy powered by two industry-leading imaging processors.

    • HANDHELD & BLUR-FREE

      Our revolutionary image stabilization system frees you to capture startlingly clear handheld telephoto shots in any lighting.

    • HANDHELD HIGH RES SHOT

      Take a sharp, spectacularly detailed 50MP High Resolution Image without a tripod or other stabilizing equipment.

    • OUR MOST POWERFUL PROCESSING

      Work with mind-blowing speed and pinpoint accuracy powered by two industry-leading imaging processors.

    HANDHELD & BLUR-FREE

    The E-M1X uses the industry’s most sophisticated stabilization system found in an interchangeable lens camera. Our groundbreaking in-body 5-Axis Image Stabilization system provides 7.0 stops of compensation freeing you to shoot handheld, telephoto or macro in any light for crisp, clear photos without a tripod. When you pair the camera with a stabilized M.Zuiko PRO lens, the combined 5-Axis Sync IS system produces the world’s most effective image stabilization system providing up to 7.5 stops of compensation. It lets you take blur-free handheld shots as long as 4 seconds. There isn’t another pro camera system that offers so much mobility and flexibility.

    HANDHELD HIGH RES SHOT

    Sometimes you can use a tripod, sometimes you can’t. The E-M1X brilliantly captures super high resolution images either way. When using the E-M1X’s High Res Shot Mode with a tripod, the camera’s image sensor automatically moves in 0.5 pixel increments while taking eight shots in under a second, then merges them to create one 50MP high resolution shot. No tripod? With Handheld High Res Shot Mode, 16 shots are automatically taken while you hold the camera, then merged into a single 50MP image.

    OUR MOST POWERFUL PROCESSING

    The E-M1X is equipped with two quad core TruePic™ VIII image processors built for speed and reliability. You’ll experience instantaneous start-up and write speeds to dual card slots, exhilarating autofocusing plus blazing sequential shooting. Besides speed, the processors deliver off-the-chart image quality highlighted by true-to-life color, edge-to-edge sharpness and vibrant gradations. Both processors work in tandem with a high-speed 20MP Live MOS Sensor featuring an Anti-Reflection Coating to reduce flaring and ghosting directly on the sensor.

    LIVE ND MODE

    Preview slow shutter effects in the viewfinder before shooting. Live ND Mode eliminates swapping ND filters for each shooting scene or lens. Choose from 5 ND levels starting from 1EV to 5EV.

    FOCUS STACKING & BRACKETING

    Use the Focus Stacking & Bracketing Modes to take sharp macro photos with a deep depth of field. With in-camera Focus Stacking, the E-M1X automatically captures several shots with varying focal points, then merges them to form a single image with edge-to-edge clarity. It's ideal for shooting plants, insects or small objects.

    ANTI-FLICKER MODE

    Capture brighter indoor shots. Anti-Flicker Mode compensates for artificial light by automatically activating the shutter at peak brightness to smooth exposure and color difference between frames.

    SUPERSONIC WAVE FILTER

    Change lenses outdoors without worrying about getting the sensor dusty. Our Supersonic Wave Filter oscillates 30,000 times per second to instantly shake dust and dirt away.

  • OUR AUTOFOCUS IS SO MUCH MORE THAN JUST ACCURATE.
    IT'S INTELLIGENT.

    OUR AUTOFOCUS IS SO MUCH MORE THAN JUST ACCURATE.
    IT'S INTELLIGENT.

    Our revolutionary autofocus system takes another big leap forward with more accuracy, more speed and more smarts.

    Our revolutionary autofocus system takes another big leap forward with more accuracy, more speed and more smarts.

    • UNFAILING ACCURACY

      With 121 cross-type Phase Detection plus Contrast Detection focus points, you’ll have unmatched accuracy to effortlessly capture split-second moments with precision.

    • INTELLIGENT SUBJECT
      DETECTION AF

      Concentrate on framing instead of focusing. This new AF feature uses AI-based technology to find and focus on specific subjects like cars and aircraft.

    • CUSTOM AF TARGET

      Customize and save unique AF target areas so you’ll always be ready to capture your favorite subjects.

    • UNFAILING ACCURACY

      With 121 cross-type Phase Detection plus Contrast Detection focus points, you’ll have unmatched accuracy to effortlessly capture split-second moments with precision.

    • INTELLIGENT SUBJECT
      DETECTION AF

      Concentrate on framing instead of focusing. This new AF feature uses AI-based technology to find and focus on specific subjects like cars and aircraft.

    • CUSTOM AF TARGET

      Customize and save unique AF target areas so you’ll always be ready to capture your favorite subjects.

    UNFAILING ACCURACY

    Our autofocus system relies on the quantity and quality of detection information. That’s why our Frequency Accelerating Sensor Technology (F.A.S.T.) AF system boasts 121 points of on-chip Phase Detection plus Contrast Detection AF across the sensor plane. Every point is cross-type, enabling dependable detection of vertical and horizontal lines for industry-leading accuracy. It's advanced technology to ensure you’ll easily lock focus on any subject in any environment.

    INTELLIGENT SUBJECT DETECTION AF

    Imagine your camera’s AF system being able to detect and lock on to subjects all by itself. That’s Intelligent Subject Detection AF. Developed using AI-based Deep Learning Technology, it detects specific subjects like a speeding formula car or rally car, motocross racer and flying aircraft. Choose from three modes: Motor Vehicles, Aircraft or Trains. The system pinpoints, then focuses on one part of a subject — a driver’s helmet, a pilot or an engineer. You only need to compose your shot.

    CUSTOM AF TARGET

    You can customize AF targeting in addition to using the AF Target Mode presets. Choose from any odd number of points from 11 vertical and 11 horizontal and from three levels of horizontal and vertical area movement steps. Achieve new levels of pinpoint accuracy that enhances one of the world’s best AF systems.

