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OM-D E-M1 Mark III

4.9 Stars

Starting At CA$2,399.99

Starting At CA$2,399.99

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OM-D E-M1 Mark III at a Glance

Take your work to new heights without the weight. Our OM-D E-M1 Mark III is part of the world’s most portable camera system. Ergonomic and lightweight, the E-M1 Mark III works seamlessly with our compact M.Zuiko PRO lenses, so you move easier, react faster, and enjoy your photography more. Use the World’s Most Effective Image Stabilization to take spectacularly sharp handheld stills and video, no tripod needed. And our most advanced OM-D features help you conquer the most challenging shooting situations. The E-M1 Mark III. Expertly crafted to capture the world’s greatest images. Like yours.

  • Frames Per Second
  • Continuous Shooting
  • EV Stops of
  • Stabilization Performance
  • High Res Shot Mode
  1. IPX1 Weathersealed Construction
  2. 15fps Seq. Shooting (Mechanical)
  3. 60fps Seq. Shooting (Electronic)
  4. Advanced In-body 5-Axis Image Stabilization
  5. 121Point Phase + Contrast Detection AF
  6. 400K Shutter Actuation Life
  7. Dual TruePic™ IX Processors
  8. 20 Megapixel Live MOS Sensor
  9. 50 Megapixel Hand-Held High-Res Shot
  10. Cinema 4K Video
  11. Focus Bracketing and Stacking
  12. Built-In Wi-Fi + Bluetooth
  • Compact & Lightweight
  • Reliability
  • Speed
  • Accurate AF
  • Technology
  • Video


      Why work with a portable camera system? You move easier. React quicker. Work longer. Go further. And be your most creative.


        Combined with our M.Zuiko lenses, you’ll carry the world’s most portable camera system to take your work to exciting new places.


        With our world-leading 5-Axis Sync IS, capture tack-sharp stills and smooth 4K video while enjoying the freedom of handheld shooting.

      • TruePic™ IX PROCESSOR

        This fast powerful processor drives the compact E-M1 Mark III’s superior image quality, producing sharpness and vibrant color.


      Combine the E-M1 Mark III with our compact M.Zuiko lenses and you have the world’s most portable camera system. Compared to DSLR bodies and lenses, the E-M1 Mark III is half the size, half the weight and considerably less bulky. Enjoy more mobility to take more unique shots. Enjoy the freedom to shoot all handheld. Work longer without tiring. Stow more gear in the same size bag. Our extensive line of M.Zuiko PRO weathersealed lenses deliver incredible high resolution imaging power. We’re proving that smaller and lighter delivers huge benefits to professionals.


      The E-M1 Mark III’s in-body 5-Axis Image Stabilization delivers up to 7.0 shutter speed steps of compensation to capture crisp clear telephoto shots, all handheld, even in low light. Pair the camera body with a stabilized M.Zuiko PRO lens and the combined 5-Axis Sync IS produces up to 7.5 shutter speed steps of compensation, the World’s Most Effective stabilization performance. Capture blur-free handheld shots as long as 4 seconds, and enjoy greater freedom, more creativity, and better images and video.


      p>The core of the E-M1 Mark III is an advanced new image processing engine. Our TruePic™ IX delivers blazing fast processing while ensuring world-class image quality. Your stills and video will have astoundingly rich, accurate color, low noise and vibrant gradations. Our processor uses a new AF algorithm to power features including Handheld High Res Shot Mode, in-camera Live ND, Starry Sky AF Mode and Advanced Face / Eye Priority Autofocus.


      The E-M1 Mark III’s high-speed 20MP Live MOS Image Sensor pairs with the TruePic™ IX processor and the superior optics of M.Zuiko lenses to produce world-class image quality in all types of shooting situations.


      Easily capture super high-resolution images using the E-M1 Mark III’s High Res Shot Modes. With Handheld High Res Shot Mode, the camera automatically captures 16 shots in under a second, then merges them into a single 50MP image - no tripod needed. Or, use Tripod High Res Shot Mode to instantly capture 8 shots and create an incredible 80MP image.

      LIVE ND

      Leave your ND filters at home. Use the in-camera Live ND Mode to preview slow shutter effects in the electronic viewfinder or LCD monitor. Choose your level of ND from 1 step to 5 steps before capturing your perfect image. Live ND Mode virtually extends the exposure time, allowing image capture with the effect of slow shutter speed by automatically merging multiple exposures.

      Photo by Olympus Visionary Tom Ormerod


      We created the E-M1 Mark III, now make it yours. It belongs to a large, expanding system of lenses and accessories to let you be your best at any type of photography. You’ll find everything from a battery grip to flashes and teleconverters to accessories that capture high quality video. Whatever you need for a project or trip, the Olympus OM-D system has what you’re looking for.



      Built-in weathersealing and other features let you concentrate on getting your best shot instead of worrying about your camera gear.


        Never worry about shooting in bad weather or changing lenses in sub-par conditions.


        Sure, you’re tough on your camera. That’s why we designed a shutter unit that could stand years of use (and abuse).


        Manage your images easier. Dual card slots give you four recording settings to help you organize your photos and video.


      Skip the protective gear. The E-M1 Mark III features best-in-class IPX1 weather protection thanks to durable magnesium alloy construction and an advanced system of hermetic seals. Work in the rain and don’t worry about the water drops. Keep shooting if temperatures plummet — the E-M1 Mark III is freezeproof down to 14°F/-10°C. A dustproof design means worry-free shooting on windy beaches and deserts. Even changing lenses in dusty conditions is a cinch. Our Supersonic Wave Filter oscillates 30,000 times per second to shake dust and dirt away from the image sensor to effectively eliminate dark spots.


      Heavy duty is putting it lightly. Our rigorous internal testing proves that the E-M1 Mark III’s shutter unit has a reliable lifespan of more than 400,000 actuations. For many professionals, this equates to years of reliable shooting.


