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OM-D E-M1 Mark II

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Starting At $1,999.99

OM-D E-M1 Mark II

4.8 Stars

Availability: In stock

OM-D E-M1 Mark II

OM-D E-M1 Mark II

Starting At $1,999.99

buy now

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PRO LENS BUNDLE: SAVE UP TO $500

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NEW FIRMWARE AVAILABLE

Get the latest firmware for the E-M1 Mark II, PEN-F, and E-M5 Mark II to enable Profoto support & more.
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Overview

OM-D E-M1 Mark II at a Glance

Introducing the OM-D E-M1 Mark II, an advanced system of innovative technology and features designed to forever change your photography. Up to 18 frames per second sequential shooting with precision C-AF Tracking. 121 Cross-Type On-Chip Phase Detection AF points. Up to 5.5 shutter speed steps of compensation with powerful in-body image stabilization. Plus a 50MP High-Res Shot Mode. It’s all enclosed in a magnesium alloy weatherproof body that weighs a mere 600 grams. Paired with the superior resolution of M.Zuiko PRO lenses, the E-M1 Mark II will deliver brilliant imagery that’s coveted by professionals everywhere.

  1. 20 Megapixel Live MOS Sensor
  2. Advanced 5-Axis Image Stabilization
  3. Lightweight, Weatherproof Body
  4. 15fps Seq. Shooting (Mechanical)
  5. 60fps Seq. Shooting (Electronic)
  6. 1/8000s High-Speed Mechanical Shutter
  7. Cinema 4K Video
  8. 121-Point Dual FAST AF
  9. Fully-Articulating 3.0” Touch Monitor
  10. 50 Megapixel High-Res Shot Mode
  11. Focus Bracketing and Stacking
  12. Built-In Wi-Fi
  • HIGH-SPEED PERFORMANCE
  • DUAL F.A.S.T. AF
  • PRECISE CONTROL
  • IMAGE QUALITY
  • IMAGE STABILIZATION
  • HANDHELD 4K VIDEO
  • HIGH-SPEED PERFORMANCE
  • DUAL F.A.S.T. AF
  • PRECISE CONTROL
  • THE WORLD’S FASTEST*

    Experience sequential shooting speeds that far surpass those of DSLR cameras. Using its advanced silent electronic shutter, the E-M1 Mark II captures 20 MP RAW image files at up to an astonishing 60 fps in S-AF Mode and 18 fps in C-AF Tracking Mode. Or, use the E-M1 Mark II’s high-speed mechanical shutter to shoot full resolution photos at a blazing 15 fps in S-AF Mode, far surpassing other cameras in its class. Thanks to cutting-edge processing speeds, even fast-moving subjects are captured in stunning detail.

    *Sequential shooting speed as of September 2016, when using Silent Sequential Shooting H Mode S-AF.

    More
  • NEXT LEVEL AF

    Capture split-second moments with precision and ease. The Frequency Acceleration Sensor Technology (F.A.S.T.) AF system boasts 121 points of On-Chip Phase Detection plus Contrast Detection AF. Every point of On-Chip Phase Detection is cross-type, facilitating detection of vertical and horizontal lines for superior accuracy. For even faster focusing, the in-body AF Limiter function shortens AF drive time with three customizable focus distance ranges.

    Shot by Olympus Visionary Larry C. Price with the OM-D E-M1 Mark II and M.Zuiko Digital ED 12-40mm F2.8 PRO at 19mm, 1/500 sec., F6.3, ISO500.

    More
  • COMPOSE AND CONTROL

    Capturing fast action is easy with the interactive 2.36 million-dot LCD EVF. It features a smooth 120 fps refresh rate with a 5 millisecond response time that’s imperceptible to the human eye. For superior control, there are four AF target modes: All Point, Single Point, 5-Point Cross, and 9-Point Group. Precision C-AF Tracking and the subject-tracking Cluster Display simplify focusing on moving subjects. And the AF Targeting Pad function lets you move the focus point by touching the LCD monitor with your thumb while composing shots through the viewfinder.

    More
  • OUTSTANDING IMAGE QUALITY

    The new 20 MP Live MOS Sensor features an Anti-Reflective Coating on both sides of the sealed cover glass to reduce flare, and its high-speed design captures distortion-free images of moving subjects that are rich in color and detail. It works simultaneously with the new dual quad-core TruePic™ VIII Image Processor that boasts four CPU cores, four image processing cores, and a dedicated AF calculation circuit to easily power the E-M1 Mark II’s blazing sequential shooting and autofocus speeds.

    Shot by Olympus Trailblazer Peter Baumgarten with the OM-D E-M1 Mark II and M.Zuiko Digital ED 40-150mm F2.8 PRO at 100mm, 1/1600 sec., F4.0, ISO1250.

    More
  • WORLD’S MOST EFFECTIVE IMAGE STABILIZATION*

    The advanced 5-Axis Image Stabilization compensates for all types of camera motion to provide up to 5.5 shutter speed steps of compensation for crisp images. When paired with a M.Zuiko PRO lens that features in-lens stabilization, 5-Axis Sync IS provides up to 6.5 shutter speed steps, the world’s most effective stabilization performance*. Capture blur-free shots at longer shutter speeds of up to 2 seconds, no tripod required.

    *As of September 2016, with M.Zuiko Digital ED 12-100mm f4.0 IS PRO, 100mm focal length, Yaw / Pitch correction.

    More
  • HANDHELD 4K VIDEO

    Capture C4K (4096 x 2160) video up to max bit rate of 237 Mbps at a 24P frame rate for true cinema quality. For even greater flexibility, shoot 4K (3840 x 2160) video with a 30P, 25P, or 24P frame rate. With the E-M1 Mark II’s 5-Axis Image Stabilization and electronic stabilization that’s optimized for video, you’ll shoot ultra-smooth handheld UHD video without tripods, jibs, or other bulky stabilizing equipment. Plus, there are two HDMI output modes: Monitor Mode supports an external monitor display, while Recording Mode records to an external monitor recorder.