    AF TARGET MODES

    Use the new 25-point AF Target Mode to track moving subjects like birds or small animals. It joins 5 other AF target presets including Single, Group 5-point, Group 9-point, 121 point and Small AF.

    JOYSTICK MULTI SELECTOR

    Accurately capture moving subjects as you look through the viewfinder. A convenient multi selector lets you shift your AF area while shooting sequentially or capturing video.

    FACE & EYE PRIORITY AF

    When you’re shooting portraits with a bright prime lens, just switch on Face and Eye Priority AF to capture images with stunning sharpness and spectacular detail.

  • SO FAST,
    IT'S WAY AHEAD OF YOUR EXPECTATIONS.

    SO FAST,
    IT'S WAY AHEAD OF YOUR EXPECTATIONS.

    Professional photographers crave speed. And the E-M1X delivers. We’ve built this camera so you can effortlessly capture the fastest moving subjects on earth.

    Professional photographers crave speed. And the E-M1X delivers. We’ve built this camera so you can effortlessly capture the fastest moving subjects on earth.

    • BLAZING CONTINUOUS SHOOTING

      It’s the ultimate in rapid response time. Shoot a continuous 60 frames per second in RAW format and never miss a critical moment.

    • ZERO-LAG PRO CAPTURE

      Easily capture seemingly impossible to get split-second moments with Pro Capture Mode. It only takes a single press of the shutter.

    • HIGH SPEED EVF

      Our innovative Electronic Viewfinder delivers industry-leading magnification for distortion-free display and plenty of speed for viewing fast-moving subjects.

    • BLAZING CONTINUOUS SHOOTING

      It’s the ultimate in rapid response time. Shoot a continuous 60 frames per second in RAW format and never miss a critical moment.

    • ZERO-LAG PRO CAPTURE

      Easily capture seemingly impossible to get split-second moments with Pro Capture Mode. It only takes a single press of the shutter.

    • HIGH SPEED EVF

      Our innovative Electronic Viewfinder delivers industry-leading magnification for distortion-free display and plenty of speed for viewing fast-moving subjects.

    BLAZING CONTINUOUS SHOOTING

    The E-M1X generates sequential shooting speeds that surpass any DSLR. Using the silent electronic shutter, you can capture up to 60 fps of 20MP RAW image files in S-AF Mode and 18 fps in C-AF Tracking Mode. Or switch to the mechanical shutter to shoot high resolution photos at a blazing 15fps in S-AF Mode with best-in-class speed. It’s all possible thanks to dual image processors that ensure the fastest subjects are captured in sharp detail.

    ZERO-LAG PRO CAPTURE

    Shooting split second action is effortless with Pro Capture Mode. It starts buffering a running series of up to 35 high resolution images the moment you press the shutter button halfway. When you see the moment you want to capture, fully press the shutter button to instantly save that moment plus the buffered shots. Because you can go back 35 frames, you get the split second image you want without any lag. Never miss an exciting moment again.

    HIGH SPEED EVF

    What you see is what you get with our Electronic Viewfinder. There’s a four element optical system of aspherical and high refractive index lenses that provide an industry best 0.83x (35mm equivalent) of magnification for edge-to-edge, distortion-free display. The EVF works with Live View, letting you see setting changes in real time. Key settings are unobtrusively displayed so you can focus on framing your subject. A barely perceptible minimum lag of 0.005 seconds lets you chase fast-moving objects with ease.

    SILENT MODE

    Silent Shutter Mode shuts off all shutter and electronic sounds. Perfect for when you need to be discrete in quiet settings.

    DUAL UHS-II CARD SLOTS

    The E-M1X’s dual TruePic™ VIII Image Processors drive two UHS II compatible slots that deliver breathtaking data transfer speeds. A staggered layout makes access easy. The four recording settings are ideal for backup and management of your image and video files

    400K SHUTTER LIFE

    Talk about durability. Our internal rigorous testing proves that the E-M1X’s shutter has a reliable lifespan of more than 400,000 actuations.

    WI-FI & BLUETOOTH CONNECTIVITY

    Built-in Wi-Fi and Bluetooth makes sharing simple. Our free OI.Share app syncs the E-M1X to your smart device. Compose images, adjust settings, shoot remotely and upload your photos and videos.

  • BE MORE MOBILE.
    SHOOT BETTER MOVIES.

    BE MORE MOBILE.
    SHOOT BETTER MOVIES.

    There's an alternative to lugging around bulky stabilizing gear. Shoot movies using an industry-best in-camera image stabilization system that frees you to capture smooth, crisp 4K and C4K video.

    There's an alternative to lugging around bulky stabilizing gear. Shoot movies using an industry-best in-camera image stabilization system that frees you to capture smooth, crisp 4K and C4K video.

    • SMOOTHEST HANDHELD 4K VIDEO

      Shoot clear, crisp video in any light without a tripod. With the E-M1X, you’ll have the industry’s most effective image stabilization system so you’ll be free to capture smooth handheld video.

    • HIGH BIT RATE RECORDING

      Achieve stunningly detailed and exceptionally vibrant video by shooting in Cinema 4K (C4K) with a maximum bit rate of 237Mbps — perfect for producing a big screen film.

    • OM-LOG

      Shoot in Log Mode to capture bright, vibrant video in changing lighting conditions without losing detail in shadows or blowing the highlights out.

    • SMOOTHEST HANDHELD 4K

      Shoot clear, crisp video in any light without a tripod. With the E-M1X, you’ll have the industry’s most effective image stabilization system so you’ll be free to capture smooth handheld video.