      The more you shoot, the more to manage. The E-M1 Mark III has the answer for that — dual card slots. You’ll have the flexibility to record JPEG and RAW separately, automatically switch to second card when first is full, record to different cards based on image quality mode or record to both cards simultaneously. Slot 1 is UHS-II / UHS-I compatible, while Slot 2 is UHS-I compatible.


      The latest firmware helps ensure your E-M1 Mark III is operating at its peak performance. Use the free OI.Share app to easily keep your camera up-to-date with firmware upgrades using a smart device. Plus, use OI.Share to quickly backup and restore camera settings.



      Your work depends on a camera with scorching speed. Count on the E-M1 Mark III to reliably track and capture moving subjects for brilliant shots every time.


        Wildlife. Automobiles. Sports. The E-M1 Mark III accurately follows any moving subject and always nails the shot.

      • 60 FPS

        Shoot at the speed of life. Take an astounding 60 high-resolution frames per second and capture split second action with ease.


        Capturing split second action used to be more luck than skill. Not anymore. Our Pro Capture feature makes nailing impossible shots easy.


      The E-M1 Mark III features 121-point all-cross-type on-chip Phase Detection plus Contrast Detection AF across the sensor plane. The cross-type Phase Detection points detect vertical and horizontal lines with industry-leading accuracy, driving fast and accurate AF performance at any aperture.

      60 FPS

      The E-M1 Mark III boasts some of the fastest shooting speeds of any DSLR or mirrorless camera. Capture up to 60 fps with AF/AE Lock, or up to 18 fps with AF/AE Continuous Tracking. While in Continuous Tracking Mode, use the Live View display to follow your subject in live time through the electronic viewfinder for easy composing.


      Pro Capture Mode makes shooting split second action incredibly easy. It starts buffering a running series of up to 35 full resolution images the moment you press the shutter button halfway. When you see the moment you want to capture, fully press the shutter button to instantly save that moment plus the buffered shots. Because you can go back 35 frames, you’ll always get the split-second image you want. Shoot in either RAW or JPEG and never miss an exciting moment.


      A conveniently placed joystick lets you shift AF areas so you can quickly react to any moving subject while shooting sequentially or capturing video. You don’t even need to take your eye off the viewfinder.


      Keep the power flowing to your camera. The E-M1 Mark III enables high speed battery charging with a USB cable. If you forgot your charger, don’t worry. Power up in your car or hotel room. Go from zero percent to fully charged in about 2 hours. You can also connect a power bank to the camera for super long duration shooting — a helpful feature when working outdoors or in extreme cold.

      LV BOOST

      Shooting dark scenes such as a starry sky with Live View is a little brighter and easier. Live View Boost lets you see clearly see subjects in the dark for more effective framing.

      Photo by Olympus Visionary Denis Smith


      What you see is what you capture with the E-M1 Mark III’s EVF. Get distortion-free display and all the speed you need to follow any type of subject. The EVF works with Live View so you preview camera setting changes in real time. Our viewfinder boasts a max frame rate of 120 fps with an imperceptible 0.005 sec response time - all so you can compose fast moving subjects with ease.



      Pinpoint accuracy. Effortless autofocusing. Greater functionality. Our innovative autofocus system will help you produce work that gets you more work.


        Astrophotography using manual focus can be time consuming and inaccurate. Our new Starry Sky AF Mode makes it easier to capture breathtaking astro shots.


        If you shoot portraits, switch on our most accurate Face and Eye Priority AF and take your work to new levels of sharpness and definition.


        Easily customize your AF target to match your subject and its movement for accurate autofocusing performance.

      Photo by Olympus Visionary Michael Chan


      Capturing the galaxy has never been easier. Our new Starry Sky AF Mode features two settings to take brilliant astro images. Our Speed Priority setting works in tandem with the E-M1 Mark III’s powerful built-in image stabilization system so you can shoot night skies handheld using wide lenses or a standard zoom. Our Accuracy Priority setting lets you use a tripod and a telephoto lens to pinpoint specific stars with incredible precision. One mode. Two settings. And endless starry photos.


      Shooting split second action is effortless with Pro Capture Mode. It starts buffering a running series of up to 35 high resolution images the moment you press the shutter button halfway. When you see the moment you want to capture, fully press the shutter button to instantly save that moment plus the buffered shots. Because you can go back 35 frames, you get the split second image you want without any lag. Never miss an exciting moment again.


      Choose from six AF Target Modes. Single Point captures still or small subjects. Group 9-Point is for moving subjects like aircraft and sports. Use Group 5-Point for bunched together subjects. All-Point helps capture subjects moving across the frame and use Group 25-Point for moving subjects like birds or small animals. Small Single Point gives you pinpoint accuracy for small objects like a flower. Plus, you can customize the shape and movement of your AF target. Choose from any odd number of points from 11 vertical and 11 horizontal and from three levels of horizontal and vertical area movement steps.


      Customize the AF target and AF area position depending on whether you’re shooting in a horizontal or vertical position.


      Choose from five C-AF tracking sensitivity settings depending on your subject and scene.

      C-AF + MF

      Scenes or subjects can change quickly. You can instantly switch from C-AF to MF by turning the focusing ring on your M.Zuiko lenses.


      This feature lets you establish three in-camera AF operating distances that can be used with all autofocus lenses. Program a custom button to instantly turn the limiters on or off.


      Helps you use the autofocus system to take clear, sharp images when your shooting in the dark or photographing low-contrast subjects.



      Photography is endlessly creative. The E-M1 Mark III is equipped with features to help you bring your ideas to fruition.


        Turn the mode dial to “B” and instantly access Live Composite, Live Bulb, and Live Time Modes to take stunningly beautiful long exposure shots.


