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M.Zuiko 75mm f1.8

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Starting At CA$1,049.99

Regular Price: CA$1,149.99

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M.Zuiko 75mm f1.8

5.0 Stars

Availability: In stock

M.Zuiko 75mm f1.8

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M.Zuiko 75mm f1.8

Starting At CA$1,049.99

Regular Price: CA$1,149.99

(CA$100.00 Savings!)
buy now
Overview

M.Zuiko 75mm f1.8 at a Glance

The 75mm f1.8 is a high-grade, fast aperture portrait lens featuring metallic construction and a light weight of just 10.7 oz. With a 35mm equivalent focal length of 150mm, it is ideally suited for studio portraits, theatre stage, and indoor sports photography. A large, bright 50mm front lens element compliments a sophisticated optical design of 10 individual lens elements in 9 groups, including a total of 3 ED lenses and 2 HR lenses. Its large f1.8 maximum aperture captures clear, sharp images when the lights are low, while its MSC (Movie and Still Compatible) AF drive assures fast and nearly silent focusing.

  1. 75mm Single Focal Length
  2. 16° Angle of View
  3. F1.8 Maximum Aperture
  4. ZERO (Zuiko Extra-low Reflection Optical) coating
  5. Maximum Image Magnification .10x
  6. High-Speed Imager AF (MSC)
  • PORTRAITS
  • BOKEH
  • QUIET AUTO FOCUS
  • ADVANCED CONSTRUCTION
  • PORTRAITS
  • BOKEH
  • QUIET AUTO FOCUS
  • CAPTURE PERFECT PORTRAITS & MORE

    Want exquisite detail and smooth background defocusing in your images? A large front element and sophisticated optical design coupled with a bright aperture of f1.8 make the 75mm f1.8 lens a superb choice for studio portraits and indoor sports.

    Shot with the 75mm F1.8 Lens

    More
  • BUILT FOR BEAUTIFUL BOKEH

    Photographers who shoot a lot of portraits and still-lives are always seeking excellent bokeh. Thanks to its large f1.8 aperture and 9 bladecircular aperture, the 75mm f1.8 is especially well suited to capture the combination of a tack-sharp subject and beautifully soft, defocused background that exemplifies bokeh.

    Shot with the 75mm F1.8 Lens

    More
  • SHHHHH, AMAZING PHOTOGRAPHY IN PROGRESS

    The inclusion of the Movie & Still Compatible (MSC) mechanism provides amazingly fast – and nearly silent – autofocus operation. You’ll really notice the benefit when you play back your HD video and the only thing you hear is the ambient background noise in the scene you were filming; what you won’t hear is the sound of the lens moving as it changes focus. With MSC and the super-bright f1.8 aperture, you can film a school play or indoor sporting event in low light and still get excellent results.

    Shot by Olympus Trailblazer Jamie MacDonald with the OM-D E-M1 and the M.Zuiko 75mm F1.8 Lens

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  • ENGINEERED FOR EXQUISITE QUALITY

    With ten individual lens elements in nine groups, metallic construction and a light weight of just 10.7 oz, this lens is a really advanced piece of engineering. Among these elements you’ll find three ED, or extra-low dispersion, lenses that correct for chromatic aberration, and two HR, or high refractivity, lenses, which correct for spherical aberration. All lens elements feature Olympus’s ZERO coating technology for virtual elimination of ghosts and flares.

    Shot by Olympus Trailblazer Tracie Maglosky with the OM-D E-M1 and the M.Zuiko 75mm F1.8 Lens

    More
  • CAPTURE PERFECT PORTRAITS & MORE

    Want exquisite detail and smooth background defocusing in your images? A large front element and sophisticated optical design coupled with a bright aperture of f1.8 make the 75mm f1.8 lens a superb choice for studio portraits and indoor sports.

    Shot with the 75mm F1.8 Lens

    More
  • BUILT FOR BEAUTIFUL BOKEH

    Photographers who shoot a lot of portraits and still-lives are always seeking excellent bokeh. Thanks to its large f1.8 aperture and 9 bladecircular aperture, the 75mm f1.8 is especially well suited to capture the combination of a tack-sharp subject and beautifully soft, defocused background that exemplifies bokeh.

    Shot with the 75mm F1.8 Lens

    More
  • SHHHHH, AMAZING PHOTOGRAPHY IN PROGRESS

    The inclusion of the Movie & Still Compatible (MSC) mechanism provides amazingly fast – and nearly silent – autofocus operation. You’ll really notice the benefit when you play back your HD video and the only thing you hear is the ambient background noise in the scene you were filming; what you won’t hear is the sound of the lens moving as it changes focus. With MSC and the super-bright f1.8 aperture, you can film a school play or indoor sporting event in low light and still get excellent results.

    Shot by Olympus Trailblazer Jamie MacDonald with the OM-D E-M1 and the M.Zuiko 75mm F1.8 Lens

    More
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Reviews

Tell Us How Much You Love The M.Zuiko 75mm f1.8

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April 28, 2016 by Temucin
GREAT LENS
It is fast, it is silent, it is great. I bought the OM D E-M5 when I was in New York just before Sandy. And a day later, I bought the 75mm. I had a GH2 that I gave to my daughter. The combo; OM D E-M5 with the 75 mm is great in low light situations. With a gorilla pod, you can shoot literally anything at night. It is sharp, noise is low even at 3200 ASA, with the Art Filters of the camera, even the dullest scene looks interesting. Highly regarded, strongly suggested as an essential.
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April 28, 2016 by Brad
Outstanding lens
This is a must have lens for the micro four thirds system if you can afford it. The lens is fast to focus, quiet, solid, and is incredibly sharp at all apertures. It opens up some creative options with its telephoto focal length and fast aperture. I use it for detail shots when outdoors, kids playing and love it as a portrait lens.
April 28, 2016 by Daniel
A very exceptional lens in the M4/3 world of photography
Some would say a true cult lens. I certainly agree that the M.75mmF1.8 is an exception on its own. Despite its high pricepoint, it worth every penny of it. The lens by itself is beautifully design and crafted with the classic metal feeling and the very smooth manual focus damping. It is an heavy lens by M4/3 standards especially compared to the « polymer » products. The results are outstanding. I meanly use this M.75mmF1.8 as a portrait (face) lens. I like the creamy effect of the outfocused aera surrounding the subjet. You have to pay attention to the weight of the lens by holding it the classical way using your left arm as a palm receptor. This position allow you to manually correct the focus with the OM-D E-M5 S-AF/MF autofocus mode. I am not really fond of the big lens hood proposed except maybe with some strong ponctual front light situations. My only recommendation is to protect the front optical element of the lens with a first class neutral filter. Yes the M.75mm F1.8 is a beauty by itself but it is also a compentent tool that generate outstanding results.
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