    • HIGH BIT RATE RECORDING

      Achieve stunningly detailed and exceptionally vibrant video by shooting in Cinema 4K (C4K) with a maximum bit rate of 237Mbps — perfect for producing a big screen film.

    • OM-LOG

      Shoot in Log Mode to capture bright, vibrant video in changing lighting conditions without losing detail in shadows or blowing the highlights out.

    SMOOTHEST HANDHELD 4K

    Don’t be weighed down by tripods, jibs, or other bulky stabilizing gear. The E-M1X is equipped with in-body 5-Axis Image Stabilization to compensate for all 5 types of camera of movement while capturing video. As an extra measure, electronic stabilization helps you shoot ultra-smooth C4K or 4K video with nothing but your hands and talent.

    HIGH BIT RATE RECORDING

    The E-M1X lets you shoot a variety of frame sizes from standard HD to FHD up to C4K/4K. Capture C4K (4096 x 2160) up to a max bit rate of 237 Mbps at a 24P frame rate for true cinema quality. Be more flexible by shooting in 4K (3840 x 2160) video with a 30P, 25P or a 24P frame rate.

    OM-LOG

    Lighting can change quickly, especially when you’re working on the fly. Shooting with OM-Log Mode compared to Flat maximizes dynamic range to keep your video clean and crisp without losing details in shadow or highlights. A new Look Up Table lets you easily grade your color using Davinci Resolve post-production software.

    C4K FORMAT

    Get cinematic. Shoot in an aspect ratio of 4096 x 2160 for display on the biggest screens. It's slightly wider than standard 4K, but considerably more spectacular to view.

    CLEAN HDMI OUT

    An HDMI monitor connection supports clean 4:2:2 output, giving you an expanded range for color correction.

    PHASE DETECTION AF FOR VIDEO

    Phase Detection AF uses improved algorithms to ensure fast and accurate focusing while shooting video. Choose from four AF target modes – Single, 121-point, Group 9-point or Group 25-point – plus three AF tracking sensitivity/speed settings.

Gallery
SEEING

IS BELIEVING

We sent top photographers on a critical mission: show off the E-M1X’s expansive range of capabilities. You’ll be as impressed and inspired as we are.

SEE IT IN ACTION

It's our very best compact system for pros. Check out all the E-M1X innovations here.
Videos
Tech specs

Tech specs

Because the details matter

Key Specs

  1. Sensor Effective Resolution / Type
    20.4 Megapixel Live MOS
  2. Processor
    Dual TruePic VIII Dual Quad Core Processors
  3. Focusing System
    Dual F.A.S.T. AF (Contrast & Phase Detection AF) 121 Point (All Cross Type) On-Chip Phase Detection
  4. Image Stabilization System
    5-Axis Image Stabilization with up to 7.5 Shutter Speed Steps Compensation
  5. Viewfinder
    2.36M dot LCD Electronic Viewfinder
  6. Rear Monitor
    3.0" Vari-Angle Touch LCD
  7. Weatherproof
    Dust, Splash and Freezeproof (IPX1 Rated)
  8. Sequential Shooting Speed
    15fps [H] mode 10fps [L] mode mechanical shutter
    60fps [H] mode 18fps [L] mode silent electronic shutter
  9. Special Features
    Intelligent Subject Tracking AF
    Live ND (Neutral Density Filter)
    4k Video Capture (30/25/24 fps) with OM-Log Mode
    PRO Capture Lag-Free Electronic Shutter Mode
    Dual Battery Slots with USB Type C In-camera Charging
    Integrated Vertical Grip with Ergonomic Controls
    Dual UHS-II SD Card Slots
    400k Shot Shutter Life

Sensor / Dust Reduction

  1. Sensor Type
    4/3" Live MOS Sensor
  2. Effective Pixels
    20.4 million
  3. Total Pixels
    21.8 million
  4. Aspect Ratio & Area
    4:3 / 17.4 x 13.0mm
  5. Dust Reduction
    Super Sonic Wave Filter

Processor

  1. Processor Type
    Dual TruePicTM VIII

Focusing System

  1. AF System Type
    High-speed imager AF: Imager phase detection AF and imager contrast AF used in combination; When a Four Thirds lens (mount adapter sold separately necessary) is attached, imager phase detection AF is always enabled).
  2. AF Working Range
    EV -3.5~20 (ISO approx.100, with a f/2.8 lens)
  3. Focusing Points / Focusing Points Selection Mode
    121-point cross-type phase detection AF and 121-point contrast AF / All target, single target (normal / small), group target (5-area / 9-area / 25-area), custom target 1-4 (AF area and its increment steps selectable)
  4. Focus Modes
    Single AF (S-AF)*1 / Continuous AF (C-AF)*1 / Manual Focus (MF) / AF tracking (C-AF + TR)*1 / Preset MF*2
    *1 AF+MF selectable
    *2 Distance setting values are rough estimates and not compatible lens except the AF lens.
  5. AF Limiter
    Available (Fn button can be assigned to On/Off; can save 3 distance settings)
    *Distance setting values are rough estimates.
  6. AF Performance
    C-AF lock (5 steps) , AF scanner (3 types) , C-AF Center Priority , C-AF Center Start
  7. Magnified Frame
    3x , 5x , 7x , 10x , 14x
    *Autofocusing is possible in the magnified frame; can be assigned to button to turn magnify frame AF on/off and to activate magnification; touch icon on monitor to turn off; enables selection of focusing point from 800 or more.
  8. Super spot AF
    Available*(Contrast AF in center of the monitor when magnified)
    *Available only when a Micro Four Thirds lens is attached.
  9. Face Detection AF / Eye Detection
    Available
    Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority
  10. Intelligent Subject Detection AF
    Available
    Motorsports (Automobiles / Motorcycles), Aircrafts, Trains
  11. AF Targeting Pad
    Available (activate / deactivate with double tap on rear monitor)
  12. Manual Focus Assist
    Focus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode
  13. Peaking Function
    Activate with Fn button or focus ring Change peaking settings using the Info button
    Color selection: white, black, red, yellow
    Intensity selection: high, normal, low
    Back light effect: on, off
  14. AF Focus Adj.
    Adjust all, adjust by lens (for Phase detection AF only)
  15. AF Illuminator
    Available