        Shoot more creative macro shots with amazingly deep depth of field with Focus Stacking and Focus Bracketing.


        There are times when you want to be unseen and unheard. Silent Mode quiets all camera noise so you can shoot unnoticed.


      Take the guesswork out of long exposure photography. Live Composite Mode stitches together multiple images shot at the same shutter speed and keeps the images from getting too bright. Shoot in Live Composite Mode for up to 6 hours to easily capture dramatic photos of star trails, evocative nighttime cityscapes and moody landscapes without worrying about over or underexposure. Live Bulb Mode and Live Time Mode let you view your image’s exposure level in real time so you’ll know when it’s perfect.

      Photo by Olympus Visionary Denis Smith


      Capture sharp macro photos in focus from foreground to the background with deep depth of field. The E-M1 Mark III’s in-camera Focus Stacking lets you choose from 3 to 15 shots with varying focal points, then merges them to form one image with edge-to-edge clarity. Focus Bracketing lets you capture up to 999 shots at varying focus points. Use Olympus Workspace photo editing software to create dramatic macro shots that have even greater depth of field.


      Silent Mode turns off the mechanical shutter and shuts off all electronic sounds. Perfect for when you need to keep a low profile in settings like an outdoor wedding or photographing wildlife.


      Use the M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO to capture wide-angle shots. This in-body feature removes the curving distortion and opens up creative new shooting options.


      Take stronger architecture photos. Keystone Compensation Mode corrects for converging lines in-camera by applying trapezoidal compensation that improves perspective.


      Capture consistent indoor shots. Anti-Flicker Mode compensates for artificial light by automatically activating the shutter at peak brightness to help smooth exposure and color differences between frames.


      For brighter, more evenly lit indoor shots use Flicker Scan Mode with the electronic shutter to minimize the fluttering effect of LED lighting.


      Quickly get to your favorite settings. The E-M1 Mark III features 4 individual modes that can be customized based on subject and scene.


      Finding and checking critical shooting information is easier than ever. We added a new control panel mode that instantly displays all essential settings on the back monitor.

      MY MENU

      Designed with input from top pros, My Menu lets you instantly access up to 35 commands using 5 tabs with 7 items in each. Just press a button to add, remove or move a command in your menu.


      Built-in Wi-Fi and Bluetooth makes sharing simple. Our free OI.Share app syncs the E-M1 Mark III to your smart device. Compose images, adjust settings, shoot remotely and download your photos and videos directly from your smart device.


      Managing the workflow of studio shooting is effortless with Olympus Capture. The camera can transfer images to your PC using high-speed 5GHz wireless, or a wired USB connection.


      Edit your way. Olympus Workspace is our advanced photo editing software that lets you customize the layout based on the way you work. Use it to manage your files, make color, contrast, noise adjustments to your RAW images and use our Clarity and Dehaze Filters. Apply settings to batches of images prior to processing for efficient workflow. Connect your E-M1 Mark III to your computer via a USB cable and harness the camera’s lightning fast TruePic™ IX processor for fast batch processing of RAW images.



      Leave the bulky stabilizing gear at home. Our powerful in-camera image stabilization system makes capturing smooth C4K/4K video effortlessly.


        Shoot crisp video with the E-M1 Mark III. Equipped with the world’s most effective image stabilization system for capturing smooth handheld 4K/C4K video.

      • OM-LOG

        Shooting video in Log Mode gives you more freedom to make color corrections while editing in post-production.


        The E-M1 Mark III opens new avenues of creative expression with High Speed Movie Mode that captures 120 fps.


      Shoot spectacularly smooth video without being tied to a tripod, jib or other unwieldy stabilizing gear. The E-M1 Mark III is equipped with powerful in-body 5-Axis Image Stabilization to compensate for all types of camera movement while capturing video. As an extra measure, we added electronic stabilization to help you capture super smooth C4K or 4K video with nothing but your hands and talent.


      Lighting can change quickly, especially when you’re working on the fly. Shooting with OM-Log Mode compared to Flat maximizes dynamic range to keep your video clean and crisp without losing details in shadow or highlights. A Look Up Table lets you easily grade your color using DaVinci Resolve post-production software. A View Assist feature converts the video to a BT.709 equivalent so you can watch it in Live View.


      Capture Full 1080p HD video at 120fps, but playback at 24fps for expressive slow motion. Or playback at 120fps for stunningly vivid and detailed video.

      Photo by Olympus Visionary John Sterling Ruth


      The E-M1 Mark III has on-chip Phase Detection AF for video that use improved algorithms to ensure fast and accurate focusing. Choose from four AF target modes — Single, All-points, Group 9-point or Group 25-point — plus three AF tracking sensitivity/speed settings.


      An HDMI monitor connection supports clean 4:2:2, 8-bit output giving you an expanded range for color correction.


      Give your movie high resolution, true-to-life sound by going all Olympus. Seamlessly attach an Olympus LS-P4 PCM Recorder to the Olympus E-M1 Mark III’s hot shoe and connect the audio cable. Or place the recorder near your subject. The LS-P4 opens up many possibilities like directional sound, zoomed audio recording, level adjustment, and other functionality introduced with LS-P4 Firmware 1.10. With the the LS-P4 and the E-M1 Mark III, you’ll capture high quality, high definition sound, and have plenty of editing flexibility. Get your audio and video from one system.



      Exert better control over your moving images. You can individually set the aperture, shutter speed, ISO and white balance so you can get just the right look for your video.

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    Our bright weathersealed F2.8 PRO lens makes this an ideal compact pro zoom kit.

    With lens stabilization and 24-200mm equivalient range, it's the perfect single lens solution.