    Shot by Vitek Ludvik with the OM-D E-M1 Mark II and M.Zuiko Digital ED 25mm F1.2 PRO at 1/125 sec., F7.1, ISO400.

    More
  • THE WORLD’S FASTEST SEQUENTIAL SHOOTING*

    Experience sequential shooting speeds that far surpass those of DSLR cameras. Using its advanced silent electronic shutter, the E-M1 Mark II captures 20 MP RAW image files at up to an astonishing 60 fps in S-AF Mode and 18 fps in C-AF Tracking Mode. Or, use the E-M1 Mark II’s high-speed mechanical shutter to shoot full resolution photos at a blazing 15 fps in S-AF Mode, far surpassing other cameras in its class. Thanks to cutting-edge processing speeds, even fast-moving subjects are captured in stunning detail.

    *Sequential shooting speed as of September 2016, when using Silent Sequential Shooting H Mode S-AF.

    More
  • AF SPEED AND ACCURACY LIKE NEVER BEFORE

    Capture split-second moments with precision and ease. The Frequency Acceleration Sensor Technology (F.A.S.T.) AF system boasts 121 points of On-Chip Phase Detection plus Contrast Detection AF. Every point of On-Chip Phase Detection is cross-type, facilitating detection of vertical and horizontal lines for superior accuracy. For even faster focusing, the in-body AF Limiter function shortens AF drive time with three customizable focus distance ranges.

    Shot by Olympus Visionary Larry C. Price with the OM-D E-M1 Mark II and M.Zuiko Digital ED 12-40mm F2.8 PRO at 19mm, 1/500 sec., F6.3, ISO500.

    More
  • COMPOSE AND CONTROL

    Capturing fast action is easy with the interactive 2.36 million-dot LCD EVF. It features a smooth 120 fps refresh rate with a 5 millisecond response time that’s imperceptible to the human eye. For superior control, there are four AF target modes: All Point, Single Point, 5-Point Cross, and 9-Point Group. Precision C-AF Tracking and the subject-tracking Cluster Display simplify focusing on moving subjects. And the AF Targeting Pad function lets you move the focus point by touching the LCD monitor with your thumb while composing shots through the viewfinder.

    More

  • PRO CAPTURE
  • HIGH RES SHOT MODE
  • ADVANCED SHOOTING MODES
  • COMPACT & WEATHERPROOF
  • PROFESSIONAL CONSTRUCTION
  • OM-D PRO SYSTEM
  • PRO CAPTURE
  • HIGH RES SHOT MODE
  • ADVANCED SHOOTING MODES
  • LAG-FREE PHOTOGRAPHY

    Capturing the best moments can be difficult, especially when your subject is in motion. Pro Capture Mode ensures you’ll catch the exact moment you want without any lag. Pro Capture uses the silent electronic shutter to start buffering a running series of full resolution JPEG / RAW images when you press the shutter release button halfway. Then, fully press the shutter release to capture an image plus the 14 previous frames all at once. You can keep the shutter release fully depressed to continue sequential shooting. With its time machine-like capability, Pro Capture always has the perfect shot stored and ready to save.

    More
  • 50 MEGAPIXEL HIGH RES SHOT

    The E-M1 Mark II’s High Res Shot Mode creates incredibly sharp images with resolution that exceeds that of many full-frame DSLRs. It automatically captures 8 consecutive shots in one second, then composites the images into one ultra-high resolution shot. The advanced TruePic™ VIII Image Processor prevents image blur caused by subject movement for greater shooting flexibility. To customize your final file size, both a 50 MP Mode and a 25 MP Mode are available.

    More
  • ADVANCED SHOOTING MODES

    Silent Mode completely eliminates shutter noise and all electronic sounds, perfect for quiet environments. With the Live Composite and Live Bulb Modes, you’ll shoot beautiful nighttime photos as you watch the image build up on the monitor, giving you freedom of exposure adjustment. For sharp macro photos with large depths of field, Focus Stacking automatically takes several shots with varying focal points and composites them into a single image.

    Shot by Hiroyuki Tomura with the OM-D E-M1 Mark II and the M.Zuiko Digital ED 7-14mm F2.8 PRO at 7mm, 60 min., f2.8, ISO800.

    More
  • LIGHTWEIGHT WEATHERPROOF DESIGN

    Whether you’re taking to the streets, traveling the world, or working in the studio, the E-M1 Mark II is built to keep you capturing great shots without worrying about your gear. Combined with M.Zuiko PRO lenses, the E-M1 Mark II is more compact and lightweight than DSLRs, providing comfortable shooting with more freedom - even allowing for handheld super-telephoto photography. The metal body provides outstanding grip and is hermetically sealed to be splashproof, dustproof, and freezeproof down to 14°F (-10°C), so you can take advantage of every photo opportunity in any environment.

    More
  • PROFESSIONAL CONSTRUCTION

    The new high-capacity Li-Ion battery enables more images on a single charge (up to 440 shots) plus requires less charging time. The camera’s percentage battery display lets you check the remaining battery charge at a glance. Dual card slots feature a staggered layout for easy access and boast four recording settings, ideal for the backup and management of your image and video files. And the E-M1 Mark II’s shutter surpasses durability tests of 200,000 actuations.

    Shot by Olympus Visionary Tracie Maglosky with the OM-D E-M1 Mark II and M.Zuiko Digital ED 25mm F1.2 PRO at 1/125 sec., F1.2, ISO320.