Image Stabilization

  1. System Type
    Built-in 5-axis* sensor-shift image stabilization for movie and still photos
    *yaw/pitch/roll/vertical shift/horizontal shift
  2. Modes
    4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF
  3. Live View Image Stabilization
    11 settings: 10 programmable settings (10 lenses), 1 open setting
  4. IS For Live View Image
    Activation by half-pressing shutter button or enlarging view
  5. 5-Axis Sync IS
    Available*
    *When using M.Zuiko Digital lenses equipped with image stabilization
  6. Stabilization Performance
    7.0 EV*
    *Based on CIPA measurement conditions.
    When using M.Zuiko Digital ED 12-40mm f/2.8 PRO (focal length =40mm (35mm equivalent: 80mm))
    7.5 EV*
    *Based on CIPA measurement conditions.
    When using M.Zuiko Digital ED 12-100mm f/4.0 PRO (focal length =100mm (35mm equivalent: 200mm)), with camera body IS set to Off, Frame rate: High
  7. Lens IS Priority
    Available

Shutter / Sequential Shooting

  1. Shutter Type
    Focal-plane shutter (mechanical shutter): 1/8000 - 60 sec., with selectable EV adjustment steps (1/3, 1/2, 1)
    *Live Bulb / LiveTime: selectable exposure time (1/2/4/8/15/20/25/30 min.), with 8-min. default setting
    *Live Composite: 3 hours maximum shooting time
    Electronic first curtain shutter (Anti-shock mode) : 1/320 - 60 sec
    Electronic shutter (Silent mode): 1/32000 - 60 sec
    Flicker Scan: Video recording 1/30 (50fps:1/50, 60fps:1/60, Highspeed: 1/120) -1/250.0 Still 1/50.0-1/7634
    *Video recording S/M mode, Still S/M silent mode only. Selectable with a minimum of 0.1
  2. Sequential Shooting Maximum Speed
    [Sequential shooting H] approx. 15 fps with selectable 10-15 fps
    [Sequential shooting L] approx. 10 fps with selectable 1-10 fps
    [Anti-shock sequential shooting L] approx. 8.5 fps with selectable 1-8 fps
    [Silent sequential shooting H] approx. 60 fps with selectable 15, 20, 30, 60 fps
    [Silent sequential shooting L] approx. 18 fps with selectable 1-10, 15, 18 fps
    [Pro Capture H] approx 60 fps with selectable 15, 20, 30, 60 fps
    [Pro Capture L] approx 18 fps with selectable 1-10, 15, 18 fps
    *When using the M.ZUIKO DIGITAL ED 12-40mm f/2.8 PRO
    *Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting
    *When in Pro Capture mode, slower shutter speeds and flash can not be used
    *Pro Capture L mode is available when using an Olympus Micro Four Thirds lens
    *In Pro Capture L mode, the minimum aperture is f/8.
    *When ISO is 8000 or above, 30 fps becomes the maximum sequential shooting speed, and the actual shooting speed may become slower than the set shooting speed by a few frames per second. When using ISO Bracketing, performance will be affected at ISO 2000 or above
    *Focus and exposure are fixed at the values of the first shot when using sequential shooting H
    *Maximum sequential shooting speed is 8.5 fps for anti-shock sequential shooting L, even when set to 9 or 10 fps
  3. Max Recordable Pictures in Sequential Shooting
    [Sequential shooting H 15 fps] RAW: Max. 103 frames, JPEG (LF): Max. 132 frames
    [Sequential shooting L 10 fps] RAW: Max. 287 frames, JPEG (LF): Until card is full
    [Silent sequential shooting L 60 fps] RAW: Max. 49 frames, JPEG (LF): Max. 49 frames
    [Silent sequential shooting L 18 fps] RAW: Max. 74 frames, JPEG (LF): Max. 89 frames
    *When using the M.Zuiko Digital ED 12-40mm F2.8 PRO and the Toshiba SDXU-D032G memory card with standard card setting in slot 1.
    *Low ISO processing: Priority is given to sequential shooting
  4. Sequential Shooting Frame Count
    1 - 99 frames
  5. Pre-shutter Frames
    *For Pro Capture mode only
    Number of frames recorded prior to full-press of the shutter button can be set from 0 to 35 frames.
  6. Self Timer
    Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5/1/2/3sec., Number of shots: 1-10, Every time AF: ON/OFF)