    Tech specs

    Because the details matter

    Key Specs

    1. Sensor Effective Resolution / Type
      20.4 Megapixel Live MOS
    2. Processor
      TruePic IX Quad Core Processors
    3. Focusing System
      Dual F.A.S.T. AF (Contrast & Phase Detection AF) 121 Point (All Cross Type) On-Chip Phase Detection
    4. Image Stabilization System
      5-Axis Image Stabilization with up to 7.5 Shutter Speed Steps Compensation with Sync-IS
    5. Viewfinder
      2.36M dot OLED Electronic Viewfinder
    6. Rear Monitor
      3.0" Vari-Angle Touch LCD
    7. Weathersealed
      Dust, Splash and Freezeproof(IPX1 Rated)
    8. Sequential Shooting Speed
      15fps [H] mode 10fps [L] mode mechanical shutter
      60fps [H] mode 18fps [L] mode silent electronic shutter
    9. Special Features
      Handheld High Res Shot Mode
      Multiselector (Joystick) Focus Point Control
      Live ND (Neutral Density Filter)
      4k Video Capture (30/25/24 fps) with OM-Log Mode
      PRO Capture Lag-Free Electronic Shutter Mode
      USB Type C In-camera Charging
      400k Shot Shutter Life

    Sensor / Dust Reduction

    1. Sensor Type
      4/3" Live MOS Sensor
    2. Effective Pixels
      20.4 million
    3. Total Pixels
      21.8 million
    4. Aspect Ratio & Area
      4:3 / 17.4 x 13.0mm
    5. Dust Reduction
      Super Sonic Wave Filter


    1. Processor Type
      TruePic™ IX

    Focusing System

    1. AF System Type
      High-speed imager AF: Imager phase detection AF and imager contrast AF used in combination
    2. AF Working Range
      EV -3.5~20 (ISO approx.100, with a f/2.8 lens)
    3. Focusing Points / Focusing Points Selection Mode
      121-point cross-type phase detection AF and 121-point contrast AF / All target, single target (normal / small), group target (5-area / 9-area / 25-area), custom target 1-4 (AF area and its increment steps selectable)
    4. Focus Modes
      Single AF (S-AF)
      Single AF (S-AF+MF)
      Continuous AF (C-AF)
      Continuous AF (C-AF+MF)
      Manual Focus (MF)
      AF tracking (C-AF + TR)
      AF tracking (C-AF + TR+MF)
      Preset MF
      Starry sky AF (S-AF)
      Starry sky AF (S-AF+MF)
    5. C-AF Tracking Sensitivity Settings
      5 steps
    6. C-AF Center Priority
    7. C-AF Center Start
    8. AF Limiter
      *Up to 3 distance settings can be saved
    9. Magnified Frame
      3x , 5x , 7x , 10x , 14x
      *Autofocusing is possible in the magnified frame; can be assigned to button to turn magnify frame AF on/off and to activate magnification; touch icon on monitor to turn off; enables selection of focusing point from 800 or more.
    10. Super spot AF
      Available*(Contrast AF in center of the monitor when magnified)
      *Available only when a Micro Four Thirds lens is attached.
    11. Face Detection AF / Eye Detection
      Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority
    12. AF Targeting Pad
      Available (activate / deactivate with double tap on rear monitor)
    13. Manual Focus Assist
      Focus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode
    14. Peaking Function
      Activate with Fn button or focus ring
      Change peaking settings using the Info button
      Color selection: white, black, red, yellow
      Intensity selection: high, normal, low
      Back light effect: on, off
    15. AF Focus Adj.
      Adjust all, adjust by lens
      (for Phase detection AF only)
    16. AF Illuminator

    Image Stabilization

    1. System Type
      Built-in 5-axis sensor-shift image stabilization
    2. Modes
      4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF
    3. Live View Image Stabilization
      Activation by half-pressing shutter button or pressing AEL/AFL button, enlarging view
    4. Focal Length Setting
      11 settings: 10 programmable settings (10 lenses)
      *Lenses without communication function can be registered
    5. IS For Live View Image
      Activation by half-pressing shutter button or enlarging view
    6. 5-Axis Sync IS
      *When using M.Zuiko Digital lenses equipped with image stabilization
    7. Stabilization Performance
      Compensation steps (Body only): 7.0
      *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO
      Focal length: 40mm (35mm equivalent: 80mm)

      Compensation steps (Sync IS): 7.5
      *When using the M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO
      Focal length: 100mm (35mm equivalent: 200mm), halfway release image stabilization Off, Frame rate: High
    8. Lens IS Priority

    Shutter / Sequential Shooting

    1. Shutter Type
      Focal-plane shutter (mechanical shutter) 1/8000 - 60 sec, Live Bulb, LiveTime, Live Composite
      Electronic first curtain shutter 1/320 - 60 sec
      *Shutter speed faster than 1/320 sec will be automatically switched to mechanical shutter.
      Electronic shutter (Silent mode) 1/32000 - 60 sec
      *Settings for sound, AF illuminator, and flash can be set to ON/OFF separately, default setting is Off for all three
      Flicker Scan Video recording 1/30 - 1/250.0 Still 1/50.0 - 1/7634
      *Video recording S/M mode, Still S/M silent mode only
    2. Sequential Shooting Maximum Speed
      *When using the M.ZUIKO DIGITAL ED 12-40mm f/2.8 PRO
      [Sequential shooting H] approx 15 fps with selectable 10-15 fps
      [Sequential shooting L] approx 10 fps with selectable 1-10 fps
      [Anti-shock sequential shooting L] approx 8.5 fps
      [Silent sequential shooting H] approx 60 fps with selectable 15, 20, 30, 60 fps
      [Silent sequential shooting L] approx 18 fps with selectable 1-10, 15, 18 fps
      [Pro Capture H] approx 60 fps with selectable 15, 20, 30, 60 fps
      *When in Pro Capture mode, slower shutter speeds and flash can not be used
      [Pro Capture L] approx 18 fps with selectable 1-10, 15, 18 fps
      *When in Pro Capture mode, slower shutter speeds and flash can not be used
      *Pro Capture L mode is available when using an Olympus Micro Four Thirds lens
      *In Pro Capture L mode, the minimum aperture is f/8.
    3. Max. Recordable Pictures in Sequential Shooting
      Sequential shooting H 15 fps [RAW]: Approx. 101
      Sequential shooting H 15 fps [JPEG LF]: Approx. 134
      Sequential shooting H 10 fps [RAW]: Approx. 286
      Sequential shooting H 10 fps [JPEG LF]: Until card is full
      Silent sequential shooting H 60 fps [RAW]: Approx. 50
      Silent sequential shooting H 60 fps [JPEG LF]: Approx. 50
      Silent sequential shooting H 18 fps [RAW]: Approx. 76
      Silent sequential shooting H 18 fps [JPEG LF]: Approx. 90
    4. Pre-shutter Frames
      *For Pro Capture mode only
      Number of frames recorded prior to full-press of the shutter button can be set from 0 to 35 frames.
    5. Self Timer
      Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5/1/2/3sec., Number of shots: 1-10, Every time AF: ON/OFF)