    More
  • COMPLETE YOUR OWN PRO SYSTEM

    We’ve created an entire professional system to complement your new E-M1 Mark II. Both the FL-900R High-Intensity Flash and the STF-8 Twin Macro Flash feature weatherproof construction and are perfectly matched to the E-M1 Mark II’s compact dimensions. The HLD-9 Powered Grip offers a second arrow pad for convenient control when holding the camera vertically, and the RM-CB2 Remote Cable Release easily connects to the camera with an L-shaped pin jack. Add the PT-EP14 Underwater Housing that's waterproof to depths of 60 meters and you'll be prepared to capture amazing shots in every environment.

    More
  • LAG-FREE PHOTOGRAPHY

    Capturing the best moments can be difficult, especially when your subject is in motion. Pro Capture Mode ensures you’ll catch the exact moment you want without any lag. Pro Capture uses the silent electronic shutter to start buffering a running series of full resolution JPEG / RAW images when you press the shutter release button halfway. Then, fully press the shutter release to capture an image plus the 14 previous frames all at once. You can keep the shutter release fully depressed to continue sequential shooting. With its time machine-like capability, Pro Capture always has the perfect shot stored and ready to save.

    More
  • 50 MEGAPIXEL HIGH RES SHOT

    The E-M1 Mark II’s High Res Shot Mode creates incredibly sharp images with resolution that exceeds that of many full-frame DSLRs. It automatically captures 8 consecutive shots in a second, then composites the images into one ultra-high resolution shot. The advanced TruePic™ VIII Image Processor prevents image blur caused by subject movement for greater shooting flexibility. To customize your final file size, both a 50 MP Mode and a 25 MP Mode are available.

    More
  • ADVANCED SHOOTING MODES

    Silent Mode completely eliminates shutter noise and all electronic sounds, perfeect for quiet environments. With the Live Composite and Live Bulb Modes, you’ll shoot beautiful nighttime photos as you watch the image build up on the monitor, giving you freedom of exposure adjustment. For sharp macro photos with large depths of field, Focus Stacking automatically takes several shots with varying focal points and composites them into a single image.

    Shot by Hiroyuki Tomura with the OM-D E-M1 Mark II and the M.Zuiko Digital ED 7-14mm F2.8 PRO at 7mm, 60 min., f2.8, ISO800.

    More

OM-D E-M1 Mark II Awards

  • Compatible Accessories
  • Related Products
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Specs

Key Specs

  1. Sensor Effective Resolution / Type
    20.4 Megapixel Live MOS
  2. Processor
    TruePic™ VIII Dual Quad Core Processor
  3. Focusing System
    Dual F.A.S.T. AF (Contrast & Phase Detection AF) 121 Point (All Cross Type) On-Chip Phase Detection
  4. Image Stabilization System
    5-Axis In Body Image Stabilization
  5. Viewfinder
    2.36M dot LCD Electronic Viewfinder
  6. Rear Monitor
    3.0" Vari-Angle Touch LCD
  7. Weatherproof
    Dust, Splash and Freezeproof
  8. Sequential Shooting Speed
    15fps [H] mode 10fps [L] mode mechanical shutter
    60fps [H] mode 18fps [L] mode silent electronic shutter
  9. Flash
    Bundled FL-LM3 (dust & splash-proof)
  10. Special Features
    4k Video Capture (30/25/24 fps)
    PRO Capture Lag-Free Electronic Shutter Mode
    In-camera Focus Stacking
    Dual SD Card Slots

Sensor / Dust Reduction

  1. Sensor Type
    4/3" Live MOS Sensor
  2. Effective Pixels
    20.4 million
  3. Total Pixels
    21.8 million
  4. Aspect Ratio & Area
    4:3 / 17.4 x 13.0mm
  5. Dust Reduction
    Super Sonic Wave Filter

Processor

  1. Processor Type
    TruePic™ VIII

Focusing System

  1. AF System Type
    High-speed imager AF: Imager phase detection AF and imager contrast AF (active AF automatically selected by camera; when a Micro Four Thirds lens is attached, imager phase detection AF is always selected)
  2. Focus Modes
    Single AF (S-AF) / Continuous AF (C-AF) / Manual Focus (MF) / S-AF + MF / AF tracking (C-AF + TR) / Preset MF*1
    *1 Distance setting values are rough estimates and not compatible lens except the AF lens.
  3. Full Time AF
    Not Available
  4. AF Limiter
    Available (Fn button can be assigned to On/Off; can save 3 settings) *Distance setting values are rough estimates.
  5. AF Performance
    C-AF lock (5 steps) , AF scanner (3 types)
  6. Magnified Frame
    3x , 5x , 7x , 10x , 14x
    *Autofocusing is possible in the magnified frame; can be assigned to button to turn magnify frame AF on and to activate magnification; touch icon on monitor to turn off; enables selection of AF point from over 800.
  7. Face Detection AF / Eye Detection
    Available
    Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority
  8. Focusing Points / Focusing Points Selection Mode
    121-point cross-type phase detection AF and 121-point contrast AF / All target, group target (9-area or 5-area), single target
  9. AF Illuminator
    Available
  10. AF Targeting Pad
    Available (activate / deactivate with double tap on rear monitor)
  11. Manual Focus Assist* Customize Function
    Focus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode
  12. Peaking Function
    Activate with Fn button or focus ring
    Change peaking settings using the Info button
    Color selection: white, black, red, yellow
    Intensity selection: high, normal, low
    Back light effect: on, off

Image Stabilization

  1. System Type
    Built-in 5-axis* sensor-shift image stabilization for movie and still photos
    *yaw/pitch/roll/vertical shift/horizontal shift
  2. Modes
    4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF
  3. 5-Axis Sync IS
    Available*
    *When using M.Zuiko Digital lenses equipped with image stabilization
  4. Live View Image Stabilization
    Activation by half-pressing shutter button or enlarging view
  5. Focal Length Setting
    11 settings: 10 programmable settings (10 lenses), 1 open setting
  6. IS For Live View Image
    Activation by half-pressing shutter button or enlarging view
  7. Stabilization Performance
    5.5 EV*
    *Based on CIPA measurement conditions.
     When using M.Zuiko Digital ED 12-40mm f/2.8 PRO (focal length = 40mm (35mm equivalent: 80mm))
  8. Lens IS Priority
    Available