Viewfinder/Monitor

  1. Finder Type
    Eye-level electronic viewfinder, approx. 2.36M dots
  2. Field of View / Viewfinder Magnification
    Approx. 100% / Approx. 1.48x*1 - 1.65x*2 (-1m-1, 50mm lens, Infinity)
    *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3)
  3. Eye Point / Diopter Adjustment Range
    Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1
  4. Preview
    Live View preview with depth of field preview lock
  5. Display Grid
    Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid
    *grid color is selectable
  6. Level Gauge
    2-axis (horizontal / vertical) level gauge
  7. One Touch Tele-Converter
    Available (2x)
  8. Finder Style
    3 styles
  9. Brightness / Color Temp Control
    Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control
  10. S-OVF (Simulated OVF)
    Expands the Live View dynamic range. *Available in the EVF when in P, A, S and M modes. Art filter, WB and exposure are not reflected in EVF.
  11. Rear Monitor Size
    3.0-inch vari-angle monitor*
    *Approx.1037k dots (3:2), electrostatic capacitance touch panel
  12. Touch Control
    Shutter release, Touch AF (AF area selection, AF area size adjustment) AF targeting pad, frame forward/backward, magnified playback, Super Control Panel, Wi-Fi connection, movie controls
  13. Tilting Capability
    Available (mirror display when monitor is in self portrait position)
  14. Brightness / Color Temp Control (Rear Monitor)
    ±7 levels / ±7 levels
  15. Color Tone Select
    Vivid / Natural
  16. Live View
    Approx. 100% field of view, exposure compensation preview, WB adjustment preview, gradation preview, face detection preview (up to 8 faces), grid line, magnification display (x3/x5/x7/x10/x14),
  17. Live View Boost
    Live View Boost 1 , Live View Boost 2* (For dark situations)
    *Settings can be specified for each shooting mode
    *Live View Boost 2: Frame Rate Priority or Quality Priority selectable
    *Off: Brightness in Live View shows specified exposure settings.

Exposure Control / Flash

  1. Metering System
    Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control
    *Also available AF target spot metering
  2. Metering Range
    EV -2 - 20 (ISO approx.100, with a f/2.8 lens)
  3. Exposure Mode / Shooting Mode
    P: program AE (program shift can be performed), A: aperture priority AE, S: Shutter priority AE, M: Manual, B: Bulb (Live Bulb, Live Time and Live Composite are available), Custom 1~4
  4. ISO Sensitivity
    AUTO ISO (default) : LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) Manual ISO : LOW (approx.64, approx.100), 200 - 25600 (adjustable in 1/3 or 1 EV steps)
  5. Exposure Compensation
    ±5 EV, adjustable by 1/3, 1/2 or 1 EV steps
    When shooting in HDR or in video, only adjustable up to ±3 EV steps Live View only reflects up to ±3 EV steps
  6. AE Lock
    Locks with a half-press of the shutter button (can be set to AEL/AFL button as well)
  7. Anti-Flicker Shooting
    Available
  8. Flash Intensity Control Mode
    TTL Auto, Auto*, Manual, Super FP*(FP-TTL AUTO, FP-MANUAL)
    * Available on the external flash
  9. Flash Mode
    Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual(1/1(FULL)~1/64)
  10. Synchronization Speed
    1/250 sec.
    *When using Super FP: 1/125-1/8000 sec.
    *When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing
  11. Flash Intensity Control
    Up to ±3 EV in 1/3, 1/2, 1 EV steps selectable
  12. Compatible External Flash
    FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8, FL-700WR
  13. Wireless Flash Control Method
    Triggered and controlled by Olympus Wireless RC Flash system compatible flashes: FL-LM3 or separately available FL-600R and FL-900R , STF-8,FL-700WR
  14. External Flash Intensity Type
    TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL
  15. Channel No.
    4 channels
  16. Group No.
    4 groups (External flash 3 groups + commander flash)
  17. Radio Wireless Control
    Available

Memory / Image Recording (File Format)

  1. Compatible Memory
    SD, SDHC*1, SDXC*1
    *1 UHS-I,II compatible
  2. Recording Format
    DCF2.0, Exif2.31
  3. File Format
    RAW (12-bit lossless compression), JPEG, RAW+JPEG
  4. Recording Image Size
    [RAW] 5184 x 3888 pixels [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels
  5. Dual Card Slot Settings
    Standard, Auto Switch, Dual Independent, Dual Same
    *When two cards are inserted, card to be saved on to or to be viewed can be designated.
  6. Folder Creation and Selection
    Available
  7. Copy
    Copy single file, copy multiple files, copy all *When copied, the new file will be given a different name from that of the original file.

White Balance / Color Mode

  1. White Balance Mode
    Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting)
  2. White Balance Compensation*
    ±7 steps along A-B / G-M axis * Except for Custom WB
  3. Preset White Balance
    7 preset WBs (3000K - 7500K) - Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K)
  4. CWB (Kelvin Setting)
    2000 - 14000K
  5. Capture White Balance
    4 custom settings can be registered
  6. Color Mode
    sRGB, Adobe RGB

Bracketing / HDR

  1. Exposure Bracketing
    2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable
  2. ISO Bracketing
    3 frames in 0.3/0.7/1.0EV steps selectable
  3. White Balance Bracketing
    3 frames in 2, 4, 6 selectable steps for A-B/G-M axis.
  4. Flash Bracketing
    3 frames in 0.3/0.7/1.0EV step selectable
  5. Art Filter Bracketing
    i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator selectable
  6. Focus Bracketing
    3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses)
  7. Focus Stacking Mode
    8 shots are taken at different focus points and automatically composited together into a single image
    * Angle of view becomes slightly smaller (The cut area guide is displayed)
    * Compatible with :
    M.Zuiko Digital ED 60mm f/2.8 Macro
    M.Zuiko Digital ED 12-40mm f/2.8 PRO
    M.Zuiko Digital ED 40-150mm f/2.8 PRO
    M.Zuiko Digital ED 30mm f/3.5 Macro
    M.Zuiko Digital ED 7-14mm f/2.8 PRO
    M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO
    M.Zuiko Digital ED 300mm f/4.0 IS PRO
    M.Zuiko Digital ED 12-100mm F4.0 IS PRO
  8. HDR (Auto Composite)
    HDR1, HDR2 (painting-like) ※ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. ※Exposure compensation can be performed.
  9. Bracketing for HDR post-process
    3 or 5 frames in 2.0 or 3.0 EV steps, or 7 frames in 2.0 EV steps.
    *This sequential shooting H AE bracketing is specifically designed for shooting images that will be HDR-processed on a PC.