    1. Finder Type
      Eye-level electronic viewfinder, approx. 2.36M dots
    2. Field of View / Viewfinder Magnification
      Approx. 100% / Approx. 1.30x[*1] - 1.48x[*2] (-1m-1, 50mm lens, Infinity)
      *1: Finder Style 1, 2 (aspect ratio 4:3)
      *2: Finder Style 3 (aspect ratio 4:3)
    3. Eye Point / Diopter Adjustment Range
      Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1
    4. Preview
      Live View preview with depth of field preview lock
    5. Display Grid
      Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid
      *grid color is selectable
    6. Level Gauge
      2-axis (horizontal / vertical) level gauge
    7. Finder Style
      3 styles
    8. Brightness / Color Temp Control
      Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control
    9. S-OVF (Simulated OVF)
    10. Optional Eyecup
      Available (EP-13 Large Eyecup)
    11. Rear Monitor Size
      3.0-inch vari-angle monitor*
      *Approx.1037k dots (3:2), electrostatic capacitance touch panel
    12. Touch Control
      Shutter release
      Touch AF (AF area selection, AF area size adjustment)
      Face selection by touch operation
      AF targeting pad
      Frame forward/backward
      Magnified playback
      Super Control Panel
      Wi-Fi connection
      Movie controls
    13. Tilting Capability
      Available (mirror display when monitor is in self portrait position)
    14. Brightness / Color Temp Control (Rear Monitor)
      ±7 levels / ±7 levels
    15. Color Tone Select
      Vivid / Natural
    16. Live View
      Approx. 100% field of view,
      exposure compensation preview, WB adjustment preview,
      gradation preview, face detection preview (up to 8 faces),
      grid line, magnification display (x3/x5/x7/x10/x14),
    17. Live View Boost
      Live View Boost 1 , Live View Boost 2* (For dark situations)
      *Settings can be specified for each shooting mode
      *Live View Boost 2: Frame Rate Priority or Quality Priority selectable
      *Off: Brightness in Live View shows specified exposure settings.

    Exposure Control / Flash

    1. Metering System
      Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control
      *Also available AF target spot metering
    2. Metering Range
      EV -2 - 20 (ISO approx.100, with a f/2.8 lens)
    3. Exposure Mode / Shooting Mode
      P: program AE (program shift can be performed),
      A: aperture priority AE,
      S: Shutter priority AE,
      M: Manual,
      B: Bulb (Live Bulb, Live Time and Live Composite are available),
      Custom 1~4
    4. ISO Sensitivity
      AUTO ISO (default) : LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400)
      Manual ISO : LOW (approx.64, approx.100), 200 - 25600 (adjustable in 1/3 or 1 EV steps)
    5. Exposure Compensation
      ±5 EV, adjustable by 1/3, 1/2 or 1 EV steps
      When shooting in HDR or in video, only adjustable up to ±3 EV steps
      Live View only reflects up to ±3 EV steps
    6. AE Lock
      Locks with a half-press of the shutter button (can be set to AEL/AFL button as well)
    7. Anti-Flicker Shooting
    8. Flash Intensity Control Mode
      TTL Auto, Auto*, Manual, Super FP*(FP-TTL AUTO, FP-MANUAL)
      * Available on the external flash
    9. Flash Mode
      Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual(1/1(FULL)~1/64)
    10. Synchronization Speed
      1/250 sec.
      *When using Super FP: 1/125-1/8000 sec.
      *When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing
    11. Flash Intensity Control
      Up to ±3 EV in 1/3, 1/2, 1 EV steps selectable
    12. Compatible External Flash
      FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8, FL-700WR
    13. Wireless Flash Control Method
      Triggered and controlled by Olympus Wireless RC Flash system compatible flashes: FL-LM3 or separately available FL-600R and FL-900R , STF-8,FL-700WR
    14. External Flash Intensity Type
      TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL
    15. Channel No.
      4 channels
    16. Group No.
      4 groups (External flash 3 groups + commander flash)
    17. Radio Wireless Control

    Memory / Image Recording (File Format)

    1. Compatible Memory
      SD, SDHC*1, SDXC*1
      *1 UHS-I,II compatible
    2. Recording Format
      DCF2.0, Exif2.31
    3. File Format
      RAW (12-bit lossless compression), JPEG, RAW+JPEG
    4. Recording Image Size
      [RAW] 5184 x 3888 pixels
      [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels
    5. Dual Card Slot Settings
      Standard, Auto Switch, Dual Independent, Dual Same
      *When two cards are inserted, card to be saved on to or to be viewed can be designated.
    6. Folder Creation and Selection
    7. Copy
      Copy single file, copy multiple files, copy all
      *When copied, the new file will be given a different name from that of the original file.