Shutter / Sequential Shooting

  1. Shutter Type
    Computerized focal-plane, high-speed mechanical shutter Silent electronic shutter
  2. Shutter Speed
    Mechanical Shutter: 1/8000 - 60 sec. (1/3, 1/2, 1 EV steps selectable)
    Electronic Shutter (Silent Mode): 1/32000 - 60 sec
    Bulb / Time: default setting 8 min. (1/2/4/8/15/20/25/30 min. selectable)
  3. Sequential Shooting Maximum Speed
    [Sequential shooting H] approx. 15 fps with selectable 10-15 fps
    [Sequential shooting L] approx. 10 fps with selectable 1-10 fps
    [Anti-shock sequential shooting L] approx. 8.5 fps with selectable 1-8 fps
    [Silent sequential shooting H] approx. 60 fps with selectable 15, 20, 30, 60 fps
    [Silent sequential shooting L] approx. 18 fps with selectable 1-10, 15, 18 fps
    [Pro Capture H] approx. 60 fps with selectable 15, 20, 30, 60 fps
    [Pro Capture L] approx. 18 fps with selectable 1-10, 15, 18 fps
    *When using the M.ZUIKO DIGITAL ED 12-40mm f/2.8 PRO
    *Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting.
    *When in Pro Capture mode, slower shutter speeds and flash can not be used。
    *When ISO is 8000 or above, 30 fps becomes the maximum sequential shooting speed, and the actual shooting speed may become slower than the set shooting speed by a few frames per second. When using ISO Bracketing, performance will be affected at ISO 2000 or above.
    *Focus and exposure are fixed at the values of the first shot when using sequential shooting H.
    *Maximum sequential shooting speed is 8.5 fps for anti-shock sequential shooting L, even when set to 9 or 10 fps.
  4. Max Recordable Pictures in Sequential Shooting
    [Sequential shooting H 15fps] RAW: Max. 84 frames, JPEG (LN): Max. 117 frames
    [Sequential shooting L 10fps] RAW: Max. 148 frames, JPEG (LN): Until card is full
    [Silent sequential shooting H 60fps] RAW: Max. 48 frames, JPEG (LN): Max. 48 frames
    [Silent sequential shooting L 18fps] RAW: Max. 77 frames, JPEG (LN): Max. 105 frames
    *When using the M.Zuiko Digital ED 12-40mm F2.8 PRO and the Toshiba SDXU-B032G memory card with standard card setting in slot 1.
  5. Self Timer
    Operation time: 12 sec., 2 sec.,custom (Waiting time 1-30sec.,Shooting interval 0.5/1/2/3sec.,Number of shots 1-10

Viewfinder/Monitor

  1. Finder Type
    Eye-level electronic viewfinder, approx. 2.36M dots
  2. Field of View / Viewfinder Magnification
    Approx. 100% / Approx. 1.30x*1 - 1.48x*2 (-1m-1, 50mm lens, Infinity)
    *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3)
  3. Eye Point / Diopter Adjustment Range
    Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1
  4. Preview
    Live View preview with depth of field preview lock
  5. Display Grid
    Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid
    *grid color is selectable
  6. Level Gauge
    2-axis (horizontal / vertical) level gauge
  7. One Touch Tele-Converter
    Available (2x)
  8. Finder Style
    3 styles
  9. Brightness / Color Temp Control
    Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control
  10. S-OVF (Simulated OVF)
    Expands the Live View dynamic range. *Available in the EVF when in P, A, S and M modes. Art filter, WB and exposure are not reflected in EVF.
  11. Eyecup
    Optional eyecup EP-13 available
  12. Rear Monitor Size
    3.0-inch vari-angle monitor* *Approx.1037k dots (3:2), electrostatic capacitance touch panel
  13. Touch Control
    Shutter release, magnification, AF area selection, AF area size adjustment, AF touch pad, frame forward/backward, magnified playback, Live Guide, Super Control Panel, Wi-Fi connection, movie controls, movie effects, movie teleconverter , selfie controls (shutter release, e-Portrait, custom self timer)
  14. Tilting Capability
    With (mirror display when monitor is in self portrait position)
  15. Brightness / Color Temp Control (Rear Monitor)
    ±7 levels / ±7 levels
  16. Color Tone Select
    Vivid / Natural
  17. Live View
    Approx. 100% field of view, exposure compensation preview, WB adjustment preview, gradation preview, face detection preview (up to 8 faces), grid line, magnification display (x3/x5/x7/x10/x14),
    Display modes: Standard, Histogram, Highlight & Shadow, Level Gauge, Off (Image Only)
  18. Field of View
    100%
  19. Display Mode
    Standard, Histogram, Highlight & Shadow, Level Gauge, Off (Image Only)
  20. Magnification Display
    x3/x5/x7/x10/x14
  21. Monitor Information
    Aperture value, Shutter speed, Auto Bracket, AE Lock, AF mode, IS, Shooting Mode, Battery %, Custom Set, Internal Temperature Warning, Face / Eye Detection, Histogram, Number of storable still pictures, Record mode, ISO, Sequential shooting, Self-timer, White Balance, Metering Mode, AF confirmation, Exposure Compensation Value, Spot metering Area Flash Mode, Flash Status, Flash intensity Control, Super FP, Focal length, Tone control, Eye-Fi condition, Digital teleconverter
  22. Display of Face Detection
    Max 8 frames of face detection can be displayed.