Creative Features

  1. Picture Mode
    i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Underwater, Color Creator, Art Filters
  2. Gradation
    Auto, Normal, High Key, Low Key [except when using e-Portrait, Underwater, Art Filters, Color Creator]
  3. Highlight and Shadow Control
    ±7 steps each for highlight, shadow, midtone
  4. Picture Tone
    Neutral, Sepia, Blue, Purple, Green for Monotone
  5. Art Filter
    (Variation / Art Effect)
    Pop Art (I, II / a.b.c.d.e)
    Soft Focus ( - / c.e)
    Pale & Light Color (I, II / a.b.c.d)
    Light Tone ( - / d)
    Grainy Film (I, II / b.c.d.f.g)
    Pin Hole (I, II, III / d.)
    Diorama ( - / d.)
    Cross Process (I, II / b.c.d.)
    Gentle Sepia ( - / a.b.c.d.f.)
    Dramatic Tone (I / b.c.d.e.f.) (II / b.c.d.e.f.g.h)
    Key Line (I, II / a.b.c.d.e.)
    Watercolor (I, II / a.b.c.d.)
    Vintage (I, II, III / a.b.c.d.e.f.i)
    Partial Color (I, II, III / a.b.c.d.e.f)
    Bleach Bypass (I, II / a.b.c.d.e.f.i)
    Instant Film (- / a.b.c.d.e.f.i)
  6. Art Effect
    a. Soft Focus Effect
    b. Pin-Hole Effect
    c. White Edge Effect
    d. Frame Effect
    e. Star Light Effect
    f. Blur Effect (Top & bottom, Left & Right)
    g. B&W Effect (None, Yellow, Orange, Red, Green)
    h. Picture Tone (None, Sepia, Blue, Purple, Green)
    i. Shade Effect (Top & bottom, Left & Right)
  7. Color Ring (for partial color)
    18 color selectable
  8. Live Bulb / Live Time
    Update Interval Time - 0.5 sec – 60 sec
  9. Live Composite
    Update Interval Time / composite method – 0.5 sec – 60 sec / Lighten Mode (Bright area prioritization)
  10. Interval Shooting
    Interval Time 1sec. - 24 Hours, Max 999 frames. Available on making Time-lapse movie automatically
  11. Multiple Exposure (number of pictures / function)
    2 frames / Auto gain, Exposing on Recorded picture(RAW)
  12. Fisheye Compensation
    3 styles (can be confirmed in Live View)
    *Underwater correction compatible
    * Enabled when M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO is used.
  13. High Res Shot
    Equivalent to 50 megapixels / 25 megapixels
    *Available in P/A/S/M mode, RAW+JPEG or JPEG.
    *JPEG: 8160 x 6120(50M) 5760 x 4320(25M) / RAW: 10368 x 7776
    *RAW data can be developed in-camera. You need to install Olympus Workspace to develop on a PC.
    *Electronic Shutter 1/8000 - 60 sec.
  14. Handheld High Res Shot
    Equivalent to 50 megapixels / 25 megapixels
    *Available in P/A/S/M mode, RAW+JPEG or JPEG.
    *JPEG: 8160 x 6120(50M) 5760 x 4320(25M) / RAW: 8160 x 6120
    *Flash can not be used
    *RAW data can be developed in-camera. You need to install Olympus Workspace to develop on a PC.
    *Electronic Shutter 1/8000 - 60 sec.
  15. Keystone Compensation
    Available (can be confirmed in Live View)
    *Horizontal and vertical compensation can be performed simultaneously.

Video / Audio Recording

  1. Video Recording Format
    MOV(MPEG-4AVC/H.264)
  2. Movie Mode / Frame Rate / Compression Method
    4096 × 2160 (C4K) / 24p / IPB (approx. 237 Mbps)
    3840 × 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 Mbps)
    1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
    1920 x 1080 (FHD) / 60p, 50p / IPB (SF, F, N)
    1280 x 720 (HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
    60p: 59.94 fps, 50p: 50.00 fps, 30p: 29.97 fps, 25p: 25.00 fps,
    24p: 23.98 fps, C4K 24.00 fps
    FHD ALL-I (A-I: ALL-Intra / approx. 202 Mbps),
    FHD IPB (SF: SuperFine / approx. 52 Mbps, F: Fine / approx.. 30 Mbps,
    N: Normal / approx. 18 Mbps)
    HD ALL-I (A-I:ALL-Intra / approx. 102 Mbps),
    HD IPB(SF:SuperFine / approx.26Mbps,
    F:Fine / approx.14Mbps、N:Normal / approx.10Mbps)
    HD (1280 x 720) / 30p
    *Frame rates may drop when particular Art Filters and Movie Effects are used.
    *Class 10 or higher SD card is recommended for shooting movies.
    *UHS-II or UHS-I U3 card is recommended for 4K,C4K,ALL-I shooting.
  3. Maximum Video Recording Time
    Approx. 29min
  4. Movie Tele-converter
    Approx. 3x (enlarges view of selected area)
  5. Art Filter Movie
    Available
    (Frame rates may drop when certain Art Filters are used)
  6. Movie Effect
    One-shot Echo / Multi-echo / Art Fade / Old Film
  7. Timelapse Movie
    [AVI ]
    3840×2160(4K)/ 5fps
    1920×1080(FHD)/ 5fps,10fps,15fps
    1280×720(HD)/ 5fps、10fps、15fps、30fps
  8. Quick Movie / Slow Movie
    With (Both or either of the two may not be available depending on the frame rates.
  9. High speed movie
    120fps (1920×1080/MOV
  10. IS for Movie
    M-IS1*(Image sensor shift and electronic image stabilizer with multi motion IS),
    M-IS2(Image sensor shift with multi motion IS), Off
    *While using M-IS1, field of view may be affected.
  11. AE Lock
    Available
  12. Video Exposure Control
    Program AE, aperture priority AE, shutter priority AE, manual
  13. Grid Lines / Focus Peaking
    4 types of grid lines / 4 colors for focus peaking
  14. Time Code
    Rec run/free run, drop frame/non-drop frame
  15. Live View Output via HDMI
    Monitor Mode (outputs video and info display to a connected monitor) *1
    Record Mode (outputs video only, with no info display) *2
    *1 While recording, footage is simultaneously displayed on the HDMI monitor and on the camera, but the info display is shown only on either one of the two.
    While playing movies, footage is simultaneously displayed on the HDMI monitor (normal size) and on the camera (normal size or enlarged).
       However, the image can not be enlarged on the camera when a movie is being recorded.
    *2 Movie quality is set to YCbCr 4:2:2 (8 bit), frame rate follows movie setting (24p, 30p and 60p settings are not recommended.), and sound will be recorded.
  16. Movie Picture Mode
    Flat,OM-Log400 *View assist compatible
  17. Audio Recording Format
    Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)
  18. Microphone / Speaker
    Built-in stereo microphone / built-in mono speaker
    *External stereo microphone can be attached
  19. Microphone Function
    Wind noise reduction, recording volume, microphone volume limiter
    Audio dubbing possible for still pictures (up to 30 sec.)
    *May affect audio quality.
  20. IC Recorder Linkage
    Slate Tone / Synchronized Audio Rec-Movie Rec
    *LS-100 compatible