    White Balance / Color Mode

    1. White Balance Mode
      Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting)
    2. White Balance Compensation*
      ±7 steps along A-B / G-M axis * Except for Custom WB
    3. Preset White Balance
      7 preset WBs (3000K - 7500K)
      - Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K)
    4. CWB (Kelvin Setting)
      2000 - 14000K
    5. Capture White Balance
      4 custom settings can be registered
    6. Color Mode
      sRGB, Adobe RGB

    Bracketing / HDR

    1. Exposure Bracketing
      2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable
    2. ISO Bracketing
      3 frames in 0.3/0.7/1.0EV steps selectable
    3. White Balance Bracketing
      3 frames in 2, 4, 6 selectable steps for A-B/G-M axis.
    4. Flash Bracketing
      3 frames in 0.3/0.7/1.0EV step selectable
    5. Art Filter Bracketing
      i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator selectable
    6. Focus Bracketing
      3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses)
    7. Focus Stacking Mode
      8 shots are taken at different focus points and automatically composited together into a single image

      * Angle of view becomes slightly smaller (The cut area guide is displayed)
      * Compatible with :
      M.ZUIKO DIGITAL ED 60mm F2.8 Macro
      M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO
      M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO
      M.ZUIKO ED 30mm F3.5 Macro
      M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO
      M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO
      M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO
      M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO
      M.ZUIKO DIGITAL ED 12-45mm F4 PRO
      M.ZUIKO DIGITAL 1.4x Teleconverter MC-14
      M.ZUIKO DIGITAL 2x Teleconverter MC-20
    8. HDR (Auto Composite)
      HDR1, HDR2 (painting-like)
      ※ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec.
      ※Exposure compensation can be performed.
    9. Bracketing for HDR post-process
      3 or 5 frames in 2.0 or 3.0 EV steps, or 7 frames in 2.0 EV steps.
      *This sequential shooting H AE bracketing is specifically designed for shooting images that will be HDR-processed on a PC.

    Creative Features

    1. Picture Mode
      i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Underwater, Color Creator, Art Filters
    2. Gradation
      Auto, Normal, High Key, Low Key [except when using e-Portrait, Underwater, Art Filters, Color Creator]
    3. Highlight and Shadow Control
      ±7 steps each for highlight, shadow, midtone
    4. Picture Tone
      Neutral, Sepia, Blue, Purple, Green for Monotone
    5. Art Filter
      (Variation / Art Effect)
      Pop Art (I, II / a.b.c.d.e)
      Soft Focus ( - / c.e)
      Pale & Light Color (I, II / a.b.c.d)
      Light Tone ( - / d)
      Grainy Film (I, II / b.c.d.f.g)
      Pin Hole (I, II, III / d.)
      Diorama ( - / d.)
      Cross Process (I, II / b.c.d.)
      Gentle Sepia ( - / a.b.c.d.f.)
      Dramatic Tone (I / b.c.d.e.f.) (II / b.c.d.e.f.g.h)
      Key Line (I, II / a.b.c.d.e.)
      Watercolor (I, II / a.b.c.d.)
      Vintage (I, II, III / a.b.c.d.e.f.i)
      Partial Color (I, II, III / a.b.c.d.e.f)
      Bleach Bypass (I, II / a.b.c.d.e.f.i)
      Instant Film (- / a.b.c.d.e.f.i)
    6. Art Effect
      a. Soft Focus Effect
      b. Pin-Hole Effect
      c. White Edge Effect
      d. Frame Effect
      e. Star Light Effect
      f. Blur Effect (Top & bottom, Left & Right)
      g. B&W Effect (None, Yellow, Orange, Red, Green)
      h. Picture Tone (None, Sepia, Blue, Purple, Green)
      i. Shade Effect (Top & bottom, Left & Right)
    7. Color Ring (for partial color)
      18 color selectable
    8. Live Bulb / Live Time
      Update Interval Time - 0.5 sec – 60 sec
    9. Live Composite
      Update Interval Time / composite method – 0.5 sec – 60 sec / Lighten Mode (Bright area prioritization)
    10. Interval Shooting
      Interval Time 1sec. - 24 Hours, Max 999 frames.
      Available on making Time-lapse movie automatically
    11. Multiple Exposure (number of pictures / function)
      2 frames / Auto gain, Exposing on Recorded picture(RAW)
    12. Fisheye Compensation
      3 styles (can be confirmed in Live View)
      *Underwater correction compatible
      * Enabled when M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO is used.
    13. Live ND (Neutral Density)
      *Shutter Priority and Manual mode only, flash can not be used, ISO up to 800, the maximum shutter speed is 1/30 (when ND2 is set) and the speed drops if the number of ND steps is raised
    14. High Res Shot
      JPEG (80M) 10368×7776
      JPEG(50M) 8160×6120
      JPEG(25M) 5760×4320
      RAW  10368×7776
    15. Handheld High Res Shot
      JPEG(50M) 8160×6120
      JPEG(25M) 5760×4320
      RAW  8160 x 6120
    16. Keystone Compensation
      Available (can be confirmed in Live View)
      *Horizontal and vertical compensation can be performed simultaneously.