Exposure Control / Flash

  1. Metering System
    Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control *Also available AF target spot metering
  2. Metering Range
    EV -2 - 20 (using 17mm f2.8, ISO 100)
  3. Exposure Mode / Shooting Mode
    i Auto (Live Guide can be used) , P: program AE (program shift can be performed),
    A: aperture priority AE
    S: Shutter priority AE
    M: Manual (Live Bulb, Live Time and Live Composite are available)
    Custom 1,2,3
    Art Filter
    Underwater wide/Underwater macro (to be assigned to the Fn1 button)
  4. Scene Select AE
    No
  5. ISO Sensitivity
    AUTO ISO (default) : LOW (approx.64) ‐ 6400 with customizable upper limit (200 - 6400)
    Manual ISO : LOW (approx.64), 200 - 25600 (adjustable in 1/3 or 1 EV steps)
  6. Exposure Compensation
    ±5 EV, adjustable by 1/3, 1/2 or 1 EV steps When shooting in HDR or in video, only adjustable up to ±3 EV steps Live View only reflects up to ±3 EV steps
  7. AE Lock
    Locks with a half-press of the shutter button , AEL/AFL button(can be set to Fn button as well)
  8. Noise Filter at High ISO Setting
    Off, Low, Standard, High
  9. Noise Reduction at Slow Shutter Speed
    Off, On, Auto On : effective when shutter speed is slower than 1 sec.
    Auto : effective when shutter speed is slower than 4 sec. (at ISO 200 or higher) or 8 sec. (at lower than ISO200)
  10. Flash Intensity Control Mode
    TTL Auto, Auto*, Manual, Super FP*(FP-TTL AUTO, FP-MANUAL)
    * Available on the external flash
  11. Bundled Flash
    FL-LM3(dustproof and splashproof flash)
     GN=9.1(ISO100・m)/ GN=12.9(ISO200・m)
     Bounce Capability (up and down:45, 60, 75, 90 degree / left and right 30, 60, 90, 120, 150, 180 degree)
    *Powered by the camera
  12. Flash Mode
    Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual(1/1(FULL)~1/64)
  13. Synchronization Speed
    1/250 sec.
    *When using Super FP: 1/125-1/8000 sec.
    *When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing
  14. Flash Intensity Control
    Up to ±3 EV in 1/3, 1/2, 1 EV steps selectable
  15. Compatible External Flash
    FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8
  16. Wireless Flash Control
    Wireless flash transmission channel settings enable selection of the flash/no flash for groups of multiple flash units. In addition, it allows TTL auto, auto and manual models to be set; offers a bounce and swivel head; and flash coverage is automatically adjusted in several steps to correspond to the image area when zooming.
  17. Wireless Flash Control Method
    Triggered and controlled by Olympus Wireless RC Flash system compatible flashes: included FL-LM3 or separately available FL-600R and FL-900R , STF-8
  18. Wireless Flash Intensity Control Mode
    TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL
  19. Channel No.
    4 channels
  20. Group No.
    4 groups (External flash 3 groups + commander flash)

Memory / Image Recording (File Format)

  1. Compatible Memory
    SD, SDHC*1, SDXC*1, Eye-Fi Card compatible*2
    *1 Slot1:UHS-I,II compatible , Slot2:UHS-I compatible.
    *2 Not compatible with Endless Memory.
  2. Recording Format
    DCF2.0, Exif2.3
  3. File Format
    RAW (12-bit lossless compression), JPEG, RAW+JPEG
  4. Recording Image Size
    [RAW] 5184 x 3888 pixels [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels
  5. File Size
    [RAW] 5184 x 3888 pixels
    [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels
  6. Dual Card Slot Settings
    Standard, Auto Switch, Dual Independent, Dual Same *When two cards are inserted, card to be saved on to or to be viewed can be designated.
  7. Folder Creation and Selection
    Available
  8. Copy
    Copy single file, copy multiple files, copy all *When copied, the new file will be given a different name from that of the original file.

White Balance / Color Mode

  1. White Balance Mode
    Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting)
  2. White Balance Compensation*
    ±7 steps along A-B / G-M axis * Except for Custom WB
  3. Preset White Balance
    7 preset WBs (3000K - 7500K) - Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K)
  4. CWB (Kelvin Setting)
    2000 - 14000K
  5. Capture White Balance
    4 custom settings can be registered
  6. Color Mode
    sRGB, Adobe RGB

Bracketing / HDR

  1. Exposure Bracketing
    2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable
  2. ISO Bracketing
    3 frames in 0.3/0.7/1.0EV steps selectable
  3. White Balance Bracketing
    3 frames in 2, 4, 6 selectable steps for A-B/G-M axis.
  4. Flash Bracketing
    3 frames in 0.3/0.7/1.0EV step selectable
  5. Art Filter Bracketing
    i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator selectable
  6. Focus Bracketing
    3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses)
  7. Focus Stacking Mode
    8 shots are taken at different focus points and automatically composited together into a single image
    * Angle of view becomes slightly smaller
    * Compatible with :
    M.Zuiko Digital ED 60mm f/2.8 Macro
    M.Zuiko Digital ED 12-40mm f/2.8 PRO
    M.Zuiko Digital ED 40-150mm f/2.8 PRO
    M.Zuiko Digital ED 30mm f/3.5 Macro
    M.Zuiko Digital ED 7-14mm f/2.8 PRO
    M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO
    M.Zuiko Digital ED 300mm f/4.0 IS PRO
  8. HDR (Auto Composite)
    HDR1, HDR2 (painting-like)
    ※ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec.
    ※Exposure compensation can be performed.
  9. Bracketing for HDR post-process
    3 or 5 frames in 2.0 or 3.0 EV steps, or 7 frames in 2.0 EV steps.
    *This sequential shooting H AE bracketing is specifically for shooting images that will be HDR-processed on a PC.