Operability

  1. GPS Info Function
    Available (Via GPS smartphone) *Built-in GPS info given priority
  2. Wireless Shooting
    Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off *P / A / S / M / B and drive mode can be selected.
    Aperture, shutter speed, exposure, ISO sensitivity, white balance and sequential shooting can be adjusted.
  3. Image Share
    File Type: JPEG*, MOV Marking function for image share.
  4. Easy Connection
    Connect using a QR code
    Connect using Bluetooth (View, Transfer only. Enabled from the second time)
  5. Tethered Shooting
    Via USB cable (camera can be operated by both PC or camera controls)
    Via Wi-Fi (Transfer of recorded images to PC via access point, 5GHz and 2.4GHz available)
    Wireless tethering available with Olympus
  6. GPS / Field Sensor System
    GPS (GLONASS,QZSS), compass, manometer, temperature sensor, acceleration sensor
  7. Playback Mode
    Single-frame, information display, index display (4/9/25/100 frames), calendar, enlargement (2x - 14x), movie (with sound, FF/REW/Pause), picture rotation (auto), light box display
  8. Information Display
    Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF

Custom

  1. My Menu
    35 items in 5 tabs with 7 items each
  2. Mode dial my set
    4 types of settings can be configured to C1-C4 modes on mode dial.
  3. Menu custom set
    Available (Settings configured to C1-C4 can be called up via the menu even in P,A,S,M and B modes.
    *Some items including shooting mode may not be called up.
  4. Multi Selector customization
    With
  5. Dial customization
    Dial function and dial direction are customizable for both dials
  6. Lever customization
    Select assignment from 3 different modes, power switch, or off (no function assignment)
  7. Button Customization
    Up to 39 functions can be assigned to buttons
    *Up to 24 functions can be assigned for movie recording
    *Buttons on lenses can also be customized from the camera
    *Some buttons may have restrictions to what functions can be assigned
  8. Copyright Settings/Lens info Settings
    With / With (save up to 10 lenses)
  9. Menu Languages (34 selectable)
    English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai

Connectivity / Power Requirements

  1. USB Connector
    USB Type-C
  2. Remote Connector
    φ2.5Pin Jack (when using separately available RM-CB2).
  3. HDMI Connector
    Micro HDMI type D
  4. Flash Attachment
    Hot shoe, sync terminal
  5. Wireless LAN
    Built-in (IEEE 802.11b/g/n/ac)
  6. MIC Input Jack
    φ3.5 stereo mini jack (plug-in power on/off)
  7. Headphone Jack
    φ3.5 stereo mini jack
  8. PC Interface
    SuperSpeed(USB3.0)
  9. TV Interface
    Not Available
  10. Battery
    Two BLH-1 Li-ion batteries (included)
    * Can be operated when only one BLH-1 Li-ion battery is equipped.
  11. Battery Status Display
    Remaining power (4 steps, %, or by-minute display), shot count, degradation
  12. AC Adapter
    AC-5 AC adapter is separately available (connects to power battery holder HLD-9 to provide power to camera).
  13. USB Bus Power
    A USB PD bus power can be used
    ※ PD compliant Camera: Rev 3.0 Ver 1.0a
  14. USB Charging
    Built-in battery is charged with AC-5 / USB
    * When the camera power is off
    * Performance varies depending on different USB devices
  15. Sleep Mode
    Available (1/3/5 min. off)
  16. Number of Recordable Pictures
    Approx. 870 shots (using 2 BLH-1 and Toshiba SDXU-D032G with IS ON, with no flashes attached, based on CIPA test standards)
    Approx. 2,580 shots (using quick sleep mode, under Olympus testing conditions based on CIPA test standards)
  17. Battery Life for Movie Recording
    Approx. 170 minutes* (under standard JEITA testing)
    Approx. 350 minutes* (when zoom and other operational functions are not used)
    *When repeatedly recording at the maximum time of 29 minutes