    Video / Audio Recording

    1. Video Recording Format
    2. Movie Mode / Frame Rate / Compression Method
      4096 × 2160 (C4K) / 24p / IPB (approx. 237 Mbps)
      3840 × 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 Mbps)
      1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
      1920 x 1080 (FHD) / 60p, 50p / IPB (SF, F, N)
      1280 x 720 (HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)

      60p: 59.94 fps, 50p: 50.00 fps, 30p: 29.97 fps, 25p: 25.00 fps,
      24p: 23.98 fps, C4K 24.00 fps
      FHD ALL-I (A-I: ALL-Intra / approx. 202 Mbps),
      FHD IPB (SF: SuperFine / approx. 52 Mbps, F: Fine / approx.. 30 Mbps,
      N: Normal / approx. 18 Mbps)
      HD ALL-I (A-I:ALL-Intra / approx. 102 Mbps),
      HD IPB(SF:SuperFine / approx.26Mbps, F:Fine / approx.14Mbps、N:Normal / approx.10Mbps)
      HD (1280 x 720) / 30p

      *Frame rates may drop when particular Art Filters and Movie Effects are used.
      *Class 10 or higher SD card is recommended for shooting movies.
      *UHS-II or UHS-I U3 card is recommended for 4K,C4K,ALL-I shooting.
    3. Maximum Video Recording Time
      Approx. 29min
    4. Movie Tele-converter
      Approx. 3x (enlarges view of selected area)
    5. Art Filter Movie
      (Frame rates may drop when certain Art Filters are used)
    6. Movie Effect
      One-shot Echo / Multi-echo / Art Fade / Old Film
    7. Timelapse Movie
      [AVI ]
      3840×2160(4K)/ 5fps
      1920×1080(FHD)/ 5fps,10fps,15fps
      1280×720(HD)/ 5fps、10fps、15fps、30fps
    8. Quick Movie / Slow Movie
      With (Both or either of the two may not be available depending on the frame rates.
    9. High speed movie
      120fps (1920×1080/MOV)
    10. IS for Movie
      M-IS1*(Image sensor shift and electronic image stabilizer with multi motion IS),
      M-IS2(Image sensor shift with multi motion IS), Off
      *While using M-IS1, field of view may be affected.
    11. AE Lock
    12. Video Exposure Control
      Program AE, aperture priority AE, shutter priority AE, manual
    13. Grid Lines / Focus Peaking
      4 types of grid lines / 4 colors for focus peaking
    14. Time Code
      Rec run/free run, drop frame/non-drop frame
    15. Live View Output via HDMI
      Monitor Mode (outputs video and info display to a connected monitor) *1
      Record Mode (outputs video only, with no info display) *2
      *1 While recording, footage is simultaneously displayed on the HDMI monitor and on the camera, but the info display is shown only on either one of the two.
      While playing movies, footage is simultaneously displayed on the HDMI monitor (normal size) and on the camera (normal size or enlarged).
         However, the image can not be enlarged on the camera when a movie is being recorded.
      *2 Movie quality is set to YCbCr 4:2:2 (8 bit), frame rate follows movie setting (24p, 30p and 60p settings are not recommended.), and sound will be recorded.
    16. Movie Picture Mode
      *View assist compatible
    17. Audio Recording Format
      Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)
    18. Microphone / Speaker
      Built-in stereo microphone / built-in mono speaker
      *External stereo microphone can be attached
    19. Microphone Function
      Wind noise reduction, recording volume, microphone volume limiter
      Audio dubbing possible for still pictures (up to 30 sec.)
      *May affect audio quality.
    20. IC Recorder Linkage
      Slate Tone / Synchronized Audio Rec-Movie Rec
      *LS-100 compatible


    1. GPS Info Function
      Available (Via GPS smartphone)
      *Built-in GPS info given priority
    2. Wireless Shooting
      Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off
      *P / A / S / M / B and drive mode can be selected.
      Aperture, shutter speed, exposure, ISO sensitivity, white balance and sequential shooting can be adjusted.
    3. Image Share
      File Type: JPEG*, MOV
      Marking function for image share.
    4. Easy Connection
      Connect using a QR code
      Connect using Bluetooth (View, Transfer only. Enabled from the second time)
    5. Tethered Shooting
      Via USB cable (camera can be operated by both PC or camera controls)
      Via Wi-Fi (Transfer of recorded images to PC via access point, 5GHz and 2.4GHz available)
    6. GPS / Field Sensor System
      GPS (GLONASS,QZSS), compass, manometer, temperature sensor, acceleration sensor
    7. Playback Mode
      Single-frame, information display, index display (4/9/25/100 frames), calendar, enlargement (2x - 14x), movie (with sound, FF/REW/Pause), picture rotation (auto), Light Box display
    8. Information Display
      Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF


    1. My Menu
      35 items in 5 tabs with 7 items each
    2. Mode dial my set
      4 types of settings can be configured to C1-C4 modes on mode dial.
    3. Menu custom set
      Available (Settings configured to C1-C4 can be called up via the menu even in P,A,S,M and B modes.
      *Some items including shooting mode may not be called up.
    4. Multi Selector customization
    5. Dial customization
      Dial function and dial direction are customizable for both dials
    6. Lever customization
      Select assignment from 3 different modes, power switch, or off (no function assignment)
    7. Button Customization
      Up to 39 functions can be assigned to buttons
      *Up to 24 functions can be assigned for movie recording
      *Buttons on lenses can also be customized from the camera
      *Some buttons may have restrictions to what functions can be assigned
    8. Copyright Settings/Lens info Settings
      With / With (save up to 10 lenses)
    9. Menu Languages (34 selectable)
      English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai

    Connectivity / Power Requirements

    1. USB Connector
      USB Type-C
    2. Remote Connector
      φ2.5Pin Jack (when using separately available RM-CB2).
    3. HDMI Connector
      Micro HDMI(type D)
    4. Flash Attachment
      Hot shoe, sync terminal
    5. Wireless LAN
      Built-in (IEEE 802.11b/g/n/ac)
    6. MIC Input Jack
      φ3.5 stereo mini jack (plug-in power on/off)
    7. Headphone Jack
      φ3.5 stereo mini jack
    8. PC Interface
    9. TV Interface
      Not Available
    10. Battery
      BLH-1 Li-ion battery
    11. Battery Status Display
      Remaining power (10 steps, %, or by-minute display), shot count, degradation
    12. AC Adapter
      Optional AC-5 AC adapter
      *Via power battery holder (HLD-9)
    13. USB Bus Power
      A USB PD bus power can be used
      ※ PD compliant Camera: Rev 3.0 Ver 1.0a
    14. USB Charging
      Replaceable battery is charged with AC-5 / USB in the camera
      * When the camera power is off
      * Performance varies depending on different USB devices
    15. Sleep Mode
      Available (1/3/5 min. off)
    16. Number of Recordable Pictures
      *With Toshiba SDXU-D032G, IS ON, with no flashes attached, based on CIPA test standards
      Standard mode: 420
      Quick sleep mode: 900
    17. Battery Life for Movie Recording
      *When repeatedly recording at the maximum time of 29 minutes
      Under standard JEITA testing: 85
      When zoom and other operational functions are not used: 140