Creative Features

  1. Picture Mode
    i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Underwater, Color Creator, Art Filters
  2. Gradation
    Auto, Normal, High Key, Low Key [except when using i-Enhance, Underwater, Art Filters, Color Creator]
  3. Filter Effect (B&W Filter)
    Neutral, Yellow, Orange, Red, Green for Monotone
  4. Picture Tone
    Neutral, Sepia, Blue, Purple, Green for Monotone
  5. Art Filter
    (Variation / Art Effect)
    Pop Art (I, II / a.b.c.d.e)
    Soft Focus ( - / c.e)
    Pale & Light Color (I, II / a.b.c.d)
    Light Tone ( - / d)
    Grainy Film (I, II / b.c.d.f.g)
    Pin Hole (I, II, III / d.)
    Diorama ( - / d.)
    Cross Process (I, II / b.c.d.)
    Gentle Sepia ( - / a.b.c.d.f.)
    Dramatic Tone (I / b.c.d.e.f.) (II / b.c.d.e.f.g.h)
    Key Line (I, II / a.b.c.d.e.)
    Watercolor (I, II / a.b.c.d.)
    Vintage (I, II, III / a.b.c.d.e.f.i)
    Partial Color (I, II, III / a.b.c.d.e.f)
  6. Art Effect
    a. Soft Focus Effect
    b. Pin-Hole Effect
    c. White Edge Effect
    d. Frame Effect
    e. Star Light Effect
    f. Blur Effect (Top & bottom, Left & Right)
    g. B&W Effect (None, Yellow, Orange, Red, Green)
    h. Picture Tone (None, Sepia, Blue, Purple, Green)
    i. Shade Effect (Top & bottom, Left & Right)
  7. Color Ring (for partial color)
    18 color selectable
  8. Live Bulb / Live Time
    Update Interval Time - 0.5 sec – 60 sec
  9. Live Composite
    Update Interval Time / composite method – 0.5 sec – 60 sec / Lighten Mode (Bright area prioritization)
  10. Interval Shooting
    "Interval Time 1sec. - 24 Hours, Max 999 frames. Available on making Time-lapse movie automatically"
  11. Multiple Exposure (number of pictures / function)
    2 frames / Auto gain, Exposing on Recorded picture(RAW)
  12. Keystone Compensation
    Available (can be confirmed in Live View) *Horizontal and vertical compensation can be performed simultaneously.

Video / Audio Recording

  1. Video Recording Format
    MOV(MPEG-4AVC/H.264) , AVI(Motion JPEG)
  2. Movie Mode / Frame Rate / Compression Method
    4096 × 2160 (C4K) / 24p / IPB (approx. 237 Mbps)
    3840 × 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 Mbps)
    1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
    1920 x 1080 (FHD) / 60p, 50p / IPB (SF, F, N)
    1280 x 720 (HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
    60p: 59.94 fps, 50p: 50.00 fps, 30p: 29.97 fps, 25p: 25.00 fps,
    24p: 23.98 fps, C4K 24.00 fps
    FHD ALL-I (A-I: ALL-Intra / approx. 202 Mbps),
    FHD IPB (SF: SuperFine / approx. 52 Mbps, F: Fine / approx.. 30 Mbps,
    N: Normal / approx. 18 Mbps)
    HD ALL-I (A-I:ALL-Intra / approx. 102 Mbps),
    HD IPB(SF:SuperFine / approx.26Mbps, F:Fine / approx.14Mbps、N:Normal / approx.10Mbps)
    HD (1280 x 720) / 30p
    *Frame rates may drop when particular Art Filters and Movie Effects are used.
    *Class 10 or higher SD card is recommended for shooting movies.
    *UHS-II or UHS-I U3 card is recommended for 4K,C4K,ALL-I shooting.
  3. Maximum Video Recording Time
    [MOV] Approx.. 29min [AVI] Approx. 7min*
    *Excluding when particular Art Filters are used
  4. Movie Tele-converter
    Approx. 3x (enlarges view of selected area)
  5. Art Filter Movie
    Available (Frame rates may drop when certain Art Filters are used)
  6. Movie Effect
    One-shot Echo / Multi-echo / Art Fade / Old Film
  7. Timelapse Movie
    [AVI ]
    3840×2160(4K)/ 5fps
    1920×1080(FHD)/ 5fps,10fps,15fps
    1280×720(HD)/ 5fps、10fps、15fps、30fps
  8. IS for Movie
    M-IS1*(Image sensor shift and electronic image stabilizer with multi motion IS),
    M-IS2(Image sensor shift with multi motion IS), Off
    *While using M-IS1, field of view may be affected.
  9. AE Lock
    Available
  10. Video Exposure Control
    Program AE, aperture priority AE, shutter priority AE, manual
  11. Grid Lines / Focus Peaking
    4 types of grid lines / 4 colors for focus peaking
  12. Time Code
    Rec run/free run, drop frame/non-drop frame
  13. Clips
    1, 2, 4, 8 sec.
    (Further continued shooting possible up to 16 seconds by pressing movie record button again)
  14. Quick Movie / Slow Movie
    With (this function is not available for videos with certain frame rates)
  15. Audio Recording Format
    Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)
  16. Microphone / Speaker
    Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached
  17. Microphone Function
    Wind noise reduction, recording volume, microphone volume limiter
    Audio dubbing possible for still pictures (up to 30 sec.)
    *May affect audio quality.
  18. IC Recorder Linkage
    Slate Tone / Synchronized Audio Rec-Movie Rec *LS-100 compatible