Weights & Dimensions / Operating Environment / Box Contents

  1. Weight
    Approx. 997g (with 2 BLH-1 batteries and 2 Memory cards, based on CIPA standards, without eyecup)
    Approx. 849g (body only)
  2. Dimensions
    W:144.4mm H:146.8mm D:75.4mm (based on CIPA standards: excludes protrusions)
  3. Environmentally Sealed
    Dust, Splash (IPX1), Freezeproof
  4. Operating Temperature Range
    -10ºC ~ +40ºC (when in operation) / -20ºC ~ +60ºC (when stored)
  5. Operating Humidity Range
    30 - 90% (when in operation) / 10 - 90% (when stored)
  6. Box Contents
    Body, USB cable, cable clip, cable protector, shoulder strap, instruction manual, warranty card, BLH-1 Li-ion battery (Two) , BCH-1 Li-ion battery charger (Two)

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Reviews
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November 28, 2019 by Tom
Purchased a second E-M1X
After 6 months of ownership I have been completely satisfied with my first OM-D E-M1X. After considering various OM-D options for a back-up camera for my client video business, I decided to purchase a second E-M1X. This is simply the finest, most capable, and innovative camera that I have ever owned. Nothing else compares.
October 2, 2019 by Domit
This is a camera that is going to up your shooting game
This camera has been a game changer for me. The quality of my images, and the capabilities of this camera to handle my shooting style blew me away. The camera just feels right in my hands, and its fairly intuitive in the control placements for when you are shooting. Its easy enough to customize the controls to your style of shooting. Paired with the M.ZUIKO ED 40-150MM F2.8 PRO.....you can't go wrong for shooting portraits and senior photos outdoors
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August 30, 2019 by Tom
A superb camera in so many ways
I have owned a number of different cameras in various formats over the years, including full frame. The Olympus OM-D E-M1X is simply the finest camera that I have ever had the pleasure to use. <br /> <br />The ergonomics and handling are outstanding. I am out with my camera regularly for 6 to 8 hour time periods doing client video/photo assignments or my own field work for personal projects. Even though the E-M1X is considered ‘large’ by micro four thirds standards, it is very comfortable to use for extended periods. I never get fatigued even after full days of hand-held use. <br /> <br />It is true that a micro four thirds sensor does not have the low light performance, dynamic range or colour depth of a full frame sensor. The 20MP sensor in the E-M1X is excellent, and more than good enough for my varied needs. I have no hesitation at all shooting my E-M1X up to ISO-6400 in RAW. <br /> <br />I love the overall design of the E-M1X. This is a camera that was engineered by folks that understand what professional photographers want and need. The dual grip design is excellent and provides comfort in both landscape and portrait orientations. Button placement is logical and very functional. Even though I have never owned an Olympus camera before I was able to become accustomed to the control placement by the second day of use. <br /> <br />The E-M1X is a technological chameleon. I absolutely love the flexibility of this camera! The E-M1X is packed with special features like Live ND, Keystone control, Pro Capture and the Hand-held Hi Res Mode. Some reviewers view these as little more than gimmicks. From my perspective these are all wonderfully practical features that allow me to do my work faster and better. <br /> <br />Of special note are Pro Capture and Hand-held Hi Res. Without a doubt Pro Capture has allowed me to capture photographs of birds that few other photographers can get with confidence. I regularly use the Hand-held Hi Res Mode for landscape, flower, still life, birds and other animal subjects. I’ve even been able to get very good results when shooting hand-held hi res macro images with the M.Zuiko 60 mm f/2.8 macro lens. Obviously timing and technique are important… but this is a fantastic feature that gives photographers the ability to create 50 MP hand-held hi res images when they need them. If you do tripod work the Hi Res mode produces wonderfully detailed 80 MP images. The hi res modes also do a wonderful job dealing with noise, even at ISO-6400. <br /> <br />The auto focusing is quick and accurate. The E-M1X is the only camera I’ve ever owned that made me feel confident when photographing swallows in flight. The AF point joystick is quick and easy to use. Battery life is excellent and I have been regularly able to capture more than 2,500 bird-in-flight images and still have plenty of battery life left. The frame rates are ideal for the work that I do, and were important purchase criteria for me. <br /> <br />I’ve read some reviews that complain about issues like the resolution of the rear screen and EVF. These strike me as quite petty complaints given the other amazing capabilities and features of the E-M1X. <br /> <br />The OM-D E-M1X is the first interchangeable lens Olympus camera that I have ever owned. I married it up with the trio of M.Zuiko PRO f/2.8 zoom lenses, as well as the 60 mm f/2.8 macro. Overall, my kit is relatively small and light. It provides me with all kinds of flexibility when doing personal as well as client work. Having this much photographic/video power in a kit that weighs less than 3 KG in total is incredible. <br /> <br />For photographers/videographers like me who hate to use a tripod and other camera supports, the E-M1X is a godsend. The IBIS in the E-M1X is simply superb and far surpasses anything else that I’ve used. When using M.Zuiko lenses like the 7-14 mm f/2.8 and 12-40 mm f/2.8 multiple second hand-held images are easily done. The E-M1X makes shooting hand-held video a practical reality. <br /> <br />Overall build quality of the OM-D E-M1X is superb. As soon as you hold this camera in your hands you can feel the quality and ruggedness. No doubt… this is a professional piece of kit. <br /> <br />Pigeonholing the Olympus OM-D E-M1X as a ‘sports and wildlife’ camera does it a great disservice. The E-M1X is an incredibly well-rounded, time saving, professional piece of gear that excels with all kinds of subject matter… in all kinds of shooting conditions. <br /> <br />It is impossible to fully appreciate the capabilities and ergonomics of the Olympus OM-D E-M1X until you actually hold it in your hand and use it out in the field. When you do… you will understand the power of this camera. But… be forewarned. If you do use the E-M1X for a little while you stand a very good chance of getting hooked on it! There simply is nothing else out there that can do everything that the OM-D E-M1X can do. <br />
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