    Weights & Dimensions / Operating Environment / Box Contents

    1. Weight
      Approx. 580g (with 1 BLH-1 battery and 1 memory card, based on CIPA standards, without eyecup)
      Approx. 504g (body only)
    2. Dimensions
      W:134.1mm H:90.9mm D:68.9mm
      (based on CIPA standards: excludes protrusions)
    3. Environmentally Sealed
      Dust, Splash (IPX1), Freezeproof
    4. Operating Temperature Range
      -10ºC ~ +40ºC (when in operation) / -20ºC ~ +60ºC (when stored)
    5. Operating Humidity Range
      30 - 90% (when in operation) / 10 - 90% (when stored)
    6. Box Contents
      USB cable
      Cable clip
      Shoulder strap
      Instruction manual
      Warranty card
      BLH-1 Li-ion battery
      BCH-1 Li-ion battery charger






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    July 29, 2020 by MDBE-M1
    Inspired me to rediscover the joy of photography.
    I have been an Olympus enthusiast since their IS-1 Point and Shoot days, and that camera took exceptional photos by way of a revolutionary system. Yet with the digital invasion I toyed with other brands for travel cameras, always knowing that I would return to Olympus and a serious 35mm at some point. I studied the OM-D series for about a year and zoned in on the E-M1 MK III after it was announced. I am glad I waited, and I have not been dissatisfied. It has every feature and more advanced settings than I will ever need, but I am willing to try. The build quality is second to none and the camera lends to inspired photos just by its exuded capabilities. One is moved to capture the world and Olympus gives you one heck of a tool to do so. One thing my research exposed was that there are entirely too many shallow, opinionated, and apparently macho camera snobs out there, who attack the Micro Four Thirds systems in favor of the Full Frame monsters, all for the sake of nominal image noise. Well, I travel, and I want serious pictures without the need of a pack mule. All I know is that I have one of the best travel cameras on the planet and you ridiculous macho snobs can literally take a hike…with your pack mules.
    Read More
    July 23, 2020 by Jim G.
    Best Darn Camera - 3 months in the field with the OMD EM1 MK III
    Best darn camera all around. I have been an Oly user since the OMD EM5 MK I. I also one the EM5 MKII and upgraded to the EM1 MK III. <br /> <br />My EM5's and EM1 are built like a tank. They are lightweight and can handle anything the backcountry can throw at it rain, cold, heat, etc. <br /> <br />More specifically about the EM1 - The phase-detection in the autofocus is great. There is also no other IBIS system that can match Oly's IBIS. Astrophotography used to be a pain. I liked it but focusing was always a hassle. Starry Sky makes astrophotography a breeze and a real joy. Press the button and it focuses for you. It is just a joy to use. <br /> <br />The built-in ND filters are great for photographing waterfalls and can create some great effects for motion blur. I thought they were a gimmick at first but now use regularly with great results. <br /> <br />I am a serious enthusiast, meaning I shoot street, nature, events, and some portraiture. I live in Montana and Glacier National Park and the Bob Marshal Wilderness area is in my back yard. My Oly's can take anything mother nature wants to throw at it. <br /> <br />When Olympus made their announcement to sell their camera division, I seriously thought about changing my kit. I'm not for the following reasons. First is build quality - no one else can beat their build quality. Second is their IBIS. It is the best in the business. No one can match it. Third, they have great glass. Fourth is live comp - this is a phenomenal feature for night photography. Fifth - It has great image quality. I could not find another camera out there that can beat the build quality and feature set. <br /> <br />If you need a camera you can take into the field and into the studio, you can't beat this camera. <br /> <br />Olympus makes great innovations that other companies then copy. The problem is they never get the word out. I hope the new owners keep the quality and do a better job marketing and Olympus keeps up with the RD because they really do make fantastic cameras. <br /> <br />
    Read More
    June 19, 2020 by MICHAEL
    Switch from Nikon to Olympus
    I had been a Nikon owner and user for over 50 years, and thankfully was directed to Olympus by one of your Olympus pros giving a class at the Winter Wings Festival in Klamath Falls, Oregon. I had used a Nikon D500 and D850 for some time, with a Nikon 200-500mm lens. I purchased the OMD EM-1 Mark III and 300mm IS Pro on the recommendation of your pro and could not be happier. The pictures are sharper, the AF is faster and I can hand hold shots that would have required a tripod with a Gimbel with the Nikon set up. I therefore went out and purchased another body and the 40-150mm IS Pro and, 14-40mm Pro lenses. I am in seventh heaven. My pictures have improved dramatically and I love reviewing the U-Tube presentations by Gaven Hoey, Tim Boyer and others and getting great tips on the use of my Olympus equipment. I am not a professional and probably never will be, but I probably represent the great majority of your customers, and I would just like to say thank you and keep up the good work. I will definitely heap praise on your equipment to fellow amateurs and hope they will make the lucky switch that I have made. Thank you so much for what you do. I have noticed that so many of your professional representatives are from Europe, hopefully the United State will catch up with the rest of the World.
    Read More
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