Operability

  1. WiFi
    Easy Connection
    QR code setting
    Wireless Shooting
    Live View
    Power off
    Rec View
    Self timer (w/Countdown guidance, Sequential shooting, movie recording capability)
    Touch AF & Shutter
    P/A/S/M exposure modes (Live Bulb, Live Time, Live Composite)
    Sequential shooting
    Movie Recording
    Zoom
    Aperture, shutter speed, exposure, ISO sensitivity, white balance can be adjusted.*
    *When in private connection
  2. Tethered Shooting
    Via USB cable (camera can be operated by both PC or camera controls)
  3. Playback Mode
    Single-frame, information display, index display (4/9/25/100 frames), Clips, calendar, enlargement (2x - 14x), movie (with sound, FF/REW/Pause), picture rotation (auto), slideshow (with sound including BGM, Slide show effects, replaceable BGM), Light Box display
  4. Information Display
    Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF
  5. Custom Settings / Reset
    Modes C1, C2, and C3 can be accessed by mode dial
    Modes C1, C2, and C3 can be accessed via the menu
    Dial function and dial direction are customizable for both dials
  6. Button Customization
    Buttons can be customized (select from 35 functions)
    *Buttons on lenses and HLD-9 power batter holder can also be customized from the camera
    *Some buttons may have restrictions to what functions can be assigned
  7. Copyright Settings / Lens Info Settings
    Available / With (save up to 10 lenses)
  8. RAW Image Editing Functions
    Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280x960, 640x480, 320x240), Trimming, Aspect, e-Portrait, Image Overlay, Post recording
  9. JPEG Image Editing Functions
  10. Image Overlay
    Up to 3 RAW images
  11. Erasing Function
  12. Protect Function
  13. Menu Languages (34 selectable)
    English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai

Connectivity / Power Requirements

  1. USB Connector
    USB Type-C
  2. Remote Connector
    φ2.5Pin Jack (when using separately available RM-CB2).
  3. HDMI Connector
    Micro HDMI (type D)
  4. Flash Attachment
    Hot shoe, sync terminal
  5. Wireless LAN
    Built-in(IEEE 802.11b/g/n)
  6. MIC Input Jack
    φ3.5 stereo mini jack (plug-in power on/off)
  7. Headphone Jack
    φ3.5 stereo mini jack
  8. PC Interface
    SuperSpeed(USB3.0)
  9. TV Interface
    Not Available
  10. Battery
    BLH-1 Li-ion battery (included)
  11. Battery Status Display
    Remaining power (4 steps, %, or by-minute display), shot count, degradation
  12. Power Battery Holder
    HLD-9 power battery holder is separately available (holds one BLH-1 battery).
  13. AC Adapter
    AC-5 AC adapter is separately available (connects to power battery holder HLD-9 to provide power to camera).
  14. Sleep Mode
    Available (1/3/5 min. off)
  15. Number of Recordable Pictures
    Approx. 440 shots (using BLH-1 and Toshiba SDHC UHS-I Card Exceria with IS ON, with no flashes attached, based on CIPA test standards) *When used with an authentic Olympus BLH-1 battery.
    Approx. 950 shots (using quick sleep mode, under Olympus testing conditions based on CIPA test standards) *When used with an authentic Olympus BLH-1 battery.
  16. Battery Life for Movie Shooting
    Approx. 90 minutes* (under standard JEITA testing) *When used with an authentic Olympus BLH-1 battery.
    Approx. 150 minutes* (when zoom and other operational functions are not used) *When used with an authentic Olympus BLH-1 battery.
    *When repeatedly recording at the maximum time of 29 minutes

Weights & Dimensions / Operating Environment / Box Contents

  1. Weight
    Approx. 574g (with BLH-1 battery and Memory card, based on CIPA standards)
    Approx. 498g (body only)
  2. Dimensions
    W:134.1mm H:90.9mm D:68.9mm
    (based on CIPA standards: excludes protrusions)
  3. Environmentally Sealed
    Dust, Splash, Freezeproof
  4. Operating Temperature Range
    -10℃ ~ +40℃ (when in operation) / -20 ~ +60℃ (when stored)
  5. Operating Humidity Range
    30 - 90% (when in operation) / 10 - 90% (when stored)
  6. Box Contents
    Body, USB cable, cable clip, shoulder strap, instruction manual, warranty card, FL-LM3 flash, BLH-1 Li-ion battery , BCH-1 Li-ion battery charger
Reviews

Tell Us How Much You Love The OM-D E-M1 Mark II

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August 7, 2017 by Philippe
I'm in love!
I was an owner of an Olympus E-5 DSLR. After seven years, I wanted to upgrade my camera. With the MMF-3 I can keep my 4/3 lenses. I choose the OMD EM1 mark ii after reading the reviews. But I'm amazed by the image quality, the handling, the quick AF and the incredible IS. Combined with the 12-100mm F4, the IS is simply a virtual tripod. And now I can use the superb M.Zuiko Pro lenses. The buttons and the menu are very user friendly when you take the time to understand this little beast! Really, the best camera I've ever owned!
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August 3, 2017 by Charles
Nearly Perfect
The size, weight, and feel in my hands is the best yet and the size is a good complement for the long zooms that I prefer to use. I love the Pro-Capture mode when combined with the capture rate the MK II is able to reach. However, the changes to S-AF with 4/3 lenses and the lack of a small enough S-AF point (that was available in the Mk I) along with several other usability fixes that the Mk I had that so far have not transitioned to the Mk II lead me to say "Nearly Perfect". I do wish both slots had been UHS-II so that I could use the mirror backup function at the highest sustained shooting rates.
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July 14, 2017 by Scott
Selling my Full Frame
I have been shooting the Canon 5DM3 with the L-series trinity (16-35 2.8L, 24-70 2.8L, and 70-200 2.8L) since the Mark III was released. I was interested in cutting down on size and weight, so the Olympus MFT really interested me. I purchased the E-M1 Mark II and some lenses and did some practical testing head to head to see if this MFT camera could possibly replace my full-frame DSLR. Let me start by saying all of my Canon FF gear is now up for sale - I am all in with the E-M1 and Olympus glass! Handling: Feel is very important to me, and although the E-M1 Mark II is very compact, with the grip that is integrated in the body (not the battery pack), it fits great in my hands, which are fairly large. My pinky finger and the bottom of my hand are off the bottom of the camera, but I know it will feel even better with the battery pack attached, which I plan on adding as well. The AEL/AFL button on the back falls nicely under my thumb, which is great as I set it for back-button focusing. All of the buttons and knobs have a great tactile feel to them and the entire camera feels very solid and well-made. Shutter release: Another big point for me is the shutter release. I was never happy with the release on the 5DM3, as it seemed mushy and slow compared to the EOS1n film camera I had before it. The E-M1 Mark II may not be quite as crisp as the EOS1n was, but it is much better than the 5DM3. I am still occasionally firing the shutter when I am meaning to press only halfway. This may bother some people, but for me it is fantastic! I would rather occasionally take a frame by accident than to miss a shot due to a sluggish shutter release. For those times when catching a moment is critical, there is the Pro Capture mode I am sure you have read about. It is a fantastic feature, but certainly not something one would use all the time. The quick and responsive shutter release will help to ensure you get the right moment. Picture quality: MFT has a smaller sensor, which means less resolution, lower dynamic range, more noise at higher ISOs, and more depth of field - a disadvantage for those times you want to blow out the background and really separate your subject. These were my biggest concerns as I was looking to replace a full frame DSLR, which produces fantastic image quality. Can the E-M1 Mark II compete? In my informal testing - absolutely! I am not a big pixel-peeper, but I am pretty fanatical about image quality. My testing was very un-scientific, because I was looking to see if the system would work for me. I do MOST of my shooting with the Canon 70-200 2.8L, which is probably one of the best lenses Canon ever produced. The shallow depth of field and incredible bokeh (particularly at the long end of the focal range) creates really stunning portraits. Knowing the realities of the difference with the MFT sensor, I ordered the Olympus portrait lens kit, with the 75mm and 45mm 1.8 lenses. In terms of sharpness and detail, the 75mm in particular actually beats the Canon in my tests. The DOF for the Canon 70-200 2.8L - at 150mm (which is what the 75mm is in terms of FF equivalent) was still a bit more shallow and the bokeh just a tad smoother. However, when reviewing different shots from the Canon and Olympus, it would be difficult to tell which was which in terms of quality. Since I generally have to stop the 70-200 down to get enough DOF for most shots anyway, the 75mm and 45mm Olympus lenses proved to be more than adequate in terms of throwing the background out of focus and delivering pleasing bokeh. High ISO performance: I am comparing to Canon - which is not renown for high ISO performance, but it still does quite well at high ISOs. For me, I was very surprised to find the Olympus images pretty clean up to 5k and still pretty good at 6400! The full frame comparison shots I took were a little cleaner, but the difference was not as great as I expected. Autofocus: This was an area I was also concerned about, as Canon's AF is outstanding - particularly in terms of your ability to fine tune the AF for different situations. To test this, I went to a local ice rink and shot some ice hockey with the 5DMII and the E0M1 Mark II. There was a little bit of a learning curve to the Olympus - I have shot a LOT of sports with the Canon, and by now it is second nature. I could write an entire review just on the AF, but here are the high points: The Canon is much more customizable in terms of adjusting the AF parameters to match your situation. If this is paramount to your shooting, the E-M1 Mark II might not be right for you. The AF speed and tracking on the E-M1 Mark II is phenomenal - and the tracking is great as long as you can keep it on your subject. You can adjust the tracking sensitivity, but in my testing, it does not control the focusing behavior as well as the Canon adjustments do. One gripe: The autofocus targets on this camera include single target, 5 target group, 9 target group, and all target (121 points). In all but single target the camera decides which of the active targets to use for focus. On the Canon 5DM3 (and by the way, also on the Olympus E-M5 Mark II), there is also a fine spot point or what Olympus calls a small target. This is perfect for really critical AF where you need to hit a specific point, like the human eye in a portrait. I don't understand why this is not on the E-M1 Mark II and I sent an email to Olympus asking for consideration to add this via Firmware Update if possible. Sequential shooting shooting 18fps in continuous focusing mode is a rush and can be addictive! Be careful though, I wound up in my testing with far more shots than I needed or intended. Even slow speed sequential is crazy fast at 10fps! These can be lowered in the menu, which is a great idea if you don't need to shoot that fast. All the rest: There are many other fantastic features, such as all you can do with the OI Share app, composite shooting, and the unbelievable amount of customization available. I am constantly finding yet another reason to love this camera Bottom line: Photography is very important to me, from the actual shooting experience to the final product. The E-M1 delivers all around - I enjoy shooting with this even more than my FF Canon. With the compact size and light weight, I am not straining to carry all my gear, and holding the camera to my eye for long periods is easier and more comfortable. This camera feels great in my hands - during my testing I found myself reluctant to put it down to take comparison shots with the Canon! In terms of final image quality - I really feel as though I am not losing anything moving to this camera from full frame. I have stacked the deck by getting faster primes to keep the ISO down (and I didn't even mention how the in-body stabilization helps here as well) and narrow the depth of field when I want to. I would not hesitate to shoot weddings, portraiture, or sports with this camera - and I certainly intend to!
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Support
Revolutionary Speed, Ultra-Precise Dual AF, and Cinema 4K Video. All inside a compact weathersealed body. Start building your E-M1 Mark II System.
Build your OM-D E-M1 Mark II System. Save on select items with camera purchase.
Now is the best time to build your kit! Add any of these M.Zuiko Lenses to your camera purchase and save instantly.
Make sure your camera is powered and ready to capture all of life’s special moments. SAVE $25 on the HLD-9 with your E-M1 Mark II purchase. BATTERY EXCEPTION - DUE TO NEW FEDERAL REGULATIONS all orders containing additional stand-alone batteries (except if included w/camera) will be shipped GROUND ONLY including your ENTIRE ORDER, regardless of shipping method chosen. To expedite other items, please order the additional battery separately. Batteries cannot be shipped to VI and PR.
Pick a premium case or even take your E-M1 Mark II underwater.
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